RockBill, August 1982: Difference between revisions
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{{: | {{:RockBill index}} | ||
{{: | {{:US rock magazines index}} | ||
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<center><h3> Imperial Elvis </h3></center> | <center><h3> Imperial Elvis </h3></center> | ||
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<center> Masu Gaam </center> | <center> Masu Gaam </center> | ||
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''Imperial | ''Imperial Bedroom'' is the new album by a new Elvis Costello, but first a word on the old one. | ||
When Messner brought home a record called ''My Aim Is True'' in 1977 with a pigeon-toed nerd on the cover, we all laughed. "Who is this Elvis Costello anyhow?" A big joke. | When Messner brought home a record called ''My Aim Is True'' in 1977 with a pigeon-toed nerd on the cover, we all laughed. "Who is this Elvis Costello anyhow?" A big joke. | ||
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{{n}}{{m}}''desired, all you gotta tell me now <br> | {{n}}{{m}}''desired, all you gotta tell me now <br> | ||
{{n}}{{m}}''is why, why, why, why."<br> | {{n}}{{m}}''is why, why, why, why."<br> | ||
{{m}}{{m}}{{m}}{{m}} | {{m}}{{m}}{{m}}{{m}}— "Welcome To The Working Week" | ||
It kind of clammed up the laughter for awhile. By the time that first album spun itself out we didn't know if this Elvis was king, despite the album cover's hype, but we had a taste of his bitter anger and we wanted more. | It kind of clammed up the laughter for awhile. By the time that first album spun itself out we didn't know if this Elvis was king, despite the album cover's hype, but we had a taste of his bitter anger and we wanted more. | ||
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{{n}}''But when it comes to the other way around, <br> | {{n}}''But when it comes to the other way around, <br> | ||
{{n}}''you say you just wanna use me." <br> | {{n}}''you say you just wanna use me." <br> | ||
{{m}}{{m}}{{m}}{{m}}{{m}} | {{m}}{{m}}{{m}}{{m}}{{m}}— "Hand In Hand" | ||
Less than a year later, when Messner brought home ''This Year's Model'', we anxiously listened to a forty-five minute tantrum. For most of the songs Elvis was on alternating ends of a smoking pistol. Either the girl was using him or he was accusing her. | Less than a year later, when Messner brought home ''This Year's Model'', we anxiously listened to a forty-five minute tantrum. For most of the songs Elvis was on alternating ends of a smoking pistol. Either the girl was using him or he was accusing her. | ||
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{{n}}''"And it's the damage that we do and never know.<br> | {{n}}''"And it's the damage that we do and never know.<br> | ||
{{n}}''It's the words that we don't say that scare me so."<br> | {{n}}''It's the words that we don't say that scare me so."<br> | ||
{{m}}{{m}}{{m}}{{m}}{{m}}" | {{m}}{{m}}{{m}}{{m}}— "Accidents Will Happen" | ||
In the next year Elvis released forty songs on two albums, the ironically tided ''Get Happy'' and the compendium of singles and rarities, ''Taking Liberties''. In these songs the war continued, even accelerated. Meanwhile, we were getting shell-shocked. When ''Trust'' came out the bile and suspiciousness and neurotic paranoia had amassed to lethal doses. We began to fear that Elvis, as in his song, was ''"shot with his own gun."'' But ''Trust'', detached from the canon of Elvis' work up to this point, is a brilliant and diverse masterpiece. We accepted the country covers on ''Almost Blue'' and, in fact, it opened up the drink-infested, pathetic, traumatic world of Hank Williams, George Jones and Gram Parsons. It was also a breather — or a gasp — from the wrath of Costello. | |||
{{n}}''"Oh darling, how I miss you <br> | |||
{{n}}''I'm Just the mere shadow of my former selfishness <br> | |||
{{n}}''I crave the silhouette of your kiss." <br> | |||
{{m}}{{m}}{{m}}{{m}}— "Human Hands" | |||
{{n}}''"I would have waited all my life <br> | |||
{{n}}''to make love out of something other than spite." <br> | |||
{{m}}{{m}}{{m}}{{m}}— "Little Savage" | |||
{{n}}''"Darling, your suspiciousness <br> | |||
{{n}}{{m}}''tortures me at night, <br> | |||
{{n}}''but I can't excuse the cruel words <br> | |||
{{n}}{{m}}''I use whenever we fight." <br> | |||
{{m}}{{m}}{{m}}{{m}}— "Tears Before Bedtime" | |||
Is this the same man who sang, ''"I don't wanna be a lover, I just wanna be your victim"'' in "The Beat" and ''"Sometimes I think love is just a tumour; you've got to cut it out"'' in "Lipstick Vogue"? That ''Imperial Bedroom'' was originally to be called ''A Revolution Of My Mind'' indicates, less subtly, that Elvis may be willing to negotiate a ceasefire at the bedside night table. He's never been this vulnerable, this adult, this human. | |||
Like a kid, an ''enfant terrible'', Elvis has whined and threatened, boasted and mocked. As he sings in "The Loved Ones," ''"Don't get smart or sarcastic, he snaps back just like elastic. Spare us the theatrics and verbal gymnastics. We break wise guys just like matchsticks."'' This, his most angry song on the album, ends with an emotional undertow of Elvis spelling out "PPS I LOVE YOU." | |||
What we have here on ''Imperial Bedroom'' is tenderness. It's not soapy sentimentality. Elvis is still writing about the failure to communicate and the emotional discordance men and women are prone to. His desire to love and to be loved have never been more clearly put. As he writes in "Town Cryer," a line that recalls Smokey Robinson's "Tracks Of My Tears," ''"Maybe you don't believe my heart is in the right place. Why don't you take a good look at my face?"'' And that face would not reveal the nasty smirks of a spastic brat, but the pangs of a maturing love-weary and love seeking man. | |||
That is the Elvis Costello persona and always has been behind the ranting and raving and "verbal gymnastics." | |||
We listen to ''Imperial Bedroom'' and say that Sinatra must record "Almost Blue" and that "The Long Honeymoon" is classic wedding day accordian music. Messner the historian points to the influence of Elvis' father, Ross MacManus, a singer of Cole Porter and Gershwin songs from the 40s and 50s. Praise pours out for Elvis' crisp voice and Geoff Emerick's sterling production with strings and horns and the impeccable performance, as usual, by The Attractions. But what stands out most clearly is that we're not part of Elvis' lovestruck gang anymore, pointing the finger and gulping down guilt while emptying glasses at the local pub. Declan Patrick MacManus has grown up. Elvis Costello has put down his dukes, but carefully. | |||
{{n}}''"Love and unhappiness go arm in arm, <br> | |||
{{n}}''long suffering friends of your fatal charm. <br> | |||
{{n}}''Isn't it a pity that you're going to get hurt, <br> | |||
{{n}}''just a little boy lost in a big man's shirt" <br> | |||
{{m}}{{m}}{{m}}{{m}}— "Town Cryer" | |||
{{cx}} | |||
{{tags}}[[Imperial Bedroom]] {{-}} [[The Attractions]] {{-}} [[My Aim Is True]] {{-}} [[Welcome To The Working Week]] {{-}} [[Hand In Hand]] {{-}} [[This Year's Model]] {{-}} [[Armed Forces]] {{-}} [[Emotional Fascism]] {{-}} [[Nick Lowe]] {{-}} [[Senior Service]] {{-}} [[Oliver's Army]] {{-}} [[Green Shirt]] {{-}} [[Accidents Will Happen]] {{-}} [[Get Happy!!]] {{-}} [[Taking Liberties]] {{-}} [[Trust]] {{-}} [[Shot With His Own Gun]] {{-}} [[Almost Blue]] {{-}} [[Hank Williams]] {{-}} [[George Jones]] {{-}} [[Gram Parsons]] {{-}} [[Human Hands]] {{-}} [[Little Savage]] {{-}} [[Tears Before Bedtime]] {{-}} [[The Beat]] {{-}} [[Lipstick Vogue]] {{-}} [[Revolution Of The Mind]] {{-}} [[The Loved Ones]] {{-}} [[P.S. I Love You]] {{-}} [[Town Cryer]] {{-}} [[Smokey Robinson]] {{-}} [[Tracks Of My Tears]] {{-}} [[Frank Sinatra]] {{-}} [[Almost Blue]] {{-}} [[The Long Honeymoon]] {{-}} [[Ross MacManus]] {{-}} [[Cole Porter]] {{-}} [[George Gershwin]] {{-}} [[Ira Gershwin]] {{-}} [[Geoff Emerick]] {{-}} [[Declan MacManus|Declan Patrick MacManus]] {{-}} [[Town Cryer]] | |||
{{cx}} | |||
{{Bibliography notes header}} | {{Bibliography notes header}} | ||
{{Bibliography notes}} | {{Bibliography notes}} | ||
''' | '''RockBill, August 1982 | ||
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[[Masu Gaam]] | [[Masu Gaam]] reviews ''[[Imperial Bedroom]]''. | ||
{{Bibliography images}} | {{Bibliography images}} | ||
[[image:1982-08-00 | [[image:1982-08-00 RockBill page 26.jpg|x290px]][[image:1982-08-00 RockBill page 27.jpg|x290px]] | ||
<br><small> | <br><small>Page scans.</small> | ||
<small>Contents page photo; photographer unknown.</small><br> | |||
[[image:1982-08-00 RockBill photo 01.jpg||border]] | |||
<small>Cover and contents page.</small><br> | |||
[[image:1982-08-00 RockBill cover.jpg|x120px|border]] | |||
[[image:1982-08-00 RockBill page 03.jpg|x120px|border]] | |||
{{Bibliography notes footer}} | {{Bibliography notes footer}} | ||
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==External links== | ==External links== | ||
{{DEFAULTSORT: | {{DEFAULTSORT:RockBill 1982-08-00}} | ||
[[Category:Bibliography]] | [[Category:Bibliography]] | ||
[[Category:Bibliography 1982]] | [[Category:Bibliography 1982]] | ||
[[Category: | [[Category:RockBill| RockBill 1982-08-00]] | ||
[[Category:Magazine articles]] | [[Category:Magazine articles]] | ||
[[Category:Album reviews]] | |||
[[Category:Imperial Bedroom reviews]] |
Latest revision as of 16:20, 13 May 2020
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