Q, March 2002

Bibliography   72 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 UK & Ireland weeklies UK & Ireland magazines UK & Ireland newspapers US newspapers US rock magazines US music magazines US magazines US alternative weeklies European magazines European newspapers Canada  •  Mexico  •  Asia Australia  •  New Zealand South America  •  Africa Blogs  •  Fanzines  •  Books Online publications Q magazine   1986 October 1988 January 1988 December 1989 March 1989 August 1989 December 1991 June 1991 July 1993 March 1993 April 1993 unknown date 1993 November 1994 April 1994 June 1994 August 1994 November 1995 January 1995 April 1995 June 1995 October 1995 December 1996 March 1996 June 1996 October 1997 January 1998 February 1998 April 1998 November 1999 March 18 1999 October 2000 June 2001 June 2001 October 2002 March 2002 April 2002 May 2003 October 2004 January 2006 July 2007 September 2008 February 2010 November 2013 September 2016 June 2017 May  2018 October 2018 November Q Special Edition 2001 March — This Year's Model, Blood & Chocolate, Brutal Youth Danny Eccleston This Year's Model   Blood & Chocolate   Brutal Youth   If they'd been the Pistols there'd have been fizz in Bruce's sandwich. To Demon's already estimable Costello reissue range, add three with a common theme: the Attractions. This Year's Model from 1978 was Costello's first with the band, a still-incredible combination of songwriterly spleen, Bruce Thomas's melodic bass doodles, Steve Nieve's ingenu keyboards ("like sirens" writes Costello) and Pete Thomas's preposterously musical drumming. Blood & Chocolate — the cranky, love-raddled 1986 reunion — spawned the bestial "Uncomplicated" and the unbearably exposed I Want You, though Costello is keen to note that their next meeting, for 1994's nostalgia-laced Brutal Youth, was by default rather than design. Best here is the beat-poppy "13 Steps Lead Down," maddest is the electorate-chiding "20% Amnesia" — like Neil Young's "Fuckin' Up" with upsetting Brecht/Weill interludes. In all three cases, the bonus CD is a surprising boon (there's a lovely version of the James Carr-associated "Pouring Water On A Drowning Man" attached to Blood & Chocolate), while Costello's sleevenotes are funny, enlightening and rarely resist a sideswipe at Thomas. << >> Q, No. 188, March 2002 Danny Eccleston reviews the Rhino / Demon reissues of This Year's Model, Blood & Chocolate and Brutal Youth. Images Clipping. Cover and contents page.

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