New Musical Express, July 23, 1977: Difference between revisions

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New Musical Express,
Mystery Man by Chas De Walley - SOUNDS 30th April 1977


1977-07-23
FIGHTING TALK. "If certain notable people can’t hear that ‘Less Than Zero’ is a great record, then they ought to see a mortician." No, this brash young fellow shooting his mouth off ain’t Nick Lowe dressed up as Buddy Holly. Neither is it the Clash’s Joe Strummer posing in baggy pants and horn-rimmed specs. It’s Elvis Costello, Stiff’s latest recording protege, the man responsible for the remarkable ‘Less Than Zero’. And a more stubbornly secretive character you are unlikely to meet this side of Steve Harley’s front door. "No pictures. I want to keep my own face. I don’t want people to know what I look like."   Mid-twenties, about five foot ten, clean featured, poor-sighted and unfashionably dressed. Do you live in Richmond? Well then he might just be the guy sitting opposite you on the bus to work. A man proud and protective of his privacy.  "I don’t want to talk about the past. Its dead and gone. I didn’t appear in a puff of smoke. I’ve been around a long time. If people weren’t interested in what I was doing then, why would they want to know all about it now?" Fair enough, I suppose. But perhaps a couple of SOUNDS readers saw the old pub band Flip City a year or two back and might care to know that the lead singer has resurfaced.  
 
Roy Carr
 
IT'S BETTER to have loved and lost and written a whole album on the agonising experience, than never to have loved at all and kept schtum about it.
 
Anyway, that's how Elvis Costello prefers to lay in on all your bleedin' hearts out there.
 
Honey! this definitely ain't no romance; more like sexual psychoanalysis set to a dozen superb juke joint anthems.
 
("My Aim Is True" isn't just the title track of Mr. Costello's auspicious album debut, but is indicative of a quirky line of vision which painfully - often to the point of total humiliation - examines the recurring traumas of love and other related adolescent dilemmas. Keeping a low emotional profile is one thing you can't accuse Costello of feigning.
 
Try this for size. On "Pay It Back", EC delves into the problem of a first-hand personality crisis "Auntie Annie told me I could be somebody if I didn't let too much get in my way /And I tried so hard just to be myself but I kept fading away".
 
Though Costello engineers his lyrics through a '70s interpretation of '60s rhythm 'n' rock, he doesn't expound the familiar brand of 60 Minute Man Macho, but instead resigns himself to the unflattering role of cuckold. Costello's affaires-du-coeur don't dissolve into stereotyped soft focus misty Martini sunsets, but blooded recrimination.


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Instead of verbally cuffing his lovers like The Stranglers, Costello persistently indulges his masochistic tendencies. These range from a rousing rockabilly tale of flunking his first deflowering on "Mystery Dance", to plundering the Stones and getting D-minus as a stud in "Miracle Man" with such couplets as: "Why do you have to say that there's always someone else who can do it better than I can /But don't you think that I know that walking on the water won't make me a Miracle Man".


Much has been said about the influence Van Morrison has exercised over Bruce Springsteen; of both parties' sway over Phil Lynott; that Bob Seger, Nick Lowe, Graham Parker and Southside Johnny have copped some of their best licks from all three and how Elvis Costello fits in somewhere. Sure, there are tinges of all these artists prevalent in his approach, but whereas these performers celebrate either street fantasies or the joy of rock 'n' roll, Costello's songs spill over with emotional torture and melodrama.
Perhaps somebody might know the man as D. P. Costello, from the last year spent playing his guitar and singing his songs in the folk clubs. Perhaps he’s done other things and got other fans I don’t know anything about.Shouldn’t a little more info be forthcoming? No go, Joe. As far as Elvis is concerned his slate is wiped clean. He starts from scratch or he doesn’t start at all. And he starts with ‘Less Than Zero’, the self-penned heavy calypso which introduced Elvis’ knife-edged voice to the world of vinyl. Unfortunately certain sections of the music press were not kindly disposed to this latest Stiff masterpiece. "That shocked me you know. I knew that record companies were unimaginative. That’s why I signed with Stiff because they’re the only one’s in the country who know what’s going on. But I didn’t think the press would be as bad. "Some reviews said I sounded like Graham Parker. It’s like all they can do is relate you to the thing you most sound like. I reckon I’m just as influenced by Charlie Parker or Hank Williams. I listen to all sorts of things and naturally some come out in my songs. But I’ve never rewritten anybody else’s song and I’ll argue the toss with anybody that I sound like me. My album ‘My Aim Is True’ will prove that when it comes out next month.  
 
His most impassioned showdown comes right as the very beginning of "Alison" - one of the most heart-rending tear-jerkers currently on releases: "Oh, it's so funny to be seeing you after so long girl, and with the way you look I can understand you were not impressed /I heard that you let that little friend of mine take off your party dress." I mean, you can't get more candid than that, and if that doesn't hit the spot then you're terminally insensitive.


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I may have placed a great deal of emphasis on the lyrical content of this album, but only because it snuck-up on me from the midst of the hard-nosed brand of rock that Costello peddles.
Nick Lowe receives credit for production, but not so the musicians, who have enabled Elvis Costello to raise his album shoulder-high above most of this year's debut albums.
It takes only one glance at Costello and a couple of replays to realise that even if he may not be the predictable raw material from which teen dreams are made, he possesses more understanding of the stark reality of modern love than many vacuous songsmiths who assume thay have their finger on the pulse of what goes on behind closed doors.
Costello must have taken a lot of emotional knocks to come up with such a powerful album, to the extent that one is reticent to guess what lengths he may have to go to enact a second instalment.
Anyone who's ever had their fragile heart well and truly broken will have little difficulty in relating to this man. Indeed, if anyone lays claim to the title, "Beautiful Loser", then surely it's Elvis Costello.


An album often of intense brilliance, which also confirms that should he ever give up songwriting, Elvis Costello can always answer readers letters for Forum.
The trouble is, people listen too much to what a song sounds like and not enough to what it sounds of. ‘Less Than Zero’ is all there in the lyrics. Use your imagination. Work it out yourself." 
Readers without a copy of the single ought to get off at the next stop and score themselves one. Don’t ignore the ace B-side ‘Radio Sweetheart’ but spin ‘Less Than Zero’ a couple of times and if you’re still stuck for an answer Elvis might just give you a clue or two. Like, for instance, the verse is about a TV show, and the chorus is about someone trying to stop someone else watching it.


Roy Carr
The shadowy Mr Oswald is very famous and too real, and for that reason the two thousand people who voted for the National Front in Strechford recently will probably heave a brick through Elvis’ window. And that’s all you’re getting, ‘cos Elvis Costello won’t say a word more. "I’m not going to explain my songs. If you can’t hear what’s going on from the song itself then God help you. I’m not going to write a manifesto. I’m not going to write a leaflet to explain ‘Less Than Zero’. I’m a better songwriter than that, surely".


Why yes. But a slippery customer all the same.




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Revision as of 10:04, 9 June 2007

Mystery Man by Chas De Walley - SOUNDS 30th April 1977

FIGHTING TALK. "If certain notable people can’t hear that ‘Less Than Zero’ is a great record, then they ought to see a mortician." No, this brash young fellow shooting his mouth off ain’t Nick Lowe dressed up as Buddy Holly. Neither is it the Clash’s Joe Strummer posing in baggy pants and horn-rimmed specs. It’s Elvis Costello, Stiff’s latest recording protege, the man responsible for the remarkable ‘Less Than Zero’. And a more stubbornly secretive character you are unlikely to meet this side of Steve Harley’s front door. "No pictures. I want to keep my own face. I don’t want people to know what I look like." Mid-twenties, about five foot ten, clean featured, poor-sighted and unfashionably dressed. Do you live in Richmond? Well then he might just be the guy sitting opposite you on the bus to work. A man proud and protective of his privacy. "I don’t want to talk about the past. Its dead and gone. I didn’t appear in a puff of smoke. I’ve been around a long time. If people weren’t interested in what I was doing then, why would they want to know all about it now?" Fair enough, I suppose. But perhaps a couple of SOUNDS readers saw the old pub band Flip City a year or two back and might care to know that the lead singer has resurfaced.

Perhaps somebody might know the man as D. P. Costello, from the last year spent playing his guitar and singing his songs in the folk clubs. Perhaps he’s done other things and got other fans I don’t know anything about.Shouldn’t a little more info be forthcoming? No go, Joe. As far as Elvis is concerned his slate is wiped clean. He starts from scratch or he doesn’t start at all. And he starts with ‘Less Than Zero’, the self-penned heavy calypso which introduced Elvis’ knife-edged voice to the world of vinyl. Unfortunately certain sections of the music press were not kindly disposed to this latest Stiff masterpiece. "That shocked me you know. I knew that record companies were unimaginative. That’s why I signed with Stiff because they’re the only one’s in the country who know what’s going on. But I didn’t think the press would be as bad. "Some reviews said I sounded like Graham Parker. It’s like all they can do is relate you to the thing you most sound like. I reckon I’m just as influenced by Charlie Parker or Hank Williams. I listen to all sorts of things and naturally some come out in my songs. But I’ve never rewritten anybody else’s song and I’ll argue the toss with anybody that I sound like me. My album ‘My Aim Is True’ will prove that when it comes out next month.

The trouble is, people listen too much to what a song sounds like and not enough to what it sounds of. ‘Less Than Zero’ is all there in the lyrics. Use your imagination. Work it out yourself." Readers without a copy of the single ought to get off at the next stop and score themselves one. Don’t ignore the ace B-side ‘Radio Sweetheart’ but spin ‘Less Than Zero’ a couple of times and if you’re still stuck for an answer Elvis might just give you a clue or two. Like, for instance, the verse is about a TV show, and the chorus is about someone trying to stop someone else watching it.

The shadowy Mr Oswald is very famous and too real, and for that reason the two thousand people who voted for the National Front in Strechford recently will probably heave a brick through Elvis’ window. And that’s all you’re getting, ‘cos Elvis Costello won’t say a word more. "I’m not going to explain my songs. If you can’t hear what’s going on from the song itself then God help you. I’m not going to write a manifesto. I’m not going to write a leaflet to explain ‘Less Than Zero’. I’m a better songwriter than that, surely".

Why yes. But a slippery customer all the same.