New York Times index: Difference between revisions

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| <span style="font-size:92%">'''New York Times''' [[New York Times index|{{n}}]] </span>
| <span style="font-size:92%">'''New York Times''' [[New York Times index|{{n}}]] </span>
[[New York Times, December 15, 1977|1977 December 15]]<br>
*[[New York Times, September 16, 1977|1977 September 16]]
[[New York Times, January 28, 1981|1981 January 28]]<br>
*[[New York Times, November 11, 1977|1977 November 11]]
[[New York Times, February 2, 1981|1981 February 2]]<br>
*[[New York Times, December 15, 1977|1977 December 15]]
[[New York Times, October 18, 1981|1981 October 18]]<br>
*[[New York Times, April 21, 1978|1978 April 21]]
[[New York Times, January 2, 1982|1982 January 2]]<br>
*[[New York Times, May 5, 1978|1978 May 5]]
[[New York Times, June 27, 1982|1982 June 27]]<br>
*[[New York Times, May 10, 1978|1978 May 10]]
[[New York Times, August 29, 1982|1982 August 29]]<br>
*[[New York Times, January 5, 1979|1979 January 5]]
[[New York Times, August 9, 1983|1983 August 9]]<br>
*[[New York Times, March 23, 1979|1979 March 23]]
[[New York Times, September 14, 1983|1983 September 14]]<br>
*[[New York Times, March 30, 1979|1979 March 30]]
[[New York Times, July 8, 1984|1984 July 8]]<br>
*[[New York Times, April 3, 1979|1979 April 3]]
[[New York Times, August 20, 1984|1984 August 20]]<br>
*[[New York Times, July 22, 1979|1979 July 22]]
[[New York Times, February 19, 1986|1986 February 19]]<br>
*[[New York Times, March 7, 1980|1980 March 7]]
[[New York Times, March 2, 1986|1986 March 2]]<br>
*[[New York Times, September 19, 1980|1980 September 19]]
[[New York Times, October 19, 1986|1986 October 19]]<br>
*[[New York Times, January 28, 1981|1981 January 28]]
[[New York Times, October 26, 1986|1986 October 26]]<br>
*[[New York Times, February 2, 1981|1981 February 2]]
[[New York Times, October 28, 1986|1986 October 28]]<br>
*[[New York Times, October 18, 1981|1981 October 18]]
[[New York Times, March 8, 1988|1988 March 8]]<br>
*[[New York Times, January 2, 1982|1982 January 2]]
[[New York Times, February 8, 1989|1989 February 8]]<br>
*[[New York Times, June 27, 1982|1982 June 27]]
[[New York Times, February 19, 1989|1989 February 19]]<br>
*[[New York Times, August 29, 1982|1982 August 29]]
[[New York Times, April 13, 1989|1989 April 13]]<br>
*[[New York Times, August 9, 1983|1983 August 9]]
[[New York Times, May 12, 1991|1991 May 12]]<br>
*[[New York Times, September 14, 1983|1983 September 14]]
[[New York Times, May 15, 1991|1991 May 15]]<br>
*[[New York Times, July 8, 1984|1984 July 8]]
[[New York Times, June 24, 1991|1991 June 24]]<br>
*[[New York Times, August 8, 1984|1984 August 8]]
[[New York Times, January 31, 1993|1993 January 31]]<br>
*[[New York Times, August 20, 1984|1984 August 20]]
[[New York Times, March 22, 1993|1993 March 22]]<br>
*[[New York Times, February 19, 1986|1986 February 19]]
[[New York Times, March 13, 1994|1994 March 13]]<br>
*[[New York Times, March 2, 1986|1986 March 2]]
[[New York Times, June 10, 1994|1994 June 10]]<br>
*[[New York Times, October 19, 1986|1986 October 19]]
[[New York Times, June 4, 1995|1995 June 4]]<br>
*[[New York Times, October 26, 1986|1986 October 26]]
[[New York Times, August 4, 1995|1995 August 4]]<br>
*[[New York Times, October 28, 1986|1986 October 28]]
[[New York Times, May 25, 1996|1996 May 25]]<br>
*[[New York Times, March 8, 1988|1988 March 8]]
[[New York Times, October 11, 1998|1998 October 11]]<br>
*[[New York Times, February 8, 1989|1989 February 8]]
[[New York Times, October 15, 1998|1998 October 15]]<br>
*[[New York Times, February 19, 1989|1989 February 19]]
[[New York Times, October 27, 1999|1999 October 27]]<br>
*[[New York Times, April 13, 1989|1989 April 13]]
[[New York Times, June 12, 2000|2000 June 12]]<br>
*[[New York Times, May 12, 1991|1991 May 12]]
[[New York Times, May 21, 2001|2001 May 21]]<br>
*[[New York Times, May 15, 1991|1991 May 15]]
[[New York Times, April 22, 2002|2002 April 22]]<br>
*[[New York Times, June 24, 1991|1991 June 24]]
[[New York Times, September 24, 2003|2003 September 24]]<br>
*[[New York Times, July 15, 1991|1991 July 15]][https://www.nytimes.com/1991/07/15/arts/critic-s-notebook-leaping-from-rock-to-classical-a-case-for-taking-the-pitons.html {{t}}]
[[New York Times, May 22, 2005|2005 May 22]]<br>
*[[New York Times, January 31, 1993|1993 January 31]]
[[New York Times, June 5, 2006|2006 June 5]]<br>
*[[New York Times, March 22, 1993|1993 March 22]]
[[New York Times, July 7, 2006|2006 July 7]]<br>
*[[New York Times, March 13, 1994|1994 March 13]]
[[New York Times, July 12, 2006|2006 July 12]]<br>
*[[New York Times, June 10, 1994|1994 June 10]]
[[New York Times, June 11, 2009|2009 June 11]]<br>
*[[New York Times, June 4, 1995|1995 June 4]]
[[New York Times, May 24, 2011|2011 May 24]]<br>
*[[New York Times, August 4, 1995|1995 August 4]]
[[New York Times, September 17, 2013|2013 September 17]]<br>
*[[New York Times, May 25, 1996|1996 May 25]]
[[New York Times, June 25, 2014|2014 June 25]]<br>
*[[New York Times, October 4, 1998|1998 October 4]]
*[[New York Times, October 11, 1998|1998 October 11]]
*[[New York Times, October 15, 1998|1998 October 15]]
*[[New York Times, June 28, 1999|1999 June 28]]
*[[New York Times, October 27, 1999|1999 October 27]]
*[[New York Times, June 12, 2000|2000 June 12]]
*[[New York Times, May 21, 2001|2001 May 21]]
*[[New York Times, April 22, 2002|2002 April 22]]
*[[New York Times, April 28, 2002|2002 April 28]]
*[[New York Times, September 24, 2003|2003 September 24]]
*[[New York Times, July 11, 2004|2004 July 11]]
*[[New York Times, July 19, 2004|2004 July 19]]
*[[New York Times, May 22, 2005|2005 May 22]]
*[[New York Times, June 5, 2006|2006 June 5]]
*[[New York Times, July 7, 2006|2006 July 7]]
*[[New York Times, July 12, 2006|2006 July 12]]
*[[New York Times, May 5, 2008|2008 May 5]]
*[[New York Times, May 22, 2008|2008 May 22]][http://www.elviscostellofans.com/phpBB2/viewtopic.php?f=2&t=6786&hilit=April+5th#p117272 {{t}}]
*[[New York Times, December 3, 2008|2008 December 3]]
*[[New York Times, June 11, 2009|2009 June 11]]
*[[New York Times, April 3, 2011|2011 April 3]][http://www.nytimes.com/2011/04/04/arts/music/lcd-soundsystem-and-the-strokes-at-the-garden-review.html {{t}}]
*[[New York Times, May 24, 2011|2011 May 24]]
*[[New York Times, March 8, 2013|2013 March 8]]
*[[New York Times, September 17, 2013|2013 September 17]]
*[[New York Times, June 25, 2014|2014 June 25]]
*[[New York Times, November 10, 2014|2014 November 10]]
*[[New York Times, October 9, 2015|2015 October 9]]
*[[New York Times, November 12, 2015|2015 November 12]]
*[[New York Times, September 28, 2016|2016 September 28]]
*[[New York Times, October 9, 2018|2018 October 9]]
*[[New York Times, July 18, 2019|2019 July 18]]
*[[New York Times, January 13, 2022|2022 January 13]]
*[[New York Times, December 22, 2022|2022 December 22]][https://www.nytimes.com/2022/12/22/opinion/ron-desantis-trump.html {{t}}]
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http://query.nytimes.com/gst/abstract.html?res=9A04EED61E39E732A25750C0A9629C946890D6CF
http://query.nytimes.com/gst/abstract.html?res=9A04EED61E39E732A25750C0A9629C946890D6CF
http://www.nytimes.com/1984/09/12/arts/the-pop-life-167640.html
http://www.nytimes.com/1984/09/12/arts/the-pop-life-167640.html
http://www.elviscostello.info/articles/n/new_york_times.981004a.txt
http://www.nytimes.com/1998/10/04/arts/pop-classicists-leave-the-crowd-behind.html#h[APfIim,1]




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April 03, 1979
April 03, 1979
Rock: An Elvis Costello Marathon
Rock: An Elvis Costello Marathon
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http://query.nytimes.com/gst/abstract.html?res=9A04EED61E39E732A25750C0A9629C946890D6CF
http://query.nytimes.com/gst/abstract.html?res=9A04EED61E39E732A25750C0A9629C946890D6CF


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September 19, 1980  
September 19, 1980  
NEW COSTELLO DISK: MIXED BAG OF 'LIBERTIES'
NEW COSTELLO DISK: MIXED BAG OF 'LIBERTIES'
TAKING LIBERTIES,'' Elvis Costello's new Columbia album, isn't going to endear Mr. Costello to people who think he's already taken too many liberties. On his previous LP, ''Get Happy!!!,'' Mr.
TAKING LIBERTIES,'' Elvis Costello's new Columbia album, isn't going to endear Mr. Costello to people who think he's already taken too many liberties. On his previous LP, ''Get Happy!!!,'' Mr.
September 19, 1980 - By Robert Palmer - Arts - Print Headline: "NEW COSTELLO DISK:MIXED BAG OF  
September 19, 1980 - By Robert Palmer - Arts - Print Headline: "NEW COSTELLO DISK:MIXED BAG OF  
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New CDs
By THE NEW YORK TIMES
May 5, 2008
ELVIS COSTELLO AND THE IMPOSTERS
“Momofuku”
(Lost Highway)
Elvis Costello can write a well-wrought song with ease, but he usually doesn’t just throw records out there. “Momofuku,” which takes its name from the inventor of instant noodles, is different. It’s effortfully tossed off; it’s a middling record battling against his built-in high standards.
Verifiable news about “Momofuku” first surfaced on Mr. Costello’s Web site, elviscostello.com, the day of the album’s release on vinyl two weeks ago. (It comes out on CD this week.) The album started, Mr. Costello wrote in his post, when he contributed vocals to Jenny Lewis’s next record, which also included Davey Faragher, Mr. Costello’s regular bass player.
Mr. Costello then brought his drummer, Pete Thomas, into the picture and made his own record in a week, finishing the job less than three months ago. It involved a few other helpers, including Ms. Lewis, the singer-songwriter Johnathan Rice (Ms. Lewis’s boyfriend) and Mr. Thomas’s daughter Tennessee Thomas (also a drummer). Steve Nieve, another member of the Imposters, joined them on keyboards.
From time to time it sounds like Mr. Costello’s early work. “No Hiding Place,” a song about the loss of dignity in the world, flashes the wit and ill-humor of his younger days, though this is a middle-aged man’s complaint. (“You can say anything you want to in your fetching cloak of anonymity,” he sings. “Are you feeling out of breath now, in your desperate pursuit of infamy?”) The Vox organ suffusing “American Gangster Time,” and its drum rhythm, recalls “Radio Radio,” from Mr. Costello’s 1978 album “This Year’s Model”; the “In the Midnight Hour” bass line in “Go Away” sounds like something from “Get Happy!!” from 1980. There are hints of bossa nova and country and sophisticated ’70s pop, though nothing here is a real genre exercise; the album is too low key for that.
For a record bashed out in a week — the kind of album in which the singer says, “Are we rolling?” and indicates to his band when to go to the bridge — “Momofuku” is not bare-bones. It has up to four backup singers and nine musicians at any given time, and sometimes a bit of space noise and backward effects in the guitars — the kind of thing done by indie-rockers with some time on their hands. But Mr. Costello determinedly allows imperfection with a small and squalid electric-guitar tone, his voice cracking and occasionally turning flat.
He is playing from within his own tradition and seemingly trying to make the act sound average and workaday. “Maybe this is nothing but drum and drone,” he sings at one point. “Wanna beat it till I get unknown.”
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http://www.nytimes.com/2003/09/29/arts/music/29REUN.html
Critic's Notebook
Back Together, for Better or Worse
By JON PARELES
Published: September 29, 2003
Back in 1968, Paul Simon and Art Garfunkel imagined themselves at the unthinkable age of 70 and sang, "Preserve your memories, they're all that's left you." Those men, now 61, have also preserved something far more marketable: their once-a-decade reunions. Tickets have been moving fast for the Simon and Garfunkel "Old Friends" tour, which starts on Oct. 16 in Wilkes-Barre, Pa., and includes a three-night stand at Madison Square Garden Dec. 2 to 4.
It is another rush of nostalgia for baby boomers, particularly those who didn't hear the duo's rusty, dragged-out versions of the old songs in concert in 1993 as I did. Etched into vinyl, their 1960's songs defy time for musicians and fans as unchanging artifacts of younger days — much younger days, when people actually admitted to "feelin' groovy." The closer the pair sound to their early recordings, the more they help recollections eclipse reality, the happier the fans will be. A reunion tour provides a payoff for suspending artistic development.
Simon and Garfunkel are not the only ones offering fans a wishful dip into the fountain of youth. Other reunions this fall include a tour by Duran Duran, an Iggy Pop album including new songs he recorded with the Stooges (who played some incendiary reunion gigs over the summer) and a cozy new album from the female folk-rock band the Bangles. Fleetwood Mac has been touring with a near-reunion of its best-selling lineup — only Christine McVie is missing — and has new songs about trying to rekindle old loves. And the cast of "A Mighty Wind," the mockumentary about 1960's folk bands, has been performing what might be considered a metareunion, harking back to hits that never were.
Reunions are staples of the concert business. Pop memories renew themselves every time someone hears an oldie on the radio or pulls a favorite album off the shelf. Put enough time between a breakup and a reunion, or even a reunion and another reunion, and a reappearance is as close as a concert promoter can get to a sure thing. Since there is always the chance that a reunion will turn out to be a one-shot, like the brief sets by the Police, Talking Heads and Cream for the Rock and Roll Hall of Fame, concert dates can be sold like a combination greatest-hits and farewell tour. And if some apparent one-shots — the Sex Pistols reunion, Kiss in full makeup — are then repeated, well, caveat emptor.
For a ticket buyer, a reunion tour presents more certainty than the latest swing through town by a regular working band. Since groups that have to reunite have not been cranking out albums steadily, there is a higher percentage of well-remembered songs to play onstage. A reunion skips those difficult years between precocious inspiration and the smartened-up taste of the present. Nostalgia, no matter how affectionate, has a way of winnowing a set list.
A hit-making name is a lucrative trademark that can linger beyond the grave. This year's Doors reunion tour, with Ian Astbury doing his Jim Morrison impression, included only two out of three surviving Doors, and the old arrangements were punched up with extra musicians. But fans applauded, and the band insisted it was working on new songs. The video ghost of Elvis Presley was reunited with his old band members a few years ago, and in October a video Frank Sinatra is to be reanimated with his old arrangements live at Radio City Music Hall.
Even a non-hit-making group like the briefly reunited Mission of Burma can draw a crowd because its songs have had a long, cultish afterlife. Given the choice between never seeing a vanished band and seeing its reunion, there is always hope that the old spark will return.
Sometimes it does. Elvis Costello's 2002 reunion with three-quarters of the Attractions, renamed the Imposters and playing with predatory dynamics, cut the slack out of his songwriting. Joe Jackson's recent tour with his lean but unstoppable late-1970's band stoked his combativeness and his rhythmic kick. Both reunions showed the most auspicious sign: they generated full albums of new songs, proving that the musicians were willing to engage one another instead of just learn the old parts.
The frictions that tear bands apart the first time around can give reunions a fascinating overlay of psychodrama; tension can make for high-stakes music or bad comedy. But old reflexes can also cause musicians to be professional and nothing more, pretending to be their younger selves minus the promising futures. Then it is up to the audience to suspend disbelief and sing along as if it were yesteryear.
But here is a critic's proposal: Every band should be allowed one reunion, no more. If things work out and the reunited band becomes a going concern, so much the better. Bruce Springsteen and the E Street Band, winding up their tour with three shows this week at Shea Stadium, have spurred one another to some of the best music of their careers since reuniting in 1999. Steely Dan's brain trust, those persnickety songwriters Walter Becker and Donald Fagen, reunited in 1993 to start touring again; they have stayed together and honed a band that they consider good enough to back them in the studio.
At their best, reunions can remind musicians and fans what they saw in each other in the first place. And if not — well, the audience always has the songs, and the memories.


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Latest revision as of 21:55, 30 January 2023

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