Record Mirror, March 25, 1978: Difference between revisions

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{{:Bibliography index}}
{{:Bibliography index}}
{{:Record Mirror index}}
{{:Record Mirror index}}
{{:Magazine index}}
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{{Bibliography article header}}
<center><h3> Elvis Costello </h3></center>
<center><h3> Elvis, you're a genius </h3></center>
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<center> ... </center>
<center> Tim Lott </center>
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''' Elvis Costello ''' / Ulster Hall, Belfast
{{Bibliography text}}
{{Bibliography text}}
This was  something of a homecoming for Declan. Although Elvis was born in Liverpool, I suppose you could call him a genetic paddy, a fact which maybe influenced his decision to play Dublin and Belfast as the first dates on his tour.


{{Article needed}}
His chromosome compatriots were hugely glad to see him. The Belfast kids, obviously, don't have bands queuing up to play their city, and the ones that do turn up are as often as about as exciting as a John Miles interview.
 
So the reception for Elvis was immense. The crowd made a racket worthy of a cup final crowd. No trouble either apart from a few dumb Nazi salutes (because of ''"calling Mr Oswald with the swastika tattoo"'').
 
What violence there was happened onstage. The vitriol came from the speaker stacks. Elvis may not be angry, but at least he seems irritated. That edge to his voice is agonising.
 
But it's a different man who peers out from under the shadow of the vast organ pipes that fill the rear of the packed hall. A not-so-clinical artist, a less vicious vision.
 
Costello no longer has a sneer of contempt. He is utilitarian instead of arrogant; introduces songs and sings them. No more posturing, but maybe that's because he isn't playing to the Londoners he holds so much antipathy for.
 
And the performance is somehow more 'live'. Not so long ago, Costello was approaching gigs in such a scientific fashion that the songs were as close to replicas of the studio as they could be; each solo measured, each intonation considered.
 
In Belfast the approach was rougher, and looser, a sacrifice of precision for spontaniety. It's a better approach. The huge excitement Costello drummed up — four encores ended the show — cannot be put down purely to the music starvation of the punters. There was a spark there that was absent before. Considering the perfection of his previous tours, I find it hard to swallow that he's actually improved, but he somehow has.
 
I was jammed in the crowd and stuck in the wash of excitement, more enthralled than I have been since the last time I saw him perform.
 
[[Sounds, August 6, 1977|Last year]] I described Elvis as a genius. He holds me in contempt for that, apparently, as he holds nearly everyone in contempt for something. It seems I was being premature.
 
But I wasn't, of that I'm completely sure. Elvis has genius and is a genius. It's the first time I've used that word to describe a new artist for ages, and I mean it. He is the next big thing, and the big thing after that, and after that. Costello will endure because he can't be ignored.


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{{Bibliography next
|prev = Record Mirror, March 11, 1978
|prev = Record Mirror, March 18, 1978
|next = Record Mirror, April 22, 1978
|next = Record Mirror, April 22, 1978
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'''Record Mirror, March 25, 1978
'''Record Mirror, March 25, 1978
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Includes a concert review of Elvis Costello & [[The Attractions]], Friday, [[Concert 1978-03-17 Belfast|March 17, 1978]], Ulster Hall, Belfast, Northern Ireland.
[[Tim Lott]] reviews Elvis Costello & [[The Attractions]], Friday, [[Concert 1978-03-17 Belfast|March 17, 1978]], Ulster Hall, Belfast, Northern Ireland.
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"[[Single: (I Don't Want To Go To) Chelsea|Chelsea]]" is No. 26 on the singles chart (page [[:image:1978-03-25 Record Mirror page 02.jpg|2]]).


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{{Bibliography images}}


[[image:1978-03-25 Record Mirror cover.jpg|x120px]]
[[image:1978-03-25 Record Mirror page 23 clipping 01.jpg|360px|border]]
<br><small>Cover.</small>
<br><small>Clipping.</small>
 
[[image:1978-03-25 Record Mirror photo 01.jpg|360px|border]]
<br><small>Photographer unknown.</small>
 
[[image:1978-03-25 Record Mirror cover.jpg|x120px|border]]
[[image:1978-03-25 Record Mirror page 02.jpg|x120px|border]]
<br><small>Cover and charts page.</small>


{{Bibliography notes footer}}
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==External links==
==External links==
*[http://en.wikipedia.org/wiki/Record_Mirror Wikipedia: Record Mirror]
*[http://en.wikipedia.org/wiki/Record_Mirror Wikipedia: Record Mirror]
*[https://en.wikipedia.org/wiki/Tim_Lott Wikipedia: Tim Lott]
*[https://worldradiohistory.com/Record_Mirror.htm worldradiohistory.com][https://worldradiohistory.com/UK/Record-Mirror/70s/78/1978-03-25.pdf {{t}}]


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[[Category:Bibliography 1978]]
[[Category:Bibliography 1978]]
[[Category:Record Mirror| Record Mirror 1978-03-25]]
[[Category:Record Mirror| Record Mirror 1978-03-25]]
[[Category:Magazine articles]]
[[Category:1978 concert reviews]]
[[Category:1978 concert reviews]]
[[Category:1978 UK Tour|~Record Mirror 1978-03-25]]
[[Category:1978 UK Tour|~Record Mirror 1978-03-25]]
[[Category:Article needed]]

Revision as of 01:45, 17 September 2021

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Record Mirror

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Elvis, you're a genius


Tim Lott

Elvis Costello / Ulster Hall, Belfast

This was something of a homecoming for Declan. Although Elvis was born in Liverpool, I suppose you could call him a genetic paddy, a fact which maybe influenced his decision to play Dublin and Belfast as the first dates on his tour.

His chromosome compatriots were hugely glad to see him. The Belfast kids, obviously, don't have bands queuing up to play their city, and the ones that do turn up are as often as about as exciting as a John Miles interview.

So the reception for Elvis was immense. The crowd made a racket worthy of a cup final crowd. No trouble either apart from a few dumb Nazi salutes (because of "calling Mr Oswald with the swastika tattoo").

What violence there was happened onstage. The vitriol came from the speaker stacks. Elvis may not be angry, but at least he seems irritated. That edge to his voice is agonising.

But it's a different man who peers out from under the shadow of the vast organ pipes that fill the rear of the packed hall. A not-so-clinical artist, a less vicious vision.

Costello no longer has a sneer of contempt. He is utilitarian instead of arrogant; introduces songs and sings them. No more posturing, but maybe that's because he isn't playing to the Londoners he holds so much antipathy for.

And the performance is somehow more 'live'. Not so long ago, Costello was approaching gigs in such a scientific fashion that the songs were as close to replicas of the studio as they could be; each solo measured, each intonation considered.

In Belfast the approach was rougher, and looser, a sacrifice of precision for spontaniety. It's a better approach. The huge excitement Costello drummed up — four encores ended the show — cannot be put down purely to the music starvation of the punters. There was a spark there that was absent before. Considering the perfection of his previous tours, I find it hard to swallow that he's actually improved, but he somehow has.

I was jammed in the crowd and stuck in the wash of excitement, more enthralled than I have been since the last time I saw him perform.

Last year I described Elvis as a genius. He holds me in contempt for that, apparently, as he holds nearly everyone in contempt for something. It seems I was being premature.

But I wasn't, of that I'm completely sure. Elvis has genius and is a genius. It's the first time I've used that word to describe a new artist for ages, and I mean it. He is the next big thing, and the big thing after that, and after that. Costello will endure because he can't be ignored.

-
<< >>

Record Mirror, March 25, 1978


Tim Lott reviews Elvis Costello & The Attractions, Friday, March 17, 1978, Ulster Hall, Belfast, Northern Ireland.


"Chelsea" is No. 26 on the singles chart (page 2).

Images

1978-03-25 Record Mirror page 23 clipping 01.jpg
Clipping.

1978-03-25 Record Mirror photo 01.jpg
Photographer unknown.

1978-03-25 Record Mirror cover.jpg 1978-03-25 Record Mirror page 02.jpg
Cover and charts page.

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