Rolling Stone, May 5, 2005: Difference between revisions
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{{:Bibliography index}} | {{:Bibliography index}} | ||
{{:Rolling Stone index}} | {{:Rolling Stone index}} | ||
{{Bibliography article header}} | {{Bibliography article header}} | ||
<center><h3> Elvis Costello </h3></center> | <center><h3> Elvis Costello </h3></center> | ||
<center> Roseland Theater and Grill, Portland, Oregon | <center> '''Roseland Theater and Grill, Portland, Oregon</center> | ||
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<center> Michaelangelo Matos </center> | <center> Michaelangelo Matos </center> | ||
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'''The Delivery Man delivers rootsy versions of his Eighties classics | |||
{{4stars}} | |||
{{Bibliography text}} | {{Bibliography text}} | ||
"I am the magnificent!" boomed the introduction to Dave and Ansel Collins' reggae classic "Double Barrel" as Elvis Costello took the stage at the Roseland Theater, in Portland, Oregon, on a warm Friday night. Dressed in a black suit and blue-and-purple tie, the impeccable Costello never broke a sweat in the course of his two-hour, no-encore set. Neither did the Imposters — keyboardist Steve Nieve and drummer Pete Thomas from the Attractions, and efficient backup singer/bassist Davey Farragher — despite the sheer amount of effort each man was putting out. Not only did the band nail the sudden upshift from "When I Was Cruel No. 2" into "Watching the Detectives," it remodeled both. Nieve avoided the organ for most of the latter, relying on an echoed piano until the coda, and the group transformed "Cruel" from the sample-hooked downtempo of the record into a dread-laden slow rocker that could have been on ''Blood and Chocolate''. | "I am the magnificent!" boomed the introduction to Dave and Ansel Collins' reggae classic "Double Barrel" as Elvis Costello took the stage at the Roseland Theater, in Portland, Oregon, on a warm Friday night. Dressed in a black suit and blue-and-purple tie, the impeccable Costello never broke a sweat in the course of his two-hour, no-encore set. Neither did the Imposters — keyboardist Steve Nieve and drummer Pete Thomas from the Attractions, and efficient backup singer/bassist Davey Farragher — despite the sheer amount of effort each man was putting out. Not only did the band nail the sudden upshift from "When I Was Cruel No. 2" into "Watching the Detectives," it remodeled both. Nieve avoided the organ for most of the latter, relying on an echoed piano until the coda, and the group transformed "Cruel" from the sample-hooked downtempo of the record into a dread-laden slow rocker that could have been on ''Blood and Chocolate''. | ||
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Even considering how great the songs and the playing were, Costello's singing was the most impressive thing about the evening. He reached the high notes at the end of "Party Girl," from 1979's ''Armed Forces'', with a throaty swagger; "Poisoned Rose" was as resplendent as James Brown's cape and as booze-stained as Roseland's sticky floor. These days, Costello prefers to sneak up on "Clubland," from 1981's ''Trust'', rather than pounce on it, and he essayed "Needle Time," from ''The Delivery Man'', like the blues singers he's long admired. Amazingly, he has lost almost nothing from his voice; like his physical presence and his catalog, it has thickened and settled nicely with age. | Even considering how great the songs and the playing were, Costello's singing was the most impressive thing about the evening. He reached the high notes at the end of "Party Girl," from 1979's ''Armed Forces'', with a throaty swagger; "Poisoned Rose" was as resplendent as James Brown's cape and as booze-stained as Roseland's sticky floor. These days, Costello prefers to sneak up on "Clubland," from 1981's ''Trust'', rather than pounce on it, and he essayed "Needle Time," from ''The Delivery Man'', like the blues singers he's long admired. Amazingly, he has lost almost nothing from his voice; like his physical presence and his catalog, it has thickened and settled nicely with age. | ||
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Fans' Notes | '''Fans' Notes | ||
Mia Nicholson, 39, Portland, OR | '''Mia Nicholson''', 39, Portland, OR <br> | ||
"It was fun hearing songs I used to dance to when I was twenty-one." | "It was fun hearing songs I used to dance to when I was twenty-one." | ||
Paul Buchanan, 40, Portland | '''Paul Buchanan''', 40, Portland <br> | ||
"Excellent. I've seen him eight times. He was in his rockin' mode." | "Excellent. I've seen him eight times. He was in his rockin' mode." | ||
Tracy | '''Tracy Anderson''', 28, Portland <br> | ||
Anderson, 28, Portland | |||
"He was very infectious. 'Monkey to Man' cracked me up." | "He was very infectious. 'Monkey to Man' cracked me up." | ||
Pamela Fedderson, 57, Portland | '''Pamela Fedderson''', 57, Portland <br> | ||
"It was as good as the best concerts of the 1960s." | "It was as good as the best concerts of the 1960s." | ||
{{Bibliography notes header}} | {{Bibliography notes header}} | ||
{{Bibliography notes}} | {{Bibliography notes}} | ||
{{Bibliography next | |||
|prev = Rolling Stone, October 14, 2004 | |||
|next = Rolling Stone, June 15, 2006 | |||
}} | |||
'''Rolling Stone, No. 973, May 5, 2005 | '''Rolling Stone, No. 973, May 5, 2005 | ||
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{{Bibliography images}} | {{Bibliography images}} | ||
[[image:2005-05-05 Rolling Stone clipping.jpg|360px|border]] | |||
<br><small>Clipping.</small> | |||
[[image:2005-05-05 Rolling Stone photo 01.jpg|360px|border]] | |||
<br><small>Photographer unknown.</small> | |||
[[image:2005-05-05 Rolling Stone cover.jpg|x120px|border]] | [[image:2005-05-05 Rolling Stone cover.jpg|x120px|border]] | ||
<br><small>Cover.</small> | |||
<br><small>Cover | |||
{{Bibliography notes footer}} | {{Bibliography notes footer}} | ||
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*[http://www.rollingstone.com RollingStone.com] | *[http://www.rollingstone.com RollingStone.com] | ||
*[http://en.wikipedia.org/wiki/Rolling_Stone Wikipedia: Rolling Stone] | *[http://en.wikipedia.org/wiki/Rolling_Stone Wikipedia: Rolling Stone] | ||
*[http://elviscostello.info/phpBB3/viewtopic.php?t=3706 Elvis Costello Fan Forum] | |||
{{DEFAULTSORT:Rolling Stone 2005-05-05}} | {{DEFAULTSORT:Rolling Stone 2005-05-05}} |
Revision as of 08:36, 20 March 2015
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