Philadelphia Daily News, October 29, 1986: Difference between revisions

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<center><h3> Costello comes on cute and wins </h3></center>
<center><h3> Costello comes on cute and wins </h3></center>
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<center> Jonathan Takiff </center>
<center> Jonathan Takiff </center>
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'''Elvis Costello & the Attractions at the Tower Theater, a three-night engagement concluding tonight.
'''Elvis Costello & the Attractions at the Tower Theater, a three-<wbr>night engagement concluding tonight.
{{Bibliography text}}
{{Bibliography text}}
I used to be disgusted, now I try to be amused," proclaims Elvis Costello in the lyric to his popular song "(Angels Want To Wear My) Red Shoes."
''"I used to be disgusted, now I try to be amused,"'' proclaims Elvis Costello in the lyric to his popular song "(Angels Want To Wear My) Red Shoes."


But until his deliciously loony "Spectacular Spinning Songbook" audience-participation show at the Tower last night, I never knew it was within Costello's power to actually live happily by those words.
But until his deliciously loony "Spectacular Spinning Songbook" audience-participation show at the Tower last night, I never knew it was within Costello's power to actually live happily by those words.
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Since his U.S. debut in 1977, this British singer/songwriter has generally cast himself as a poison penman of Dylan-esque proportions, with a fearsome disposition to match.
Since his U.S. debut in 1977, this British singer/songwriter has generally cast himself as a poison penman of Dylan-esque proportions, with a fearsome disposition to match.


Last evening, though, in his new identity as "Napoleon Dynamite," Costello came on cute, as a convivial showman and crooner — one part Pat
Last evening, though, in his new identity as "Napoleon Dynamite," Costello came on cute, as a convivial showman and crooner — one part Pat Sajak and one part Al Jolson (whose vintage recordings of "You Made Me Love You," "Give My Regards To Broadway," "April Showers" and more serenaded the crowd for a half-hour before Costello's appearance).
 
Sajak and one part Al Jolson (whose vintage recordings of "You Made Me Love You," "Give My Regards To Broadway," "April Showers" and more serenaded the crowd for a half-hour before Costello's appearance).


The "hook" of this show — one of three distinctly different concert events which Costello is staging at the Tower this week — was a carnival-style giant wheel, upon which 40 song titles were listed. Assisted by a cigar-chomping, tuxedoed gent named [[Xavier Valentine]], Costello invited members of the audience up to spin the wheel and thus ordain the songs he would perform on the spot with his longtime backing trio, The Attractions.
The "hook" of this show — one of three distinctly different concert events which Costello is staging at the Tower this week — was a carnival-style giant wheel, upon which 40 song titles were listed. Assisted by a cigar-chomping, tuxedoed gent named [[Xavier Valentine]], Costello invited members of the audience up to spin the wheel and thus ordain the songs he would perform on the spot with his longtime backing trio, The Attractions.
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By building so much spontaneity and audience participation into the show, Costello made a magical connection. He broke down the invisible "fourth wall" — the theatrical barrier of formalism and pretense which distances most performers from their audience. For once, we were all in on the joke.
By building so much spontaneity and audience participation into the show, Costello made a magical connection. He broke down the invisible "fourth wall" — the theatrical barrier of formalism and pretense which distances most performers from their audience. For once, we were all in on the joke.


Last evening's gig was his final U.S. performance of the "Spectacular Spinning Songbook," Costello announced. (Tonight, his Tower show will focus on his new album ''Blood and Chocolate''.) I'd hope that Costello could find his way to doing a mess more Spinning Songbook concerts, though. They've got the power to make him an arena show topper, at long last.
Last evening's gig was his final U.S. performance of the "Spectacular Spinning Songbook," Costello announced. ([[Concert 1986-10-29 Upper Darby|Tonight]], his Tower show will focus on his new album ''Blood and Chocolate''.) I'd hope that Costello could find his way to doing a mess more Spinning Songbook concerts, though. They've got the power to make him an arena show topper, at long last.


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{{Bibliography notes}}
{{Bibliography notes}}
'''Philadelphia Inquirer, October 29, 1986
'''Philadelphia Daily News, October 29, 1986
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[[Jonathan Takiff]] reviews Elvis Costello & [[The Attractions]], Tuesday, [[Concert 1986-10-28 Upper Darby|October 28]], Tower Theater, Upper Darby, PA.
[[Jonathan Takiff]] reviews Elvis Costello & [[The Attractions]], Tuesday, [[Concert 1986-10-28 Upper Darby|October 28]], Tower Theater, Upper Darby, Pennsylvania.
 
{{Bibliography images}}
 
[[image:1986-10-29 Philadelphia Daily News page 59 clipping 01.jpg|180px]]
<br><small>Clippings.</small>
 
 
[[image:1986-10-29 Philadelphia Daily News page 64 clipping 01.jpg|370px]]
 
 
<small>Page scans.</small><br>
[[image:1986-10-29 Philadelphia Daily News page 59.jpg|x120px|border]]
[[image:1986-10-29 Philadelphia Daily News page 64.jpg|x120px|border]]


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{{Bibliography notes footer}}
{{Bibliography notes footer}}
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==External links==
==External links==
*[http://articles.philly.com/1986-10-29/entertainment/26060721_1_steve-nieve-elvis-costello-costello-classics Philly.com]
<!-- *[http://articles.philly.com/1986-10-29/entertainment/26060721_1_steve-nieve-elvis-costello-costello-classics Philly.com] -->
*[https://www.philly.com/ Philly.com]
*[http://en.wikipedia.org/wiki/Philadelphia_Daily_News  Wikipedia: Philadelphia Daily News ]
*[http://en.wikipedia.org/wiki/Philadelphia_Daily_News  Wikipedia: Philadelphia Daily News ]
<!-- 186125233 186125251 -->


{{DEFAULTSORT:Philadelphia Daily News 1986-10-29}}
{{DEFAULTSORT:Philadelphia Daily News 1986-10-29}}

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Costello comes on cute and wins


Jonathan Takiff

Elvis Costello & the Attractions at the Tower Theater, a three-night engagement concluding tonight.

"I used to be disgusted, now I try to be amused," proclaims Elvis Costello in the lyric to his popular song "(Angels Want To Wear My) Red Shoes."

But until his deliciously loony "Spectacular Spinning Songbook" audience-participation show at the Tower last night, I never knew it was within Costello's power to actually live happily by those words.

Since his U.S. debut in 1977, this British singer/songwriter has generally cast himself as a poison penman of Dylan-esque proportions, with a fearsome disposition to match.

Last evening, though, in his new identity as "Napoleon Dynamite," Costello came on cute, as a convivial showman and crooner — one part Pat Sajak and one part Al Jolson (whose vintage recordings of "You Made Me Love You," "Give My Regards To Broadway," "April Showers" and more serenaded the crowd for a half-hour before Costello's appearance).

The "hook" of this show — one of three distinctly different concert events which Costello is staging at the Tower this week — was a carnival-style giant wheel, upon which 40 song titles were listed. Assisted by a cigar-chomping, tuxedoed gent named Xavier Valentine, Costello invited members of the audience up to spin the wheel and thus ordain the songs he would perform on the spot with his longtime backing trio, The Attractions.

Some E.C. lesser-knowns like "King Horse" and unexpected covers of Prince's "Pop Life" and Tom Petty's "American Girl" were thus selected. "This Year's Girl" came up three times but was played only once, thank you, along with Costello classics like "What's So Funny 'Bout Peace Love and Understanding," "Every Day I Write The Book" and "Less Than Zero."

In the middle of the two-hour concert, most of the band took a "commercial break," leaving Elvis and pianist Steve Nieve to do their "Lake Tahoe"-style (he claimed) ballad interpretations of "Hoover Factory" and "Shot with His Own Gun."

Later on, Costello threw in another tender heartacher, the classic "Alison." For the most part, however, it was Elvis the Rocker, doing the "Pump It Up," and providing the most fun a person could have standing up.

The lucky wheel-spinners certainly enjoyed a special thrill in the spotlight. Yet I suspect these pleasures were vicariously enjoyed by almost everyone else within shouting distance of the stage. As his/her song title came up, the spinner was given an option of sitting out the number at an on-stage "bar" stocked with Gatorade and schlocky self-help books. Or the selectee could climb into the "Kitten McKracken Go-Go Cage" and shake it up, sometimes in the company of Costello's own traveling go-go dancers, the lovely Scrimshaw Sisters. No surprise, given the audience's goading: Almost all spinners took a round in the cage instead of one at the bar.

By building so much spontaneity and audience participation into the show, Costello made a magical connection. He broke down the invisible "fourth wall" — the theatrical barrier of formalism and pretense which distances most performers from their audience. For once, we were all in on the joke.

Last evening's gig was his final U.S. performance of the "Spectacular Spinning Songbook," Costello announced. (Tonight, his Tower show will focus on his new album Blood and Chocolate.) I'd hope that Costello could find his way to doing a mess more Spinning Songbook concerts, though. They've got the power to make him an arena show topper, at long last.

-

Philadelphia Daily News, October 29, 1986


Jonathan Takiff reviews Elvis Costello & The Attractions, Tuesday, October 28, Tower Theater, Upper Darby, Pennsylvania.

Images

1986-10-29 Philadelphia Daily News page 59 clipping 01.jpg
Clippings.


1986-10-29 Philadelphia Daily News page 64 clipping 01.jpg


Page scans.
1986-10-29 Philadelphia Daily News page 59.jpg 1986-10-29 Philadelphia Daily News page 64.jpg


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