Reno News & Review, April 25, 2002: Difference between revisions

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<center><h3>Blood & Chocolate</h3></center>
<center><h3> Blood & Chocolate </h3></center>
<center>'''Elvis Costello & The Attractions'''</center>
<center>''' Elvis Costello & The Attractions </center>
<center>'''Rhino'''</center>
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<center>Rick Anderson</center>
<center>Rick Anderson</center>
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Since being bought by the Warner Brothers group, the scrappy and well-respected Rhino label has carried out a welcome reissue campaign focusing on classic Warner albums, including the back catalog of Elvis Costello. That program continues with three releases that actually span his early Columbia and later Warner work: ''[[This Year's Model (Rhino/Edsel reissue)|This Year’s Model]]'' (his 1978 sophomore effort), ''[[Blood & Chocolate (Rhino/Edsel reissue)|Blood & Chocolate]]'' (1986) and 1994’s brilliant ''[[Brutal Youth (Rhino reissue)|Brutal Youth]]''. All three will be essential for Costello fans, but ''Blood & Chocolate'' may be the most revelatory of this batch; with its bonus disc of unreleased songs, rarities and alternate versions, it reveals a somewhat lighter dimension to what is one of Costello’s darker and more brooding efforts, one which turned out to be the last album he would make with [[The Attractions]] for eight years. Recommended.
Since being bought by the Warner Brothers group, the scrappy and well-respected Rhino label has carried out a welcome reissue campaign focusing on classic Warner albums, including the back catalog of Elvis Costello. That program continues with three releases that actually span his early Columbia and later Warner work: ''[[This Year's Model (Rhino/Edsel reissue)|This Year’s Model]]'' (his 1978 sophomore effort), ''Blood & Chocolate'' (1986) and 1994’s brilliant ''[[Brutal Youth (Rhino reissue)|Brutal Youth]]''. All three will be essential for Costello fans, but ''Blood & Chocolate'' may be the most revelatory of this batch; with its bonus disc of unreleased songs, rarities and alternate versions, it reveals a somewhat lighter dimension to what is one of Costello’s darker and more brooding efforts, one which turned out to be the last album he would make with The Attractions for eight years. Recommended.


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'''Reno News & Review, April 25, 2002
'''Reno News & Review, April 25, 2002
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[[Rick Anderson]] reviews ''[[Blood & Chocolate (Rhino/Edsel reissue)|Blood & Chocolate]]'' (Rhino reissue).
[[Rick Anderson]] reviews the Rhino reissue of ''[[Blood & Chocolate (Rhino/Edsel reissue)|Blood & Chocolate]]''.


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[[Image:BAC album cover large.jpg|x240px|border]]<br>
[[image:BAC album cover large.jpg|x120px|border]]


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==External links==
==External links==
*[http://www.newsreview.com/reno/elvis-costello-the-attractions/content?oid=17955 newsreview.com]
*[http://www.newsreview.com/reno/elvis-costello-the-attractions/content?oid=17955 NewsReview.com]
*[http://en.wikipedia.org/wiki/News_%26_Review Wikipedia: News & Review]
*[http://en.wikipedia.org/wiki/News_%26_Review Wikipedia: News & Review]



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Reno News & Review

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Blood & Chocolate

Elvis Costello & The Attractions

Rick Anderson

Since being bought by the Warner Brothers group, the scrappy and well-respected Rhino label has carried out a welcome reissue campaign focusing on classic Warner albums, including the back catalog of Elvis Costello. That program continues with three releases that actually span his early Columbia and later Warner work: This Year’s Model (his 1978 sophomore effort), Blood & Chocolate (1986) and 1994’s brilliant Brutal Youth. All three will be essential for Costello fans, but Blood & Chocolate may be the most revelatory of this batch; with its bonus disc of unreleased songs, rarities and alternate versions, it reveals a somewhat lighter dimension to what is one of Costello’s darker and more brooding efforts, one which turned out to be the last album he would make with The Attractions for eight years. Recommended.

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Reno News & Review, April 25, 2002


Rick Anderson reviews the Rhino reissue of Blood & Chocolate.

Images

BAC album cover large.jpg

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