New York Times, August 29, 1982: Difference between revisions

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<center><h3> Elvis Costello </h3></center>
<center><h3> Elvis Costello </h3></center>
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Yet the Attractions's live arrangements are necessarily less subtle than those on records. They pointed up Mr. Costello's tendency to write tunes based on descending scales, one skeleton in many guises. And his voice conveys mostly gradations of contained anger, although he does his best to vary it.
Yet the Attractions's live arrangements are necessarily less subtle than those on records. They pointed up Mr. Costello's tendency to write tunes based on descending scales, one skeleton in many guises. And his voice conveys mostly gradations of contained anger, although he does his best to vary it.


Limits and all, Mr. Costello's songs remain powerful. He is so prolific that his concert sets can only skim his repertory, and Friday's showed there has been been a clear shift in his work from songs about attitudes to songs that tell stories - a shift away from solipsism. Although he was performing at an arena, Mr. Costello did not broaden his musical or physical gestures; in the few songs he sang without his guitar, he motioned with his arms while the rest of his body stayed still.
Limits and all, Mr. Costello's songs remain powerful. He is so prolific that his concert sets can only skim his repertory, and Friday's showed there has been been a clear shift in his work from songs about attitudes to songs that tell stories a shift away from solipsism. Although he was performing at an arena, Mr. Costello did not broaden his musical or physical gestures; in the few songs he sang without his guitar, he motioned with his arms while the rest of his body stayed still.


Mr. Costello juxtaposed his own songs with soul oldies such as the O'Jays' "Backstabbers," setting his fascinating ambiguities in the context of simpler pop. He will perform [[Concert 1982-08-30 New York|tomorrow]] at Pier 84.
Mr. Costello juxtaposed his own songs with soul oldies such as the O'Jays' "Back Stabbers," setting his fascinating ambiguities in the context of simpler pop. He will perform [[Concert 1982-08-30 New York|tomorrow]] at Pier 84.


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{{tags}}[[Forest Hills Stadium]] {{-}} [[New York]] {{-}} [[The Attractions]] {{-}} [[The Beatles]] {{-}} [[Bob Dylan]] {{-}} [[The O'Jays]] {{-}} [[Back Stabbers]] {{-}} [[Pier 84]]
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'''New York Times, August 29, 1982
'''New York Times, August 29, 1982
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[[Jon Pareles]] reviews Elvis Costello & [[The Attractions]], Friday, [[Concert 1982-08-27 New York|August 27, 1982]], Forest Hills Tennis Stadium, New York.
[[Jon Pareles]] reviews Elvis Costello & [[The Attractions]], Friday, [[Concert 1982-08-27 New York|August 27, 1982]], Forest Hills Stadium, New York.
 
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[[image:1982-08-29 New York Times page 61 clipping 01.jpg|380px]]
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<small>Page scan.</small><br>
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Elvis Costello

Forest Hills

Jon Pareles

When Elvis Costello led his usual four-piece band, the Attractions, Friday at Forest Hills, he was not making things easy on himself. Mr. Costello treats pop as a set of verbal and musical cliches that he cannot leave untwisted. His lyrics make revelatory puns on banalities, and as his arrangements have branched away from rock, they have become ever more ironic.

Just to make things more difficult, Mr. Costello writes himself mouthfuls of brilliant lyrics, then tries to find space for vocal improvisation onstage. Somehow, he does.

In the studio, Mr. Costello can flesh out his arrangements genre by genre, but in concert he has fewer choices. The band approximated punk, Memphis funk, Bob Dylan-style folk-rock, organ blues, Beatlesque ballads and even a tango in a 1½-hour set.

Yet the Attractions's live arrangements are necessarily less subtle than those on records. They pointed up Mr. Costello's tendency to write tunes based on descending scales, one skeleton in many guises. And his voice conveys mostly gradations of contained anger, although he does his best to vary it.

Limits and all, Mr. Costello's songs remain powerful. He is so prolific that his concert sets can only skim his repertory, and Friday's showed there has been been a clear shift in his work from songs about attitudes to songs that tell stories — a shift away from solipsism. Although he was performing at an arena, Mr. Costello did not broaden his musical or physical gestures; in the few songs he sang without his guitar, he motioned with his arms while the rest of his body stayed still.

Mr. Costello juxtaposed his own songs with soul oldies such as the O'Jays' "Back Stabbers," setting his fascinating ambiguities in the context of simpler pop. He will perform tomorrow at Pier 84.


Tags: Forest Hills StadiumNew YorkThe AttractionsThe BeatlesBob DylanThe O'JaysBack StabbersPier 84

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New York Times, August 29, 1982


Jon Pareles reviews Elvis Costello & The Attractions, Friday, August 27, 1982, Forest Hills Stadium, New York.

Images

1982-08-29 New York Times page 61 clipping 01.jpg
Clipping.

Page scan.
1982-08-29 New York Times page 61.jpg

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