Miami New Times, March 29, 2008: Difference between revisions
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Tharp and Costello's NIGHTSPOT: Shocked and Awed | {{Bibliography header}} | ||
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<center><h3> Tharp and Costello's NIGHTSPOT: Shocked and Awed</h3></center> | |||
It seems fitting that Miami would be the city to host the world premiere of Twyla Tharp's NIGHTSPOT, an energetic work that fit together in a discordant yet stunningly compelling way. | ---- | ||
<center> Janine Zeitlin </center> | |||
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It seems fitting that Miami would be the city to host the world premiere of Twyla Tharp's ''NIGHTSPOT'', an energetic work that fit together in a discordant yet stunningly compelling way. | |||
Splashes of classical ballet, Broadway, Cirque du Soleil, fight clubs and Latin dance percolated constant curiosity throughout this highly anticipated work. | Splashes of classical ballet, Broadway, Cirque du Soleil, fight clubs and Latin dance percolated constant curiosity throughout this highly anticipated work. | ||
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Grand jetés and pirouettes gracefully transitioned into jazz and salsa steps. Tharp toyed with traditional ballet gender roles in the work as a lusty, principal female became the aggressor and the male dancer was the broken, frail one. The first male principal solo was filled with karate-like kicks that transitioned into ballet leaps, making for a spectacularly bad-ass ballet. | Grand jetés and pirouettes gracefully transitioned into jazz and salsa steps. Tharp toyed with traditional ballet gender roles in the work as a lusty, principal female became the aggressor and the male dancer was the broken, frail one. The first male principal solo was filled with karate-like kicks that transitioned into ballet leaps, making for a spectacularly bad-ass ballet. | ||
There were only brief moments when the work felt forced. A movement highlighting a swath of long red silk felt like an imitation of an artful circus and, at times, the multiple partner dances seemed too West Side Story. Overall, NIGHTSPOT felt refreshing, cacophonous and cohesive --very much like an evening in the Magic City. | There were only brief moments when the work felt forced. A movement highlighting a swath of long red silk felt like an imitation of an artful circus and, at times, the multiple partner dances seemed too ''West Side Story''. Overall, ''NIGHTSPOT'' felt refreshing, cacophonous and cohesive --very much like an evening in the Magic City. | ||
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'''Miami New Times, March 29, 2008 | |||
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[[Janine Zeitlin]] reviews the Miami City Ballet performing ''Nightspot'' choreographed by Twyla Tharp with a score by Elvis Costello. | |||
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==External links== | ==External links== |
Revision as of 11:29, 20 October 2017
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