Milwaukee Journal Sentinel, April 18, 2005: Difference between revisions
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<center><h3>Masterful Costello defies age and genres </h3></center> | <center><h3> Masterful Costello defies age and genres </h3></center> | ||
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<center>Jon M. Gilbertson</center> | <center> Jon M. Gilbertson </center> | ||
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Bolo tie, cowboy boots, cowboy hat, Western-style suit and shirt: Had Elvis Costello been judged solely on his outfit when he strode onstage at the | Bolo tie, cowboy boots, cowboy hat, Western-style suit and shirt: Had Elvis Costello been judged solely on his outfit when he strode onstage at the Riverside Theatre Saturday night, the audience might have mistaken him for a moderately and unapologetically disreputable, if amiable, used-car salesman with a dealership on the outskirts of Fort Worth. | ||
Fortunately, his generous sampling of nearly three decades of masterful music did help to deflect that impression. (It didn't hurt that he removed the hat almost immediately). Going from New Wave rock to old-fashioned country to classic pop, Costello performed for more than 2 ½ hours, and although he often sweated, he rarely strained. | Fortunately, his generous sampling of nearly three decades of masterful music did help to deflect that impression. (It didn't hurt that he removed the hat almost immediately). Going from New Wave rock to old-fashioned country to classic pop, Costello performed for more than 2 ½ hours, and although he often sweated, he rarely strained. | ||
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Costello indulged his associational anarchy without much stumbling, thanks to the limber responsiveness of his band, [[the Imposters]]. [[Steve Nieve]] (the very epitome of the huddled professorial keyboard genius) and [[Pete Thomas]] (a Keith Moon-level drummer with a bigger body and a smaller drum kit) utilized considerable experience from their time supporting him in [[the Attractions]], while relative newcomer [[Davey Faragher]] was unpretentiously effective on bass and backing vocals. | Costello indulged his associational anarchy without much stumbling, thanks to the limber responsiveness of his band, [[the Imposters]]. [[Steve Nieve]] (the very epitome of the huddled professorial keyboard genius) and [[Pete Thomas]] (a Keith Moon-level drummer with a bigger body and a smaller drum kit) utilized considerable experience from their time supporting him in [[the Attractions]], while relative newcomer [[Davey Faragher]] was unpretentiously effective on bass and backing vocals. | ||
The frontman himself operated well beyond his theoretically intrinsic limitations. Costello's guitar playing did once garner him the nickname " | The frontman himself operated well beyond his theoretically intrinsic limitations. Costello's guitar playing did once garner him the nickname "Little Hands Of Concrete|Little Hands of Concrete," and the comparison between his voice and Bob Dylan's remains not entirely inaccurate - certainly, both squeeze intense emotion from constricted throats - but he burned down considerations of mere technical skill, goaded by the Imposters and by the long reach of his talent. | ||
Known most widely for his songs of heartbroken rage and lovelorn contempt, Costello easily poured out an aching, scarred version of his biggest hit, "[[Alison]]," and a sinuously slashing take of "[[Watching The Detectives|Watching the Detectives]]." However, he also shook his head at his younger self in "[[When I Was Cruel No. 2]]" (reminiscent of a James Bond theme song adapted to the foibles of middle age), wrung his hands regretfully in "[[Either Side Of The Same Town|Either Side of the Same Town]]" (maturely epic Americana and soul) and simply kicked up his heels for rollicking covers of [[Merle Haggard]]'s "[[Tonight The Bottle Let Me Down|Tonight the Bottle Let Me Down]]" and [[Nick Lowe]]'s "[[Heart Of The City|Heart of the City]]." | Known most widely for his songs of heartbroken rage and lovelorn contempt, Costello easily poured out an aching, scarred version of his biggest hit, "[[Alison]]," and a sinuously slashing take of "[[Watching The Detectives|Watching the Detectives]]." However, he also shook his head at his younger self in "[[When I Was Cruel No. 2]]" (reminiscent of a James Bond theme song adapted to the foibles of middle age), wrung his hands regretfully in "[[Either Side Of The Same Town|Either Side of the Same Town]]" (maturely epic Americana and soul) and simply kicked up his heels for rollicking covers of [[Merle Haggard]]'s "[[Tonight The Bottle Let Me Down|Tonight the Bottle Let Me Down]]" and [[Nick Lowe]]'s "[[Heart Of The City|Heart of the City]]." | ||
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'''Milwaukee Journal Sentinel, April | '''Milwaukee Journal Sentinel, April 18, 2005 | ||
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[[Jon M. Gilbertson]] reviews Elvis Costello and The Imposters | [[Jon M. Gilbertson]] reviews Elvis Costello and [[The Imposters]], Saturday, [[Concert 2005-04-16 Milwaukee|April 16, 2005]], Riverside Theatre, Milwaukee, WI. | ||
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Revision as of 16:09, 15 August 2014
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