Portland Mercury, April 14, 2012: Difference between revisions

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<center><h3> Elvis Costello, Live at the Arlene Schnitzer Concert Hall, 03/13/12 </h3></center>
<center><h3> Elvis Costello & The Imposters </h3></center>
<center>''' Arlene Schnitzer Concert Hall </center>
----
<center> Ezra Ace Caraeff </center>
----
----
{{Bibliography text}}
{{Bibliography text}}
The wheel landed on “[[I Want You]].And then the tapping began.
The wheel landed on "I Want You." And then the tapping began.


Tap. Tap. Tap.
Tap. Tap. Tap.
I turn around. “What?”
The man behind begged, “Please. Sit down. You’re ruining it.”


We were mere minutes into Elvis Costello's "Spectacular Spinning Songbook" show—one that would eventually flirt with three hours in length—but given the lurking pace of Costello’s stalkerish “I Want You,an unfortunately large segment of the graying Schnitzer crowd began to sit. Sure, it wasn't opening number "[[Pump It Up|Pump it Up]]," or follow-ups "[[Heart Of The City]]" or "[[Radio, Radio|Radio Radio]]." But, Christ, it's a great song. I was not sitting.
I turn around. "What?"
 
The man behind begged, "Please. Sit down. You're ruining it."
 
We were mere minutes into Elvis Costello's "Spectacular Spinning Songbook" show — one that would eventually flirt with three hours in length — but given the lurking pace of Costello's stalkerish "I Want You," an unfortunately large segment of the graying Schnitzer crowd began to sit. Sure, it wasn't opening number "Pump it Up," or follow-ups "Heart Of The City" or "Radio, Radio." But, Christ, it's a great song. I was not sitting.


Tap. Tap. Tap. Tap.
Tap. Tap. Tap. Tap.
I turned around again. I am annoyed. This time around my response was blunt.
I turned around again. I am annoyed. This time around my response was blunt.
“No.”


The "Spectacular Spinning Songbook" tour is Costello divulging in unapologetic camp. It's more or less a "Greatest Hits" victory lap, but without the stale predictability. Between songs of his own choosing, Costello would joyfully don the role of a high hat-toting, cane swinging, carnival barker armed with a spinning wheel that could sober up Pat Sajak. Go-go dancers (yes, at an Elvis Costello show) would pluck wide-eyed fans from the crowd, Costello would treat them to some wacky ’70s game show banter, and then let them spin the wheel. The wheel categories consisted of nearly every Costello song you ever wanted to hear, plus a few wild cards (“Joker” being an obvious one, less so the category of "[[Joanna]]" which resulted in piano songs due to its cockney translation) thrown in for good measure.
"No."
 
The "Spectacular Spinning Songbook" tour is Costello divulging in unapologetic camp. It's more or less a "Greatest Hits" victory lap, but without the stale predictability. Between songs of his own choosing, Costello would joyfully don the role of a high hat-toting, cane swinging, carnival barker armed with a spinning wheel that could sober up Pat Sajak. Go-go dancers (yes, at an Elvis Costello show) would pluck wide-eyed fans from the crowd, Costello would treat them to some wacky '70s game show banter, and then let them spin the wheel. The wheel categories consisted of nearly every Costello song you ever wanted to hear, plus a few wild cards ("Joker" being an obvious one, less so the category of "Joanna" which resulted in piano songs due to its cockney translation) thrown in for good measure.


Despite the off-strip Vegas quality to the entire production, Costello beamed in the spotlight. He is Wayne Newton in thick frames, he is Tom Jones showered by a sea of tossed octogenarian panties, and he has never sounded better.
Despite the off-strip Vegas quality to the entire production, Costello beamed in the spotlight. He is Wayne Newton in thick frames, he is Tom Jones showered by a sea of tossed octogenarian panties, and he has never sounded better.
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Tap.
Tap.
Tap.
Tap.
“HOLYFUCKINGSHITBALLS. What. Do. You. Want?”
“Sit down. Come on. Isn’t it enough you’re the tallest guy here?”


I sat. Begrudgingly. Plus he flattered me with the “tallest guy here" line. Way to play right into my vanity, buddy. But I didn't bend a knee for him, I sat for his poor wife, a woman doomed to a loveless existence on the arm of a man of a concert tapper. I hope you're happy, Gramps.
"HOLYFUCKINGSHITBALLS. What. Do. You. Want?"
 
"Sit down. Come on. Isn't it enough you're the tallest guy here?"
 
I sat. Begrudgingly. Plus he flattered me with the "tallest guy here" line. Way to play right into my vanity, buddy. But I didn't bend a knee for him, I sat for his poor wife, a woman doomed to a loveless existence on the arm of a man of a concert tapper. I hope you're happy, Gramps.
 
{{cx}}


{{tags}}[[Arlene Schnitzer Concert Hall]] {{-}} [[Portland]] {{-}} [[OR|Oregon]] {{-}} [[The Imposters]] {{-}} [[Pump It Up]] {{-}} [[I Want You]] {{-}} [[Heart Of The City]] {{-}} [[Radio, Radio]] {{-}} [[Spectacular Spinning Songbook]] {{-}} [[Joker]] {{-}} [[Joanna]]
{{cx}}
{{cx}}


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'''Portland Mercury, April 14, 2012
'''Portland Mercury, April 14, 2012
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----
Portland Mercury reviews Elvis Costello & [[The Imposters]], Friday, [[Concert 2012-04-13 Portland|April 13, 2012]], [[Arlene Schnitzer Concert Hall]], Portland, OR.
[[Ezra Ace Caraeff]] reviews Elvis Costello & [[The Imposters]], Friday, [[Concert 2012-04-13 Portland|April 13, 2012]], Arlene Schnitzer Concert Hall, Portland, Oregon.


{{Bibliography images}}
{{Bibliography images}}


[[Image:2012-04-13 Portland photo.jpg|x200px]]<br>
[[image:2012-04-13 Portland photo.jpg|380px]]
<br><small>Photo courtesy of elviscostello.com.</small>


{{Bibliography notes footer}}
{{Bibliography notes footer}}
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==External links==
==External links==
*[http://www.portlandmercury.com/endhits/archives/2012/04/14/elvis-costello-live-at-the-arlene-schnitzer-concert-hall-031312 PortlandMercury.com]
*[http://www.portlandmercury.com/ PortlandMercury.com]
<!-- *[http://www.portlandmercury.com/endhits/archives/2012/04/14/elvis-costello-live-at-the-arlene-schnitzer-concert-hall-031312 PortlandMercury.com] -->
*[http://en.wikipedia.org/wiki/The_Portland_Mercury Wikipedia: Portland Mercury]
*[http://en.wikipedia.org/wiki/The_Portland_Mercury Wikipedia: Portland Mercury]
*[https://web.archive.org/web/20120419074624/http://endhits.portlandmercury.com/endhits/archives/2012/04/14/elvis-costello-live-at-the-arlene-schnitzer-concert-hall-031312 archive.org]


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{{DEFAULTSORT:Portland Mercury 2012-04-14}}
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[[Category:Bibliography 2012]]
[[Category:Bibliography 2012]]
[[Category:Portland Mercury| Portland Mercury 2012-04-14]]
[[Category:Portland Mercury| Portland Mercury 2012-04-14]]
[[Category:Newspaper articles]]
[[Category:Magazine articles]]
[[Category:2012 concert reviews]]
[[Category:2012 concert reviews]]
[[Category:Portland Mercury|~Portland Mercury 2012-04-14]]

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Elvis Costello & The Imposters

Arlene Schnitzer Concert Hall

Ezra Ace Caraeff

The wheel landed on "I Want You." And then the tapping began.

Tap. Tap. Tap.

I turn around. "What?"

The man behind begged, "Please. Sit down. You're ruining it."

We were mere minutes into Elvis Costello's "Spectacular Spinning Songbook" show — one that would eventually flirt with three hours in length — but given the lurking pace of Costello's stalkerish "I Want You," an unfortunately large segment of the graying Schnitzer crowd began to sit. Sure, it wasn't opening number "Pump it Up," or follow-ups "Heart Of The City" or "Radio, Radio." But, Christ, it's a great song. I was not sitting.

Tap. Tap. Tap. Tap.

I turned around again. I am annoyed. This time around my response was blunt.

"No."

The "Spectacular Spinning Songbook" tour is Costello divulging in unapologetic camp. It's more or less a "Greatest Hits" victory lap, but without the stale predictability. Between songs of his own choosing, Costello would joyfully don the role of a high hat-toting, cane swinging, carnival barker armed with a spinning wheel that could sober up Pat Sajak. Go-go dancers (yes, at an Elvis Costello show) would pluck wide-eyed fans from the crowd, Costello would treat them to some wacky '70s game show banter, and then let them spin the wheel. The wheel categories consisted of nearly every Costello song you ever wanted to hear, plus a few wild cards ("Joker" being an obvious one, less so the category of "Joanna" which resulted in piano songs due to its cockney translation) thrown in for good measure.

Despite the off-strip Vegas quality to the entire production, Costello beamed in the spotlight. He is Wayne Newton in thick frames, he is Tom Jones showered by a sea of tossed octogenarian panties, and he has never sounded better.

Tap. Tap. Tap. Tap.

"HOLYFUCKINGSHITBALLS. What. Do. You. Want?"

"Sit down. Come on. Isn't it enough you're the tallest guy here?"

I sat. Begrudgingly. Plus he flattered me with the "tallest guy here" line. Way to play right into my vanity, buddy. But I didn't bend a knee for him, I sat for his poor wife, a woman doomed to a loveless existence on the arm of a man of a concert tapper. I hope you're happy, Gramps.


Tags: Arlene Schnitzer Concert HallPortlandOregonThe ImpostersPump It UpI Want YouHeart Of The CityRadio, RadioSpectacular Spinning SongbookJokerJoanna

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Portland Mercury, April 14, 2012


Ezra Ace Caraeff reviews Elvis Costello & The Imposters, Friday, April 13, 2012, Arlene Schnitzer Concert Hall, Portland, Oregon.

Images

2012-04-13 Portland photo.jpg
Photo courtesy of elviscostello.com.

-



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