Melody Maker, March 26, 1977: Difference between revisions

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Easy to see that here we have a raunchy Jonathan Richman and a pupil of the Graham Parker / Bruce Springsteen school of modern rock. But interesting and promising though he sounds, with ideas streaming from both sides of the single, neither track is strong enough. This is album materiel. Not for the chart.
Easy to see that here we have a raunchy Jonathan Richman and a pupil of the Graham Parker / Bruce Springsteen school of modern rock. But interesting and promising though he sounds, with ideas streaming from both sides of the single, neither track is strong enough. This is album material. Not for the chart.


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[[image:1977-03-26 Melody Maker page 18 clipping.jpg|x240px|border]]
[[image:1977-03-26 Melody Maker page 18 clipping.jpg|x240px]]
[[image:1977-03-26 Melody Maker page 18.jpg|x240px|border]]
[[image:1977-03-26 Melody Maker page 18.jpg|x240px|border]]
<br><small>Clipping composite and page scan.</small>
<br><small>Clipping composite and page scan.</small>

Latest revision as of 17:57, 17 December 2023

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Melody Maker

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Less Than Zero

Elvis Costello

Caroline Coon

Easy to see that here we have a raunchy Jonathan Richman and a pupil of the Graham Parker / Bruce Springsteen school of modern rock. But interesting and promising though he sounds, with ideas streaming from both sides of the single, neither track is strong enough. This is album material. Not for the chart.

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Melody Maker, March 26, 1977


Caroline Coon reviews "Less Than Zero."

Images

1977-03-26 Melody Maker page 18 clipping.jpg 1977-03-26 Melody Maker page 18.jpg
Clipping composite and page scan.

Cover.
1977-03-26 Melody Maker cover.jpg

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