Record Mirror, January 16, 1982: Difference between revisions

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{{Bibliography header}}
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{{Record Mirror index}}
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<center><h3> Costello .. 1 <br> RPO ....... 2 </h3></center>
<center><h3> Elvis Costello </h3></center>
<center> (after extra time) </center>
<center>''' Royal Albert Hall </center>
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<center> Mike Nicholls </center>
<center> Mike Nicholls </center>
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{{Bibliography text}}
{{Bibliography text}}


Zing went the strings of my orchestra. Yes, well the elderly gents in dinner jackets and dickie-bows standing behind Our Elvis were his... if only for one night. For supplementing Mr Costello and [[the Attractions]] at the Royal Albert Hall last week was none other than that venerable building's resident [[Royal Philharmonic Orchestra]].  
Zing went the strings of my orchestra. Yes, well the elderly gents in dinner jackets and dickie-bows standing behind Our Elvis were his... if only for one night. For supplementing Mr Costello and the Attractions at the Royal Albert Hall last week was none other than that venerable building's resident Royal Philharmonic Orchestra.  


From country shows in Aberdeen, America and England (see [[Record Mirror, January 9, 1982|last week's]] ''RM'' for Rainbow review) to classical as in Knightsbridge. From a whisper to a scream. From the sublime to the ridiculous? Almost, because of, rather than in spite of, the scale of this grand challenge. I mean 60-odd string and horn players fleshing out "[[Watching The Detectives]]"? In front of 5,800 punters afraid to enthuse lest they should impinge upon the dignity of the building?  
From country shows in Aberdeen, America and England (see [[Record Mirror, January 9, 1982|last week's]] ''RM'' for Rainbow review) to classical as in Knightsbridge. From a whisper to a scream. From the sublime to the ridiculous? Almost, because of, rather than in spite of, the scale of this grand challenge. I mean 60-odd string and horn players fleshing out "Watching The Detectives"? In front of 5,800 punters afraid to enthuse lest they should impinge upon the dignity of the building?  


Obviously the evening had its high points. The maudlin, reflective material from ''[[Almost Blue]]'' benefited from the orchestral icing, particularly "[[Too Far Gone]]," Brown To Blue' and "[[Good Year For The Roses]]." "[[Alison]]"' was similarly brilliant although the adventurously revamped "[[I Can't Stand Up For Falling Down]]" and "[[New Lace Sleeves]]" didn't work at all.  
Obviously the evening had its high points. The maudlin, reflective material from ''Almost Blue'' benefited from the orchestral icing, particularly "Too Far Gone," "Brown To Blue" and "Good Year For The Roses." "Alison" was similarly brilliant although the adventurously revamped "I Can't Stand Up For Falling Down" and "New Lace Sleeves" didn't work at all.  


"[[Shot With His Own Gun]]" could have been a killer but it was Elvis' first song with the orchestra and understandably phased by the whole affair, his voice just wasn't strong enough.  
"Shot With His Own Gun" could have been a killer but it was Elvis' first song with the orchestra and understandably phased by the whole affair, his voice just wasn't strong enough.  


Inevitably, he soon gained confidence, just like he had during the first part of the evening when he played a warm-up set with the Attractions comprising post '78 material and several unrecorded compositions.  
Inevitably, he soon gained confidence, just like he had during the first part of the evening when he played a warm-up set with the Attractions comprising post '78 material and several unrecorded compositions.  


Overall the evening was too starched white and formal to be more than intermittently enjoyable, both band and orchestra too nervous to let rip and not enough up-tempo stuff included or experimented with. An exception was "[[ (What's So Funny 'Bout) Peace, Love And Understanding?|What's So Funny 'Bout Peace Love And Understanding]]" when the 20-odd strong horn section was audible for the first time.  
Overall the evening was too starched white and formal to be more than intermittently enjoyable, both band and orchestra too nervous to let rip and not enough up-tempo stuff included or experimented with. An exception was "What's So Funny 'Bout Peace, Love And Understanding" when the 20-odd strong horn section was audible for the first time.  


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{{tags}}[[Royal Albert Hall]] {{-}} [[London]] {{-}} [[The Attractions]] {{-}} [[John McFee]] {{-}} [[Royal Philharmonic Orchestra]] {{-}} [[Aberdeen]] {{-}} [[Watching The Detectives]] {{-}} [[Almost Blue]] {{-}} [[Too Far Gone]] {{-}} [[Brown To Blue]] {{-}} [[Good Year For The Roses]] {{-}} [[Alison]] {{-}} [[I Can't Stand Up For Falling Down]] {{-}} [[New Lace Sleeves]] {{-}} [[Shot With His Own Gun]] {{-}} [[(What's So Funny 'Bout) Peace, Love And Understanding?]]
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{{Bibliography notes}}
{{Bibliography notes}}
{{Bibliography next
|prev = Record Mirror, January 9, 1982
|next = Record Mirror, March 27, 1982
}}
'''Record Mirror, January 16, 1982
'''Record Mirror, January 16, 1982
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[[Mike Nicholls]] reviews Elvis Costello & [[The Attractions]] with [[John McFee]] and the [[Royal Philharmonic Orchestra]], Thursday, [[Concert 1982-01-07 London|January 7, 1982]], Royal Albert Hall, London, England.
[[Mike Nicholls]] reviews Elvis Costello & [[The Attractions]] with [[John McFee]] and the [[Royal Philharmonic Orchestra]], Thursday, [[Concert 1982-01-07 London|January 7, 1982]], Royal Albert Hall, London, England.
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"[[Sweet Dreams]]" is No. 42 on the singles chart; ''[[Almost Blue]]'' is No. 27 on the album [[:image:1982-01-16 Record Mirror page 27.jpg|chart]].


{{Bibliography images}}
{{Bibliography images}}


[[image:1982-01-16 Record Mirror clipping.jpg|900x120px]]
[[image:1982-01-16 Record Mirror page 07 clipping 01.jpg|380px|border]]
<br><small>Clipping.</small>
<br><small>Clipping.</small>


[[image:1982-01-16 Record Mirror photo 01.jpg|240px]]


[[image:1982-01-16 Record Mirror photo 02.jpg|240px]]
<small>Photos by [[Tom Sheehan]].</small><br>
<br><small>Photos.</small>
[[image:1982-01-16 Record Mirror photo 02 ts.jpg|380px|border]]
 
 
[[image:1982-01-16 Record Mirror photo 01 ts.jpg|280px|border]]
<br><small>Photos by [[Tom Sheehan]].</small>
 


[[image:1982-01-16 Record Mirror cover.jpg|900x120px]]
<small>Cover and page scans.</small><br>
<br><small>Cover.</small>
[[image:1982-01-16 Record Mirror cover.jpg|x120px]]
[[image:1982-01-16 Record Mirror page 07.jpg|x120px]]
[[image:1982-01-16 Record Mirror page 27.jpg|x120px]]


{{Bibliography notes footer}}
{{Bibliography notes footer}}
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==External links==
==External links==
*[http://en.wikipedia.org/wiki/Record_Mirror Wikipedia: Record Mirror]
*[http://en.wikipedia.org/wiki/Record_Mirror Wikipedia: Record Mirror]
*[https://www.flickr.com/photos/57779449@N02/albums/72157715831896342 Flickr][https://www.flickr.com/photos/57779449@N02/50301376228/ {{t}}] [[Michael Kane]]


[[Category:Bibliography|Record Mirror 1982-01-16]]
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[[Category:Bibliography 1982|Record Mirror 1982-01-16]]
[[Category:Bibliography]]
[[Category:Bibliography 1982]]
[[Category:Record Mirror| Record Mirror 1982-01-16]]
[[Category:Record Mirror| Record Mirror 1982-01-16]]
[[Category:Magazine articles|Record Mirror 1982-01-16]]
[[Category:Magazine articles]]
[[Category:1982 concert reviews|Record Mirror 1982-01-16]]
[[Category:1982 concert reviews]]
[[Category:Transcription needed|Record Mirror 1982-01-16]]
[[Category:Almost Blue, Almost '82 Tour|~Record Mirror 1982-01-16]]

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Record Mirror

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Elvis Costello

Royal Albert Hall

Mike Nicholls

Zing went the strings of my orchestra. Yes, well the elderly gents in dinner jackets and dickie-bows standing behind Our Elvis were his... if only for one night. For supplementing Mr Costello and the Attractions at the Royal Albert Hall last week was none other than that venerable building's resident Royal Philharmonic Orchestra.

From country shows in Aberdeen, America and England (see last week's RM for Rainbow review) to classical as in Knightsbridge. From a whisper to a scream. From the sublime to the ridiculous? Almost, because of, rather than in spite of, the scale of this grand challenge. I mean 60-odd string and horn players fleshing out "Watching The Detectives"? In front of 5,800 punters afraid to enthuse lest they should impinge upon the dignity of the building?

Obviously the evening had its high points. The maudlin, reflective material from Almost Blue benefited from the orchestral icing, particularly "Too Far Gone," "Brown To Blue" and "Good Year For The Roses." "Alison" was similarly brilliant although the adventurously revamped "I Can't Stand Up For Falling Down" and "New Lace Sleeves" didn't work at all.

"Shot With His Own Gun" could have been a killer but it was Elvis' first song with the orchestra and understandably phased by the whole affair, his voice just wasn't strong enough.

Inevitably, he soon gained confidence, just like he had during the first part of the evening when he played a warm-up set with the Attractions comprising post '78 material and several unrecorded compositions.

Overall the evening was too starched white and formal to be more than intermittently enjoyable, both band and orchestra too nervous to let rip and not enough up-tempo stuff included or experimented with. An exception was "What's So Funny 'Bout Peace, Love And Understanding" when the 20-odd strong horn section was audible for the first time.


Tags: Royal Albert HallLondonThe AttractionsJohn McFeeRoyal Philharmonic OrchestraAberdeenWatching The DetectivesAlmost BlueToo Far GoneBrown To BlueGood Year For The RosesAlisonI Can't Stand Up For Falling DownNew Lace SleevesShot With His Own Gun(What's So Funny 'Bout) Peace, Love And Understanding?

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Record Mirror, January 16, 1982


Mike Nicholls reviews Elvis Costello & The Attractions with John McFee and the Royal Philharmonic Orchestra, Thursday, January 7, 1982, Royal Albert Hall, London, England.


"Sweet Dreams" is No. 42 on the singles chart; Almost Blue is No. 27 on the album chart.

Images

1982-01-16 Record Mirror page 07 clipping 01.jpg
Clipping.


Photos by Tom Sheehan.
1982-01-16 Record Mirror photo 02 ts.jpg


1982-01-16 Record Mirror photo 01 ts.jpg
Photos by Tom Sheehan.


Cover and page scans.
1982-01-16 Record Mirror cover.jpg 1982-01-16 Record Mirror page 07.jpg 1982-01-16 Record Mirror page 27.jpg

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