New Zealand Herald, January 20, 2013: Difference between revisions

From The Elvis Costello Wiki
Jump to navigationJump to search
(create page for The New Zealand Herald review of Concert 2013-01-19 Auckland)
 
(.+New Zealand publications index)
 
(4 intermediate revisions by 2 users not shown)
Line 1: Line 1:
{{Bibliography header}}
{{Bibliography header}}
{{:Bibliography index}}
{{:Bibliography index}}
{{:The New Zealand Herald index}}
{{:New Zealand Herald index}}
{{:Newspaper index}}
{{:New Zealand publications index}}
{{Bibliography article header}}
{{Bibliography article header}}
<center><h3>Concert review: Elvis Costello and the Imposters,</h3></center><center><h3>Civic Theatre</h3></center>
<center><h3> Elvis Costello and the Imposters </h3></center>
<center>''' Civic Theatre </center>
----
----
<center>Russell Baillie</center>
<center> Russell Baillie </center>
----
----
{{Bibliography text}}
{{Bibliography text}}
Originally, the long-awaited return of Elvis Costello was as headliner at another [[A Day On The Green|A Day on the Green]] vineyard concert.
Originally, the long-awaited return of Elvis Costello was as headliner at another [[A Day On The Green|A Day on the Green]] vineyard concert.


Fortuitously, the show was pulled indoors and reduced to one support - just a short charming solo turn by [[Don McGlashan]] doing nifty things with guitar, voice, and loop pedal. He created disarming intimate versions of old songs of his like Don't Fight it Marsha and Andy.
Fortuitously, the show was pulled indoors and reduced to one support just a short charming solo turn by [[Don McGlashan]] doing nifty things with guitar, voice, and loop pedal. He created disarming intimate versions of old songs of his like "Don't Fight it Marsha" and "Andy."


That also meant that Costello and [[the Imposters]] - two thirds of his original backers [[The Attractions]] - had two hours on stage in front of an attentive seated audience, rather than facing a pinot gris-fuelled hoard just wanting to party like it was 1979.
That also meant that Costello and the Imposters two thirds of his original backers The Attractions had two hours on stage in front of an attentive seated audience, rather than facing a pinot gris-fuelled hoard just wanting to party like it was 1979.


Instead, we got a dense, often intense but ultimately terrifically entertaining performance of more than two dozen songs pulled from all over the 58 year-old English singer-songwriter's 35-year career.
Instead, we got a dense, often intense but ultimately terrifically entertaining performance of more than two dozen songs pulled from all over the 58 year-old English singer-songwriter's 35-year career.
Line 19: Line 20:
There was much to remind that Costello's songbook is a deep, long, wide thing. True, he did sprinkle touchstones from those breakthrough New Wave era years in the latter stages of both the main set and the encore.
There was much to remind that Costello's songbook is a deep, long, wide thing. True, he did sprinkle touchstones from those breakthrough New Wave era years in the latter stages of both the main set and the encore.


But often they were stretched into thrilling new shapes - an extended [[Watching The Detectives|Watching the Detectives]] scorched the sunny reggae lope of the original with Costello's welding arc guitar.
But often they were stretched into thrilling new shapes an extended "[[Watching The Detectives|Watching the Detectives]]" scorched the sunny reggae lope of the original with Costello's welding arc guitar.


So too was a seething dramatic [[I Want You]] during the encore, while the likes of [[Alison]], [[(I Don't Want To Go To) Chelsea|I Don't Want to Go To Chelsea]] and [[Everyday I Write The Book|Everyday I Write the Book]] also came with renewed spark.
So too was a seething dramatic "[[I Want You]]" during the encore, while the likes of "[[Alison]]," "[[(I Don't Want To Go To) Chelsea|I Don't Want to Go To Chelsea]]" and "[[Everyday I Write The Book|Everyday I Write the Book]]" also came with renewed spark.


It was also a show that managed to make a virtue of some drastic shifts of style and pace - one minute it was Costello the pop classicist belting out with maximum vibrato [[God Give Me Strength]] from his [[Burt Bacharach]] co-write album [[Painted From Memory|Painted from Memory]]; a few minutes later it was Costello the once angry young man spitting out the pneumatic lyrics of [[Pump It Up]] and still sounding like he meant it.
It was also a show that managed to make a virtue of some drastic shifts of style and pace one minute it was Costello the pop classicist belting out with maximum vibrato "[[God Give Me Strength]]" from his Burt Bacharach co-write album ''Painted from Memory''; a few minutes later it was Costello the once angry young man spitting out the pneumatic lyrics of "[[Pump It Up]]" and still sounding like he meant it.


While they might have been Imposters, they sure weren't faking it - especially [[Steve Nieve]] who swung around his keyboards like a hyperactive mad scientist offering all sorts of deft and elegant touches. At the final bow, you half expected him to wave an extra pair arms aloft in triumph.
While they might have been Imposters, they sure weren't faking it especially [[Steve Nieve]] who swung around his keyboards like a hyperactive mad scientist offering all sorts of deft and elegant touches. At the final bow, you half expected him to wave an extra pair arms aloft in triumph.


Of late, Costello's touring in the northern hemisphere involved a giant spinning wheel to spontaneously select the setlist as a way to deal with that grand catalogue - between 1977 debut [[My Aim Is True|My Aim is True]] and his last, 2010's [[National Ransom]], he's almost managed an album a year if you count collaboration projects and live sets.
Of late, Costello's touring in the northern hemisphere involved a giant spinning wheel to spontaneously select the setlist as a way to deal with that grand catalogue between 1977 debut ''My Aim is True'' and his last, 2010's ''National Ransom'', he's almost managed an album a year if you count collaboration projects and live sets.


Here though, while the light show hinted at it, there was no wheel. It also strayed outside the lines on some covers of country swingers [[Walkin' My Baby Back Home]] and [[Crying Time]].
Here though, while the light show hinted at it, there was no wheel. It also strayed outside the lines on some covers of country swingers "[[Walkin' My Baby Back Home]]" and "[[Crying Time]]."


Covering his one-time producer [[Nick Lowe]]'s ye olde pub-rocker [[Heart Of The City|Heart of the City]] as the second song of the night was neatly bookended by the closing [[(What's So Funny 'Bout) Peace, Love And Understanding?|(What's So Funny `Bout) Peace, Love and Understanding?]], another Lowe tune which Costello has long made his own.
Covering his one-time producer Nick Lowe's ye olde pub-rocker "[[Heart Of The City|Heart of the City]]" as the second song of the night was neatly bookended by the closing "[[(What's So Funny 'Bout) Peace, Love And Understanding?|(What's So Funny `Bout) Peace, Love and Understanding?]]," another Lowe tune which Costello has long made his own.


And after two hours, it wasn't a show to leave you wanting more. But it was captivating to see Costello up close, digging deep, delivering a rich core sample from that vast motherlode of songs.
And after two hours, it wasn't a show to leave you wanting more. But it was captivating to see Costello up close, digging deep, delivering a rich core sample from that vast motherlode of songs.
<br>
 
Yes, that was quite a spectacle.<br>
Yes, that was quite a spectacle.<br>
<br>
 
Who: Elvis Costello and the Imposters, Don McGlashan<br>
Where: Civic Theatre, Auckland<br>
When: Saturday, January 19<br>
{{cx}}
{{cx}}
'''Who:''' Elvis Costello and the Imposters, Don McGlashan<br>
'''Where:''' Civic Theatre, Auckland<br>
'''When:''' Saturday, January 19<br>


{{Bibliography notes header}}
{{Bibliography notes header}}


{{Bibliography notes}}
{{Bibliography notes}}
'''The New Zealand Herald, January 20, 2013'''
'''The New Zealand Herald, January 20, 2013
----
----
[[Russell Baillie]] reviews EC and the Imposters on Saturday, [[Concert 2013-01-19 Auckland|January 19, 2013]] at The Civic, Auckland, New Zealand.  
[[Russell Baillie]] reviews Elvis Costello & [[The Imposters]], Saturday, [[Concert 2013-01-19 Auckland|January 19, 2013]], The Civic, Auckland, New Zealand.


{{Bibliography no images}}
{{Bibliography no images}}
Line 60: Line 61:
*[http://en.wikipedia.org/wiki/The_New_Zealand_Herald Wikipedia: The New Zealand Herald]
*[http://en.wikipedia.org/wiki/The_New_Zealand_Herald Wikipedia: The New Zealand Herald]


[[Category:Bibliography|New Zealand Herald, The 2013-01-20]]
{{DEFAULTSORT:New Zealand Herald 2013-01-20}}
[[Category:Bibliography 2013|Sydney Morning Herald 2013-01-20]]
[[Category:Bibliography]]
[[Category:The New Zealand Herald| The New Zealand Herald 2013-01-20]]
[[Category:Bibliography 2013]]
[[Category:Newspaper articles|New Zealand Herald, The 2013-01-20]]
[[Category:New Zealand Herald| New Zealand Herald 2013-01-20]]
[[Category:Concert reviews|New Zealand Herald, The 2013-01-20]]
[[Category:Newspaper articles]]
[[Category:2013 concert reviews]]

Latest revision as of 00:43, 11 September 2015

... Bibliography ...
727677787980818283
848586878889909192
939495969798990001
020304050607080910
111213141516171819
202122232425 26 27 28


New Zealand Herald

New Zealand publications

Newspapers

Magazines

Online publications


-

Elvis Costello and the Imposters

Civic Theatre

Russell Baillie

Originally, the long-awaited return of Elvis Costello was as headliner at another A Day on the Green vineyard concert.

Fortuitously, the show was pulled indoors and reduced to one support — just a short charming solo turn by Don McGlashan doing nifty things with guitar, voice, and loop pedal. He created disarming intimate versions of old songs of his like "Don't Fight it Marsha" and "Andy."

That also meant that Costello and the Imposters — two thirds of his original backers The Attractions — had two hours on stage in front of an attentive seated audience, rather than facing a pinot gris-fuelled hoard just wanting to party like it was 1979.

Instead, we got a dense, often intense but ultimately terrifically entertaining performance of more than two dozen songs pulled from all over the 58 year-old English singer-songwriter's 35-year career.

There was much to remind that Costello's songbook is a deep, long, wide thing. True, he did sprinkle touchstones from those breakthrough New Wave era years in the latter stages of both the main set and the encore.

But often they were stretched into thrilling new shapes — an extended "Watching the Detectives" scorched the sunny reggae lope of the original with Costello's welding arc guitar.

So too was a seething dramatic "I Want You" during the encore, while the likes of "Alison," "I Don't Want to Go To Chelsea" and "Everyday I Write the Book" also came with renewed spark.

It was also a show that managed to make a virtue of some drastic shifts of style and pace — one minute it was Costello the pop classicist belting out with maximum vibrato "God Give Me Strength" from his Burt Bacharach co-write album Painted from Memory; a few minutes later it was Costello the once angry young man spitting out the pneumatic lyrics of "Pump It Up" and still sounding like he meant it.

While they might have been Imposters, they sure weren't faking it — especially Steve Nieve who swung around his keyboards like a hyperactive mad scientist offering all sorts of deft and elegant touches. At the final bow, you half expected him to wave an extra pair arms aloft in triumph.

Of late, Costello's touring in the northern hemisphere involved a giant spinning wheel to spontaneously select the setlist as a way to deal with that grand catalogue — between 1977 debut My Aim is True and his last, 2010's National Ransom, he's almost managed an album a year if you count collaboration projects and live sets.

Here though, while the light show hinted at it, there was no wheel. It also strayed outside the lines on some covers of country swingers "Walkin' My Baby Back Home" and "Crying Time."

Covering his one-time producer Nick Lowe's ye olde pub-rocker "Heart of the City" as the second song of the night was neatly bookended by the closing "(What's So Funny `Bout) Peace, Love and Understanding?," another Lowe tune which Costello has long made his own.

And after two hours, it wasn't a show to leave you wanting more. But it was captivating to see Costello up close, digging deep, delivering a rich core sample from that vast motherlode of songs.

Yes, that was quite a spectacle.

Who: Elvis Costello and the Imposters, Don McGlashan
Where: Civic Theatre, Auckland
When: Saturday, January 19

-

The New Zealand Herald, January 20, 2013


Russell Baillie reviews Elvis Costello & The Imposters, Saturday, January 19, 2013, The Civic, Auckland, New Zealand.



-



Back to top

External links