Mojo, December 2005

Bibliography   72 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 UK & Ireland weeklies UK & Ireland magazines UK & Ireland newspapers US newspapers US rock magazines US music magazines US magazines US alternative weeklies European magazines European newspapers Canada  •  Mexico  •  Asia Australia  •  New Zealand South America  •  Africa Blogs  •  Fanzines  •  Books Online publications Mojo   1993 December 1994 June 1995 June 1995 August 1995 October 1996 January 1996 May 1996 June 1997 October 1998 January 1998 February 1998 July 1998 October 1999 July 1999 September 1999 October 2001 January 2002 March 2002 May 2002 December 2003 June 2003 July 2003 October 2003 November 2004 August 2004 September 2004 October 2004 December 2005 July 2005 October 2005 November 2005 December 2006 January 2006 June 2007 April 2007 November 2007 December 2010 March 2010 May 2010 November 2011 August 2013 July 2013 September 2013 October 2014 January 2014 December 2015 September 2015 December 2016 January 2018 February  2018 November 2019 January 2020 November 2020 December 2021 July 2021 September 2021 November 2022 February 2022 September 2022 October  2023 January  2023 April  2023 May Mojo Classic 2007 Vol. 2, No. 3 2008 Vol. 2, No. 5 — Elvis Costello: The beloved entertainer Mojo All Back To My Place: In which the stars reveal the sonic delights guaranteed to get them going... What music are you currently grooving to? The Journey, the last album by Amsterdam is good. And Bettye LaVette's I've Got My Own Hell To Raise is killer. She covers other female composers — Sinéad, Lucinda Williams — and the songs all sound like they were written for her. Also The Zutons, Tinariwen, and Thomas Dybdahi. He's a Norwegian singer, and his One Day You'll Dance For Me, New York City is great — really delicate, almost transparently so. What, if push comes to shove, is your all time favourite album? It changes every 15 seconds, but I'll say The Beatles' Revolver because it's such a standby, such a great record. And my wife's new record, of course. What was the first record you ever bought? And where did you buy it? The Fame At Last EP by Georgie Fame, in 1965, at Potter's in Richmond. It had "Get On The Right Track," "Point Of No Return" — a good musical education right there. Which musician, other than yourself, have you ever wanted to be? I've never wanted to be anyone but me. But people who I admire, who had a defining effect on me Sinatra, Lennon, Gram Parsons, Hank Williams. What do you sing in the shower? I sing scales, when my voice is in trouble. I learnt that from Tony Bennett; do it for half an hour and the steam opens things up. What is your favourite Saturday night record? I haven't had a weekend for 27 years, it's either all weekend or all work, so I don't know. I remember being into Double Barrel by Dave And Ansel Collins, though, when I was 15 and going to parties. And your Sunday morning record? I like old recordings. I love the things Joe Bussard puts out — he's preserving a lot of corners of music that are precious, mountain music, jazz, blues, music that was on 78. I dig that. And Bach, Bill Evans, Henry Purcell, Janáček. Things that are contemplative. Tags: Bettye LaVette  •  Sinéad O'Connor  •  Lucinda Williams  •  Revolver  •  The Beatles  •  Georgie Fame  •  Point Of No Return  •  Frank Sinatra  •  John Lennon  •  Gram Parsons  •  Hank Williams  •  Tony Bennett  •  Double Barrel  •  Bach  •  Bill Evans  •  Henry Purcell  •  Leoš Janáček << >> Mojo, No. 145, December 2005 EC is interviewed for Mojo's All Back To My Place feature. Images Clipping. US cover and contents page.

External links

• Wikipedia: Mojo
• Elvis Costello Fan Forum