Record Mirror, March 8, 1980: Difference between revisions

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{{Record Mirror index}}
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{{magazine index}}
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<center><h3> ... </h3></center>
<center><h3> Get happy (please) </h3></center>
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<center> ... </center>
<center> John Shearlaw </center>
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''' Elvis Costello <br>
Margate Winter Gardens
{{Bibliography text}}
{{Bibliography text}}
Elvis Costello, out on a limb — be it intentionally or unintentionally — almost as long as he's been around.


[[image:article.jpg]]
And on this new tour — which must put him in line for the rock equivalent of the MBE for its "terrain breaking ambition" — that means he's the same old Elvis. Hard hitting, uncompromising, technically perfect, powerful and... ultimately unfulfilling.


Elvis Costello live is the creature burning up with his own often brilliant talent. So brilliant in fact that it often becomes a barrage, one that eventually stops the audience in its tracks.
Sad, but true, as the ''Get Happy'' tour (the first outside major venues, standing gigs only, bringing rock to your town, etc etc) should be the tour that puts him — with added bonus of a superb album — way up on top of the tree. Margate may be early in the tour. Margate, off-season, may not be typical. But it seemed to prove that Elvis Costello on the boards isn't the conquering lion that inhabits a recording studio.
It's often very hard to work out exactly how Elvis sees himself on stage. He's strangely unanimated, yet the beads of sweat fly off his forehead almost as if they've been spat from inside his head. Inside the dance band chic clothing — red jacket, black trousers, black shirt — there's a real dancer, a real mover, trying to got out.
Yet he clings to his guitar, chops out a sparse rhythm inside the wall of sound, and delivers the venom with scarcely a look around.
Producing the goods, remaining tightly in control and then... what?
You could be watching a dance with an adder. Puffed taut and ready to destroy he's fascinating. Daring you to relax, waiting to move in for the kill.
In the end it doesn't happen, and that's a disappointment.
Almost as if the songs are too good (or whichever way you choose to say that) the challenge becomes too great. For every triumph on stage — and the unexpected low-key inclusion of "Just Don't Know What To Do With Myself," all quiet and mournful, was one of them — there that don't quite come off.
But that power, and the pace of a packed hour-long set, keep the audience there. Riveted if not ecstatic, anxious to reward if not exactly throwing themselves at the stage.
Costello simply won't deliver that way, one reason why he follows a very hard road. And on the well-off-the-beaten-track tour as this is, he's going to find just how well the rest of the country is keeping up.
The curt acknowledgements give way to a conclusion, a razor cut through the preceding hour. Three songs, deservedly, become the encore. First, a truly impressive working of "Can't Stand Up For Falling Down," convincing us for once and all just how good the song is, and just how little justice it's really been done on the current Fab 40 single. On the live version there's a return of that tantalising glimpse of Elvis Costello really getting happy, wringing through two decades of fine music and squeezing out his own. By rights it should happen more often; on tour it rarely seems to.
Second, as expected, "Oliver's Army," with Elvis back in his shell, clipping the song down before it ever takes off. And third, good enough for most, is the very old and the very lovely "Pump It Up." Here Elvis faces the sea of dancers head on, his own arm gawkishly raised and pointing, his own expression slightly quizzical.
It's well known, it's easy and a fair enough end to the evening, but perhaps he wishes that reaction had happened earlier on?
Even Elvis Costello, up on stage, finds it difficult to get happy just by thinking about it. Down in the audience, and really trying, it's more than twice that hard.
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{{tags}}[[Concert 1980-03-02 Margate|Winter Gardens]] {{-}} [[Margate]] {{-}} [[England]] {{-}} [[The Attractions]] {{-}} [[Get Happy!!]] {{-}} [[:Category:1980 UK Tour|1980 UK Tour]] {{-}} [[I Just Don't Know What To Do With Myself]] {{-}} [[I Can't Stand Up For Falling Down]] {{-}} [[Oliver's Army]] {{-}} [[Pump It Up]]
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{{Bibliography notes}}
{{Bibliography notes}}
{{Bibliography next
|prev = Record Mirror, March 1, 1980
|next = Record Mirror, March 22, 1980
}}
'''Record Mirror, March 8, 1980
'''Record Mirror, March 8, 1980
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Concert review for [[Concert 1980-03-02 Margate|March 2, 1980]], Winter Gardens, Margate, England.
[[John Shearlaw]] reviews Elvis Costello & [[The Attractions]], Sunday, [[Concert 1980-03-02 Margate|March{{nb}}2, 1980]], Winter Gardens, Margate, England.
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''[[Get Happy!!]]'' is No. 2 on the album chart; "[[I Can't Stand Up For Falling Down]]" is No. 4 on the singles chart (page [[:image:1980-03-08 Record Mirror page 38.jpg|38]]).


{{Bibliography images}}
{{Bibliography images}}


[[image:1980-03-08 Record Mirror cover.jpg|280px|border]]
[[image:1980-03-08 Record Mirror page 27 clipping 01.jpg|380px]]
<br><small>Cover.</small>
<br><small>Clipping.</small>
 
<small>Cover.</small><br>
[[image:1980-03-08 Record Mirror cover.jpg|380px]]
 
 
<small>[[Concert 1978-12-18 London|1978]] photo by [[Gus Stewart]].</small><br>
[[image:1980-03-08 Record Mirror photo 01 gs.jpg|370px]]
 
 
<small>Page scans and cover illustration by [[Stuart Briers]].</small><br>
[[image:1980-03-08 Record Mirror page 27.jpg|x160px]]
[[image:1980-03-08 Record Mirror page 38.jpg|x160px|border]]
[[image:1980-03-08 Record Mirror illustration.jpg|x160px]]


{{Bibliography notes footer}}
{{Bibliography notes footer}}
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==External links==
==External links==
*[http://en.wikipedia.org/wiki/Record_Mirror Wikipedia: Record Mirror]
*[http://en.wikipedia.org/wiki/Record_Mirror Wikipedia: Record Mirror]
*[http://www.stuartbriers.com/ StuartBriers.com]
*[https://www.flickr.com/photos/57779449@N02/sets/72157717582734668/ Flickr][https://www.flickr.com/photos/57779449@N02/50770355412/in/album-72157717582734668/ {{t}}] [[Michael Kane]]
*[http://www.worldradiohistory.com/Record_Mirror.htm worldradiohistory.com{{t}}][http://www.worldradiohistory.com/Archive-Record-Mirror/80s/80/Record-Mirror-1980-03-08.pdf {{t}}]


[[Category:Bibliography|Record Mirror 1980-03-08]]
{{DEFAULTSORT:Record Mirror 1980-03-08}}
[[Category:Bibliography 1980|Record Mirror 1980-03-08]]
[[Category:Bibliography]]
[[Category:Bibliography 1980]]
[[Category:Record Mirror| Record Mirror 1980-03-08]]
[[Category:Record Mirror| Record Mirror 1980-03-08]]
[[Category:Magazine articles|Record Mirror 1980-03-08]]
[[Category:Magazine articles]]
[[Category:1980 concert reviews|Record Mirror 1980-03-08]]
[[Category:1980 concert reviews]]
[[Category:Article needed|Record Mirror 1980-03-08]]
[[Category:1980 UK Tour|~Record Mirror 1980-03-08]]

Revision as of 23:42, 12 September 2021

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Record Mirror

-

Get happy (please)


John Shearlaw

Elvis Costello
Margate Winter Gardens

Elvis Costello, out on a limb — be it intentionally or unintentionally — almost as long as he's been around.

And on this new tour — which must put him in line for the rock equivalent of the MBE for its "terrain breaking ambition" — that means he's the same old Elvis. Hard hitting, uncompromising, technically perfect, powerful and... ultimately unfulfilling.

Elvis Costello live is the creature burning up with his own often brilliant talent. So brilliant in fact that it often becomes a barrage, one that eventually stops the audience in its tracks.

Sad, but true, as the Get Happy tour (the first outside major venues, standing gigs only, bringing rock to your town, etc etc) should be the tour that puts him — with added bonus of a superb album — way up on top of the tree. Margate may be early in the tour. Margate, off-season, may not be typical. But it seemed to prove that Elvis Costello on the boards isn't the conquering lion that inhabits a recording studio.

It's often very hard to work out exactly how Elvis sees himself on stage. He's strangely unanimated, yet the beads of sweat fly off his forehead almost as if they've been spat from inside his head. Inside the dance band chic clothing — red jacket, black trousers, black shirt — there's a real dancer, a real mover, trying to got out.

Yet he clings to his guitar, chops out a sparse rhythm inside the wall of sound, and delivers the venom with scarcely a look around.

Producing the goods, remaining tightly in control and then... what?

You could be watching a dance with an adder. Puffed taut and ready to destroy he's fascinating. Daring you to relax, waiting to move in for the kill.

In the end it doesn't happen, and that's a disappointment.

Almost as if the songs are too good (or whichever way you choose to say that) the challenge becomes too great. For every triumph on stage — and the unexpected low-key inclusion of "Just Don't Know What To Do With Myself," all quiet and mournful, was one of them — there that don't quite come off.

But that power, and the pace of a packed hour-long set, keep the audience there. Riveted if not ecstatic, anxious to reward if not exactly throwing themselves at the stage.

Costello simply won't deliver that way, one reason why he follows a very hard road. And on the well-off-the-beaten-track tour as this is, he's going to find just how well the rest of the country is keeping up.

The curt acknowledgements give way to a conclusion, a razor cut through the preceding hour. Three songs, deservedly, become the encore. First, a truly impressive working of "Can't Stand Up For Falling Down," convincing us for once and all just how good the song is, and just how little justice it's really been done on the current Fab 40 single. On the live version there's a return of that tantalising glimpse of Elvis Costello really getting happy, wringing through two decades of fine music and squeezing out his own. By rights it should happen more often; on tour it rarely seems to.

Second, as expected, "Oliver's Army," with Elvis back in his shell, clipping the song down before it ever takes off. And third, good enough for most, is the very old and the very lovely "Pump It Up." Here Elvis faces the sea of dancers head on, his own arm gawkishly raised and pointing, his own expression slightly quizzical.

It's well known, it's easy and a fair enough end to the evening, but perhaps he wishes that reaction had happened earlier on?

Even Elvis Costello, up on stage, finds it difficult to get happy just by thinking about it. Down in the audience, and really trying, it's more than twice that hard.


Tags: Winter GardensMargateEnglandThe AttractionsGet Happy!!1980 UK TourI Just Don't Know What To Do With MyselfI Can't Stand Up For Falling DownOliver's ArmyPump It Up

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<< >>

Record Mirror, March 8, 1980


John Shearlaw reviews Elvis Costello & The Attractions, Sunday, March 2, 1980, Winter Gardens, Margate, England.


Get Happy!! is No. 2 on the album chart; "I Can't Stand Up For Falling Down" is No. 4 on the singles chart (page 38).

Images

1980-03-08 Record Mirror page 27 clipping 01.jpg
Clipping.

Cover.
1980-03-08 Record Mirror cover.jpg


1978 photo by Gus Stewart.
1980-03-08 Record Mirror photo 01 gs.jpg


Page scans and cover illustration by Stuart Briers.
1980-03-08 Record Mirror page 27.jpg 1980-03-08 Record Mirror page 38.jpg 1980-03-08 Record Mirror illustration.jpg

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