New York Daily News, January 25, 1981: Difference between revisions

From The Elvis Costello Wiki
Jump to navigationJump to search
(start page)
 
(+browser)
 
Line 14: Line 14:
The feisty, bespectacled performer seems in an uncharacteristically mellow mood this LP around, with the once-spitfire delivery slowed up enough so you can even savor the patently elliptical Costello phrasing. "Clubland" is the first U.K. single and leads off the album, with keyboardist Steve Naive's wicked classical break the highlight. Throughout ''Trust'', it is Naive's keyboards-for-every-occasion that give the cuts their distinctive flavor, whether that be the honky-tonk piano in "Different Finger," the soap opera flourishes of "Shot With His Own Gun," the hurdy-gurdy carnival calliope of "Fish 'n' Chip Paper" or the lilting organ of "Watch Your Step."
The feisty, bespectacled performer seems in an uncharacteristically mellow mood this LP around, with the once-spitfire delivery slowed up enough so you can even savor the patently elliptical Costello phrasing. "Clubland" is the first U.K. single and leads off the album, with keyboardist Steve Naive's wicked classical break the highlight. Throughout ''Trust'', it is Naive's keyboards-for-every-occasion that give the cuts their distinctive flavor, whether that be the honky-tonk piano in "Different Finger," the soap opera flourishes of "Shot With His Own Gun," the hurdy-gurdy carnival calliope of "Fish 'n' Chip Paper" or the lilting organ of "Watch Your Step."


''Trust'' displays a more mature, thoughtful Elvis, his voice a few shades less frenetic and even lower to signify his newfound wisdom. On "Lover's Walk," he even admits to ''"looking for a hand with the personal touch"'' — a confession he probably wouldn't have voiced a few albums ago. Another highlight is a raucous call-and-response duet with lead guitarist Glenn Tilbrook of Squeeze, the band that opens for Elvis in an already sold-out Palladium appearance, Saturday through Monday.  
''Trust'' displays a more mature, thoughtful Elvis, his voice a few shades less frenetic and even lower to signify his newfound wisdom. On "Lovers Walk," he even admits to ''"looking for a hand with the personal touch"'' — a confession he probably wouldn't have voiced a few albums ago. Another highlight is a raucous call-and-response duet with lead guitarist Glenn Tilbrook of Squeeze, the band that opens for Elvis in an already sold-out Palladium appearance, Saturday through Monday.  


<!-- The other big event of the week for Anglophiles is the release of the Clash's monumental three-LP set, ''Sandinista!'' The record, true to the band's image as urban rock guerillas, is named after the leftist group that toppled Somoza from his dictatorship in Nicaragua. Those who have criticized the Clash, one of the seminal punk bands from London circa "76, for either their fuzzy politics or the excess of three discs, miss the point of this delightfully naive rush of electric creativity. Sure, most of the extended studio dub experiments point to a singular inability on the part of the Clash to edit themselves, but just when the self-indulgence gets insufferable, along comes a knock-out track like "Hitsville U.K.," "Ivan Meets G.I. Joe," "Somebody Got Murdered," "The Sound of the Sinners," Eddy Grant's "Police On My Back," "The Call-Up," or "Washington Bullets" to enliven matters.  
<!-- The other big event of the week for Anglophiles is the release of the Clash's monumental three-LP set, ''Sandinista!'' The record, true to the band's image as urban rock guerillas, is named after the leftist group that toppled Somoza from his dictatorship in Nicaragua. Those who have criticized the Clash, one of the seminal punk bands from London circa "76, for either their fuzzy politics or the excess of three discs, miss the point of this delightfully naive rush of electric creativity. Sure, most of the extended studio dub experiments point to a singular inability on the part of the Clash to edit themselves, but just when the self-indulgence gets insufferable, along comes a knock-out track like "Hitsville U.K.," "Ivan Meets G.I. Joe," "Somebody Got Murdered," "The Sound of the Sinners," Eddy Grant's "Police On My Back," "The Call-Up," or "Washington Bullets" to enliven matters.  
Line 27: Line 27:


{{Bibliography notes}}
{{Bibliography notes}}
{{Bibliography next
|prev = New York Daily News, March 2, 1980
|next = New York Daily News, February 8, 1981
}}
'''New York Daily News, January 25, 1981
'''New York Daily News, January 25, 1981
----
----
Line 33: Line 37:
{{Bibliography images}}
{{Bibliography images}}


[[image:1981-01-25 New York Daily News page L-15 clipping 01.jpg|180px|border]]
[[image:1981-01-25 New York Daily News page L-15 clipping 01.jpg|170px]]
<br><small>Clipping.</small>
<br><small>Clipping.</small>



Latest revision as of 17:51, 14 October 2021

... Bibliography ...
727677787980818283
848586878889909192
939495969798990001
020304050607080910
111213141516171819
202122232425 26 27 28


New York Daily News

New York publications

Newspapers

University publications

Magazines and alt. weeklies


US publications by state
  • ALAKARAZCA
  • COCTDCDEFL
  • GAHI   IA      ID      IL
  • IN   KSKYLA   MA
  • MDME   MIMNMO
  • MSMTNC  ND  NE
  • NHNJNMNVNY
  • OHOKORPARI
  • SCSDTNTXUT
  • VAVTWAWIWY

-

The British are coming


Roy Trakin

Last time he was in America, Elvis Costello ruffled a few feathers by drunkenly insulting Ray Charles and getting decked by Bonnie Bramlett for his comments. Predictably, Costello's newest album, Trust, a 14-song tribute to his prolific writing talents, incorporates that incident. "You need protection from the physical part of conversation," sings Elvis in "Never Be a Man."

The feisty, bespectacled performer seems in an uncharacteristically mellow mood this LP around, with the once-spitfire delivery slowed up enough so you can even savor the patently elliptical Costello phrasing. "Clubland" is the first U.K. single and leads off the album, with keyboardist Steve Naive's wicked classical break the highlight. Throughout Trust, it is Naive's keyboards-for-every-occasion that give the cuts their distinctive flavor, whether that be the honky-tonk piano in "Different Finger," the soap opera flourishes of "Shot With His Own Gun," the hurdy-gurdy carnival calliope of "Fish 'n' Chip Paper" or the lilting organ of "Watch Your Step."

Trust displays a more mature, thoughtful Elvis, his voice a few shades less frenetic and even lower to signify his newfound wisdom. On "Lovers Walk," he even admits to "looking for a hand with the personal touch" — a confession he probably wouldn't have voiced a few albums ago. Another highlight is a raucous call-and-response duet with lead guitarist Glenn Tilbrook of Squeeze, the band that opens for Elvis in an already sold-out Palladium appearance, Saturday through Monday.


Tags: TrustPalladiumNew YorkThe AttractionsSqueezeGlenn TilbrookRay CharlesBonnie BramlettYou'll Never Be A ManClublandSteve NaiveDifferent FingerShot With His Own GunFish 'N' Chip PaperWatch Your StepLovers Walk

-
<< >>

New York Daily News, January 25, 1981


Roy Trakin reviews Trust ahead of concerts with The Attractions and opening act Squeeze, Saturday-Monday, January 31, February 1 and 2, 1981, Palladium, New York.

Images

1981-01-25 New York Daily News page L-15 clipping 01.jpg
Clipping.

Page scan.
1981-01-25 New York Daily News page L-15.jpg

-



Back to top

External links