Sounds, April 29, 1978: Difference between revisions

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{{tags}}[[Pump It Up]] {{-}} [[This Year's Model]] {{-}} [[The Attractions]] {{-}} [[Big Tears]] {{-}} [[Mick Jones]] {{-}} [[Single: Pump It Up|Pump It Up (single)]] {{-}} [[Riviera Global]]
{{tags}}[[Pump It Up]] {{-}} [[This Year's Model]] {{-}} [[The Attractions]] {{-}} [[Big Tears]] {{-}} [[Mick Jones]] {{-}} [[Single: Pump It Up|Pump It Up (single)]] {{-}} [[Riviera Global]] {{-}} [[WEA]] {{-}} [[Mickey Jupp]] {{-}} [[:Category:1978 UK Tour|1978 UK Tour]] {{-}} [[Concert 1978-04-11 Penzance|The Garden, Penzance]]
 
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<center><h3> Mickey Jupp </h3></center>
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<center> David Brown </center>
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''Extract:
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<!-- FROM PREVIOUS PAGE
...a few times even if he did refer to its singer as 'Mickey Jump' on occasions. On the B-side was a slightly more typical Jupp blues treatment 'Down At The Doctors', which may well see the light of day on the Feelgood's next album.
 
Since 'Nature's Radio' didn't set the charts or sales returns alight and as it was a one-off deal, Jupp found himself labelless and bandless. (The single used sessionmen notably Jimmy Jewell sax, Tim Renwick and Micky Moody guitars, Colin Gibson bass, Pete Solley piano and Glen De Fleur drums.  -->
With the chance of a tour on offer (his manager is Keith Reid, lyricist for Procul Harum — still keeping the local links going), and with Jupp looking for a band and ace guitarist Mick Grabham (ex-Cochise and four LPs worth of Harum), looking for a vocalist/writer/player a compromise was reached and the Mickey Jupp Band hit the road for the first time as support to Elvis Costello's just finished [[:Category:1978 UK Tour|UK dates]].
 
The band are Jupp, guitar and vocals, Graham, guitar, John Gordon bass and Ron Telemacque drums. That was the lineup when I caught up with them at the seaside the other week, not Southend but distinct Penzance where they were playing [[Concert 1978-04-11 Penzance|The Garden]] with EC.
<!-- At last achance to talk with Southend's leading living legend. (He is 34 incidentally).
 
The location is the alehouse known in these parts as The Yacht, where Jupp and buddies quaff pregig ales. My first shock was the Jupp was cleanshaven, the few photos of him around show him moustached, including the most recent publicity pics. Apparently as soon as they were taken (and only one photo was circulated at that), he shaved the moush off. Confusion tactics, eh?
 
"I've spent most of my time in Southend," he utters shyly.
 
"I did go to Bath to live for a while, just a brief sojourn. I was working at a builders merchants, great it was too. I wrote some good songs during that period, some of my best I reckon."
 
Included was 'Cross Country' about the journey twixt Bath and his hometown.
 
"I don't like travelling. At least I don't like travelling in a hurry. If I'd driven we'd never have got here so fast. I don't make a very good passenger."
 
So, what had he been up to since he had the big band three years back? "That band came about due to my name getting warm through the Feelgoods and the Flyers. That band was bloody great, but it had too many petty egos to support. Some of the band wanted the vocalist out, but I thought that was the difference of the band, so I quit. They carried on for about three months. I did the odd folk club on my own or with Frank Mead on sax and harmonica.
 
"About a year ago I got peed off and was just about to go up North and work on a farm or something, when I heard from Keith Reid and Gary Brooker that they wanted me to come up town and discuss something — I've known them for a long long time. It was like the cavalry coming in to rescue you when you're surrounded by Indians.
 
"Anyway we did some demos at Gary's and worked a deal out. This is the first time I've ever had a regular deal in this business."
 
This was also his first real tour, being used to one night stands and club residencies in the past.
 
"So, Arista took up an option and wanted 'Nature's Radio' as a single as a one-off deal (though they have since helped out with support for the tour to see what happens as a result). That was done with sessionmen and I suppose I realised that I'd have to get a band together again.
 
"I got the title when I was in this pub toilet in Cricklewood and heard these two blokes say something that sounded like Nature's Radio — though it probably wasn't, it sounded a good phrase so I wrote the song around it.
 
"I didn't think it sounded right for me as it came out on record, not dirty enough, but I wasn't in a position to argue. It did get some plays on Tony Blackburn's show though."
 
What is it like being back on the road?
 
"Great, I've never done so many gigs so close together before. In the old days it would be Southend to Leeds and back to Southend again or whatever.
 
"We've been going down a bomb, had several encores to date. In Glasgow where we're an unknown quantity we went down a storm." What were his views on the changing Sodthend scene?
 
"My theory is that it has all changed because there is no longer anywhere much to play there, so the bands have had to come to London to work. There is only one paying gig there now." Enter one Mick Grabham into the conversation, explaining his route to the new found job:
 
"I wasn't enjoying Procul Harum anymore so I left. Then I became frustrated so my intention was to form a band. Still, nothing happened, so I went to the States. I had a couple of sessions to play in France and had a call asking me if I'd be interested in working with Mickey. I'd heard of him through Procul of course.
 
"We did a Hope and Anchor gig and I played a session produced by Nick Lowe.
 
"The gigs are going great, better all the time. Not bad for one week's rehearsals anyway."
 
The rhythm section is not undistinguished either with 'Guinness' Gordon as he is referred to is a former member of Highway and drummer Ron has been in a list of bands as long as your arm including work with The Equals, Foundatins and Zappata. What are their plans for the future?
 
"I've decided to stick at it," confirms Mickey. "I've got a single ready (record company willing), for after the tour, that's 'Switchboard Susan'.
 
"I don't want to see the world particularly. I quite like England. I'm not that bothered you know. I am enjoying getting up and playing and shouting my head off again though."
 
If you should be lucky enough to find any of the Legend records you'd be well advised to snap 'em up — or maybe you can fool a friend out of one? Not so many years back you could have bought any amount of them from the deletion racks — I fear one kick myself for not doing just that. "That's the odd thing," Mickey reflects. "When they were out they hardly sold — now everybody wants them. So, I've kept a few copies of 'Nature's Radio' in case that becomes a collector's Item."
 
That's what I like about these old blues singers; they don't talk crap, got a sense of history.
 
(Special thanks to Pete 'Mine's a double Perrier water' Frame for information gleaned from his 'Mickey Jupp And The Southend Scene' family tree, circa 1975, without which this article would have been a lot shorter.)-->
 
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[[Edwin Pouncey|Savage Pencil]]'s Rock n Roll Zoo strip features EC in the last panel.
[[Edwin Pouncey|Savage Pencil]]'s Rock n Roll Zoo strip features EC in the last panel.
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[[David Brown]]'s profile of [[Mickey Jupp]] notes his support slot on the [[:Category:1978 UK Tour|UK Tour]].


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Revision as of 22:16, 1 May 2021

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Sounds

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This year's muddle


Susanne Garrett

A few days ago, as I played my copy of the new Elvis Costello album, This Year's Model, I noticed a cryptic message scratched on the centre piece of plastic. "Special pressing no 003. Ring 434 3232. Ask for Moira for your prize," it read.

Thinking I had my hands on a much sought-after piece of plastic, I rang the next day to claim my prize — only to be told, after losing 40p hanging on, that the offer was closed.

Who does this phone number belong to? Why, if this is a limited offer, had they closed it? What is the "prize" meant to be anyway?
   — Dave Vickers, Liverpool.


Though you wouldn't know it from your recent experience — the prize wasn't meant to be minus 40p and a wasted phone-call. Originally, the lucky owners of the first 500 copies of Costello's latest, hot from the press, were meant to qualify for a signed Four-Eyes pic and badge. Great idea — let's hear it for the good guys! But summat went badly wrong.

Lucky owners of that telephone number, which was deluged with not 500 but 15,000 calls, are WEA Records, whose switchboard has been effectively blocked for three weeks by Costello Kooks after the goods. Why did you, and many others, get such short shrift? Why did a limited offer turn into a giant cock-up?

It all goes back to that ethnic scratched-on message, originally inscribed it is rumoured by a source not a million miles away from Riviera Global, Costello's management company, for "a giggle." Ho ho, indeed. Under the pressure of a high-speed run catering for the phenomenal demand from Big E fans everywhere, this one ran and ran... thru' no less than 75,000 copies pressed within the first two weeks of release. The WEA pressing plant didn't spot it in time to stop it and the "limited" offer was stamped through the lot.

In other words, everyone who bought one of the first 75,000 pressings has a "rare" copy numbered 003, whether you bought number 0050 or number 0075,000! And if the number of folks who've already phoned WEA is any thing to go by, only a fraction of the "prize" punters have, as yet, claimed their dues.

"This is the tail-end of a long drawn out thing which has been going on for the past month. It's freaked everyone out," quoth a spokesperson for Riviera Global. "So far, WEA have spent £5,000 on mailing and so on. There was a row over who was going to pay, but this has been sorted out. After the first 5,000 special prizes were sent out, everyone was told no more."

While the open invitation is spelt out loud'n'clear on all 75,000 pressings, so is the big shut-off of badges and pics from Riviera Global and WEA both. Clearing up the Costello catastrophe by giving everyone a prize, the remaining 70,000 customers that is, would obviously prove too time-consuming and expensive for the powers that be!

"Tell 'em to give up and wait for the next scam," sez Riviera Global. Nice, eh?

Feel like telling the Costello klan where to stick their oh-so unavailable freebie? Write to: Costello Cock-Up, Riviera Global, 60 Park Street, London WC2 or WEA Records, 20 Broadwick Street, London W1.


Tags: Pump It UpThis Year's ModelThe AttractionsBig TearsMick JonesPump It Up (single)Riviera GlobalWEAMickey Jupp1978 UK TourThe Garden, Penzance




Mickey Jupp


David Brown

Extract:

1978-04-29 Sounds page 17.jpg
1978-04-29 Sounds page 18 clipping 01.jpg

With the chance of a tour on offer (his manager is Keith Reid, lyricist for Procul Harum — still keeping the local links going), and with Jupp looking for a band and ace guitarist Mick Grabham (ex-Cochise and four LPs worth of Harum), looking for a vocalist/writer/player a compromise was reached and the Mickey Jupp Band hit the road for the first time as support to Elvis Costello's just finished UK dates.

The band are Jupp, guitar and vocals, Graham, guitar, John Gordon bass and Ron Telemacque drums. That was the lineup when I caught up with them at the seaside the other week, not Southend but distinct Penzance where they were playing The Garden with EC.

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<< >>

Sounds, April 29, 1978


Susanne Garrett sheds light on the "Ask for Moira" etched in the runout of This Year's Model.


Eric Fuller reviews the single for "Pump It Up"; an ad for the single runs on the back page.


Savage Pencil's Rock n Roll Zoo strip features EC in the last panel.


David Brown's profile of Mickey Jupp notes his support slot on the UK Tour.

Images

1978-04-29 Sounds page 42 clipping 01.jpg1978-04-29 Sounds page 56 advertisement.jpg



Pump It Up

Elvis Costello

Eric Fuller

The runt with the golden glasses is hot, hot, hot, so when better to release another cut from the masterly This Year's Model?

"Pump it up, when you don't really need it" he spits, as answer to the usual beefs about muzak and rejection, to the accompaniment of a deft punching backup from the perfect-match Attractions.

"Big Tears" is a new song on the other side, a merciless expose of sham emotion hearking back in style to his earlier days and featuring (though you'd hardly know it) the ferocious Mick Jones on guitar.

Bound to score because the radio's bound to play it. It's easy when you know how, and you know how when you can pick out hooks like this.



Photo by Chuck Pulin.
1978-04-29 Sounds photo 01 cp.jpg




Rock n Roll Zoo.
1978-04-29 Sounds page 19 clipping 01.jpg


Cover and clipping.
1978-04-29 Sounds cover.jpg 1978-04-29 Sounds page 42.jpg File:1978-04-29 Sounds page 54 clipping 01.jpg

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