Seattle Stranger, April 13, 2012: Difference between revisions

From The Elvis Costello Wiki
Jump to navigationJump to search
(create page for The Stranger review of Concert 2012-04-12 Seattle)
 
 
(9 intermediate revisions by 2 users not shown)
Line 1: Line 1:
{{Bibliography header}}
{{Bibliography header}}
{{Bibliography index}}
{{:Bibliography index}}
{{:Portland Mercury index}}
{{:Seattle Stranger index}}
{{:Newspaper index}}
{{:Washington publications index}}
{{:US publications by state index}}
{{Bibliography article header}}
{{Bibliography article header}}
<center><h3> Oh I Just Don't Know Where to Begin...</h3></center>
<center><h3> Oh I just don't know where to begin... </h3></center>
----
----
<center> David Schmader</center>
<center> David Schmader </center>
----
----
{{Bibliography text}}
{{Bibliography text}}
Last night, Elvis Costello and [[the Imposters]] brought their Spectacular Spinning Songbook show to the Paramount, and it was wonderful. As I mentioned in my preview piece:
Last night, Elvis Costello and the Imposters brought their Spectacular Spinning Songbook show to the Paramount, and it was wonderful. As I mentioned in my [[Seattle Stranger, April 11, 2012|preview]] piece:


''Tricked out with song titles spanning Costello's career, the Spectacular Spinning Songbook is a Wheel of Fortune–style contraption spun by lucky audience members, with the band banging out whatever song the wheel reveals. If live-action Costello Song Roulette isn't gimmick enough for you, the stage also holds a go-go dancer shimmying in a cage.''
"Tricked out with song titles spanning Costello's career, the Spectacular Spinning Songbook is a ''Wheel of Fortune''-style contraption spun by lucky audience members, with the band banging out whatever song the wheel reveals. If live-action Costello Song Roulette isn't gimmick enough for you, the stage also holds a go-go dancer shimmying in a cage."


What I learned last night: the cage-dancers are, more often than not, the lucky wheel-spinners themselves, and I am happy to report that despite our region's reputation for not dancing at rock shows, last night's audience-participation cage dancers totally brought it. I don't know if I've ever been more proud of my city. (I'm looking at you, Freaky Steve, and also at you, couple that's been married for 26 years and shimmied together in the cage to "[[(What's So Funny 'Bout) Peace, Love And Understanding?|(What's So Funny 'Bout) Peace, Love, and Understanding?]]".)


The band: amazing. Keyboardist [[Steve Nieve]] remains Costello's greatest not-so-secret weapon, fleshing out the melodies with simultaneously high-drama/low-cheese touches. Costello is a ridiculous charming showman, veering between enthusiastic carnival barker-isms and wry self-deprecation. And, somehow, Costello's contentious singing voice sounds better and less-strained live than it does on record (or at least than it has on recent records).
What I learned last night: the cage-dancers are, more often than not, the lucky wheel-spinners themselves, and I am happy to report that despite our region's reputation for not dancing at rock shows, last night's audience-participation cage dancers totally brought it. I don't know if I've ever been more proud of my city. (I'm looking at you, Freaky Steve, and also at you, couple that's been married for 26 years and shimmied together in the cage to "(What's So Funny 'Bout) Peace, Love and Understanding?")


Highlights: the aforementioned "Peace, Love, and Understanding," "[[Girls Talk]]," "[[Accidents Will Happen]]," "[[Men Called Uncle|Man Called Uncle]]," "[[(I Don't Want To Go To) Chelsea|(I Don't Want to Go to) Chelsea]]," and covers of [[the Beatles]]' "[[Please Please Me]]" and [[Chuck Berry]]'s "[[No Particular Place To Go|No Particular Place to Go]]." Also, a slamming version of "[[Waiting For The End Of The World|Waiting for the End of the World]]" that made me wish Costello & co would deign to do a full re-recording of [[My Aim Is True]], the thin, flat sound of which has always been slightly at odds with the brilliant compositions.
The band: amazing. Keyboardist Steve Nieve remains Costello's greatest not-so-secret weapon, fleshing out the melodies with simultaneously high-drama/low-cheese touches. Costello is a ridiculous charming showman, veering between enthusiastic carnival barker-isms and wry self-deprecation. And, somehow, Costello's contentious singing voice sounds better and less-strained live than it does on record (or at least than it has on recent records).
 
Highlights: the aforementioned "Peace, Love, and Understanding," "Girls Talk," "Accidents Will Happen," "Men Called Uncle," "(I Don't Want To Go To) Chelsea," and covers of the Beatles' "Please Please Me" and Chuck Berry's "No Particular Place to Go." Also, a slamming version of "Waiting For the End of the World" that made me wish Costello & co would deign to do a full re-recording of ''My Aim Is True'', the thin, flat sound of which has always been slightly at odds with the brilliant compositions.
 
Dashed Hopes: The wheel never landed on <i>Imperial Bedroom</i>'s "Man Out of Time" or <i>King of America</i>'s "Suit of Lights."


Dashed Hopes: The wheel never landed on [[Imperial Bedroom]]'s "[[Man Out Of Time|Man Out of Time]]" or [[King Of America|King of America]]'s "[[Suit Of Lights|Suit of Lights]]."
{{cx}}
 
{{tags}}[[Paramount Theatre (Seattle)|Paramount Theatre]] {{-}} [[Seattle]], [[WA]] {{-}} [[The Imposters]] {{-}} [[Spectacular Spinning Songbook]] {{-}} [[Accidents Will Happen]] {{-}} [[(What's So Funny 'Bout) Peace, Love And Understanding?]] {{-}} [[Girls Talk]] {{-}} [[Men Called Uncle]] {{-}} [[(I Don't Want To Go To) Chelsea]] {{-}} [[The Beatles]] {{-}} [[Please Please Me]] {{-}} [[Chuck Berry]] {{-}} [[No Particular Place To Go]] {{-}} [[Waiting For The End Of The World]] {{-}} [[My Aim Is True]] {{-}} [[Imperial Bedroom]] {{-}} [[Man Out Of Time]] {{-}} [[King Of America]] {{-}} [[Suit Of Lights]]
{{cx}}
{{cx}}


Line 27: Line 33:
'''The Stranger, April 13, 2012
'''The Stranger, April 13, 2012
----
----
[[David Schmader]] reviews Elvis Costello & [[The Imposters]], Thursday, [[Concert 2012-04-12 Seattle|April 12, 2012]], [[Paramount Theatre (Seattle)|Paramount Theatre]], Seattle, WA.
[[David Schmader]] reviews Elvis Costello & [[The Imposters]], Thursday, [[Concert 2012-04-12 Seattle|April 12, 2012]], Paramount Theatre, Seattle, Washington.


{{Bibliography images}}
{{Bibliography images}}


[[Image:2012-04-12 Seattle photo jb.jpg|x200px]]<br>
[[image:2012-04-13 Seattle Stranger photo 01 jb.jpg|380px|border]]
[[Image:2012-04-12 Seattle photo jb 2.jpg|x200px]]<br>
<br><small>Photos by [[Josh Bis]].</small>
[[Image:2012-04-12 Seattle photo jb 3.jpg|x200px]]<br>
 
<small>Photos: Josh Bis</small>
[[image:2012-04-13 Seattle Stranger photo 02 jb.jpg|380px|border]]
 
 
[[image:2012-04-13 Seattle Stranger photo 03 jb.jpg|380px|border]]
 
 
[[image:2012-04-13 Seattle Stranger photo 04 jb.jpg|380px|border]]
<br><small>Photos by [[Josh Bis]].</small>


{{Bibliography notes footer}}
{{Bibliography notes footer}}
Line 41: Line 54:


==External links==
==External links==
*[http://lineout.thestranger.com/lineout/archives/2012/04/13/oh-i-just-dont-know-where-to-begin Thestranger.com]
<!-- *[http://lineout.thestranger.com/lineout/archives/2012/04/13/oh-i-just-dont-know-where-to-begin TheStranger.com] -->
*[http://en.wikipedia.org/wiki/The_Stranger_(newspaper) Wikipedia: The Stranger]
*[https://www.thestranger.com/ TheStranger.com]
*[http://en.wikipedia.org/wiki/Seattle_Stranger Wikipedia: Seattle Stranger]
*[http://www.elviscostellofans.com/phpBB3/viewtopic.php?f=2&t=9399&sid=82d3f9b4e1f3460ed282e5db9e51baed#p7698478 Elvis Costello Fan Forum]


{{DEFAULTSORT:The Stranger 2012-04-13}}
{{DEFAULTSORT:Seattle Stranger 2012-04-13}}
[[Category:Bibliography]]
[[Category:Bibliography]]
[[Category:Bibliography 2012]]
[[Category:Bibliography 2012]]
[[Category:The Stranger| Stranger 2012-04-13]]
[[Category:Seattle Stranger| Seattle Stranger 2012-04-13]]
[[Category:Newspaper articles]]
[[Category:Magazine articles]]
[[Category:2012 concert reviews]]
[[Category:2012 concert reviews]]
[[Category:The Revolver Tour 2012|~Seattle Stranger 2012-04-13]]

Latest revision as of 22:18, 28 September 2023

... Bibliography ...
727677787980818283
848586878889909192
939495969798990001
020304050607080910
111213141516171819
202122232425 26 27 28


Seattle Stranger

Washington publications

US publications by state
  • ALAKARAZCA
  • COCTDCDEFL
  • GAHI   IA      ID      IL
  • IN   KSKYLA   MA
  • MDME   MIMNMO
  • MSMTNC  ND  NE
  • NHNJNMNVNY
  • OHOKORPARI
  • SCSDTNTXUT
  • VAVTWAWIWY

-

Oh I just don't know where to begin...


David Schmader

Last night, Elvis Costello and the Imposters brought their Spectacular Spinning Songbook show to the Paramount, and it was wonderful. As I mentioned in my preview piece:

"Tricked out with song titles spanning Costello's career, the Spectacular Spinning Songbook is a Wheel of Fortune-style contraption spun by lucky audience members, with the band banging out whatever song the wheel reveals. If live-action Costello Song Roulette isn't gimmick enough for you, the stage also holds a go-go dancer shimmying in a cage."


What I learned last night: the cage-dancers are, more often than not, the lucky wheel-spinners themselves, and I am happy to report that despite our region's reputation for not dancing at rock shows, last night's audience-participation cage dancers totally brought it. I don't know if I've ever been more proud of my city. (I'm looking at you, Freaky Steve, and also at you, couple that's been married for 26 years and shimmied together in the cage to "(What's So Funny 'Bout) Peace, Love and Understanding?")

The band: amazing. Keyboardist Steve Nieve remains Costello's greatest not-so-secret weapon, fleshing out the melodies with simultaneously high-drama/low-cheese touches. Costello is a ridiculous charming showman, veering between enthusiastic carnival barker-isms and wry self-deprecation. And, somehow, Costello's contentious singing voice sounds better and less-strained live than it does on record (or at least than it has on recent records).

Highlights: the aforementioned "Peace, Love, and Understanding," "Girls Talk," "Accidents Will Happen," "Men Called Uncle," "(I Don't Want To Go To) Chelsea," and covers of the Beatles' "Please Please Me" and Chuck Berry's "No Particular Place to Go." Also, a slamming version of "Waiting For the End of the World" that made me wish Costello & co would deign to do a full re-recording of My Aim Is True, the thin, flat sound of which has always been slightly at odds with the brilliant compositions.

Dashed Hopes: The wheel never landed on Imperial Bedroom's "Man Out of Time" or King of America's "Suit of Lights."


Tags: Paramount TheatreSeattle, WAThe ImpostersSpectacular Spinning SongbookAccidents Will Happen(What's So Funny 'Bout) Peace, Love And Understanding?Girls TalkMen Called Uncle(I Don't Want To Go To) ChelseaThe BeatlesPlease Please MeChuck BerryNo Particular Place To GoWaiting For The End Of The WorldMy Aim Is TrueImperial BedroomMan Out Of TimeKing Of AmericaSuit Of Lights

-

The Stranger, April 13, 2012


David Schmader reviews Elvis Costello & The Imposters, Thursday, April 12, 2012, Paramount Theatre, Seattle, Washington.

Images

2012-04-13 Seattle Stranger photo 01 jb.jpg
Photos by Josh Bis.

2012-04-13 Seattle Stranger photo 02 jb.jpg


2012-04-13 Seattle Stranger photo 03 jb.jpg


2012-04-13 Seattle Stranger photo 04 jb.jpg
Photos by Josh Bis.

-



Back to top

External links