Musician, October 1984: Difference between revisions

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{{:Bibliography index}}
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<center><h3> In The Studio </h3></center>
<center><h3> In The Studio </h3></center>
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[[image:1984-10-00 Musician page 98.jpg|240px|border]]
<br><small>Page scan.</small>
<small>Cover.</small><br>
[[image:1984-10-00 Musician cover.jpg|x120px|border]]
[[image:1984-10-00 Musician cover.jpg|x120px|border]]
[[image:1984-10-00 Musician page 98.jpg|x120px|border]]
<br><small>Cover and page scan.</small><br>


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*[http://en.wikipedia.org/wiki/Musician_(magazine) Wikipedia: Musician magazine]
*[http://en.wikipedia.org/wiki/Musician_(magazine) Wikipedia: Musician magazine]


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Latest revision as of 09:07, 15 May 2019

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Musician

US rock magazines

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In The Studio

The Special AKA

J.D. Considine

"Free Nelson Mandela" is more than just the best Afro-pop any British band has ever played — it's a single with both a conscience and a cause, and any listener with either ought to get a copy. As for the rest of the album, though it's not as incandescently melodic as the single, its audacious variety and surprisingly supple musicality demonstrate just how much Jerry Dammers & company have grown since the ska craze.

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Musician, No. 72, October 1984


J.D. Considine reviews In The Studio by The Special AKA.

Images

1984-10-00 Musician page 98.jpg
Page scan.

Cover.
1984-10-00 Musician cover.jpg

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