Providence Journal, September 30, 2007: Difference between revisions
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Primarily employing an acoustic guitar that was turned up just loud enough that quiet passages were clear but loud sections were appealingly distorted, Elvis Costello ran through solo acoustic renditions of songs spanning his career. | Primarily employing an acoustic guitar that was turned up just loud enough that quiet passages were clear but loud sections were appealingly distorted, Elvis Costello ran through solo acoustic renditions of songs spanning his career. | ||
Costello was far more charged up than in his last Rhode Island appearance, at the 2005 Dunkin’ Donuts Newport Folk Festival. At times, he was playful, as during a segue from | Costello was far more charged up than in his last Rhode Island appearance, at the 2005 Dunkin’ Donuts Newport Folk Festival. At times, he was playful, as during a segue from “[[Radio Sweetheart]]” to Van Morrison’s “[[Jackie Wilson Said]],” as well as the jaunty roots-country of “[[Sulphur To Sugarcane|From Sulfur to Sugar Cane]],” written with [[T-Bone Burnett]]. At others, he was politically charged, as on “The River in Reverse” (“Count your blessings when they ask permission. To rule with money and superstition”) and the closing “[[The Scarlet Tide]]” (“… that separates the widow from the bride”), with its interjected “admit you lied, and bring the boys home.” | ||
Playing without his crack band, The Imposters (formerly The Attractions), Costello was handicapped during rock songs such as | Playing without his crack band, [[The Imposters]] (formerly [[The Attractions]]), Costello was handicapped during rock songs such as “[[Less Than Zero]]” and the ballad “[[Alison]].” On the other hand, the setting gave him room to play with vocal dynamics and range, such as on “[[Veronica]]” and a wounded “[[Either Side Of The Same Town|Either Side of the Same Town]].” And on some songs, such as “What’s So Funny ‘Bout Peace, Love and Understanding?,” both phenomena happened in the same song. | ||
Singer-songwriter [[Amos Lee]] opened the show with songs that fell into classic templates, usually at the intersection of blues and the ballad side of Southern rock. The stately ballads “Careless” and the new “What’s Been Going On?” were highlights, as was a loose, sinister “Black River,” with malleted drums. | Singer-songwriter [[Amos Lee]] opened the show with songs that fell into classic templates, usually at the intersection of blues and the ballad side of Southern rock. The stately ballads “Careless” and the new “What’s Been Going On?” were highlights, as was a loose, sinister “Black River,” with malleted drums. | ||
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[[Category:Providence Journal| Providence Journal 2007-09-30]] | [[Category:Providence Journal| Providence Journal 2007-09-30]] | ||
[[Category:Newspaper articles]] | [[Category:Newspaper articles]] | ||
[[Category:2007 concert reviews|2007 | [[Category:2007 concert reviews|Providence Journal 2007-09-30]] |
Revision as of 07:18, 5 August 2014
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