Sounds, February 10, 1979: Difference between revisions

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<center> Garry Bushell </center>
<center> Garry Bushell </center>
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'''Elvis Costello & the Attractions <br>
'''Elvis Costello And the Attractions <br>
'''Richard Hell & The Voidoids <br>
'''Richard Hell And The Voidoids <br>
'''John Cooper Clarke <br>
'''John Cooper Clarke <br>
Hammersmith Palais  
Hammersmith Palais  
{{Bibliography text}}
{{Bibliography text}}
The hipper amongst my colleagues reckoned Elvis blew it tonight and Richard Hell made it all worthwhile. Perverse little bleeder that I am, I hated Hell and enjoyed El. Fact is the only thing that bothered me overmuch was the presence in the audience of large numbers of people with broken limbs. Not all journalists, surely.


Walking dip-stick Johnny No Hyphen Clarke, resplendent in red blazer and leather railway guides, began with a hot haranguing of old faves, poems with a more discernible story line ("Kung Fu," "Salome Malone") making more impact than the more stream-of-images offerings.


Newie "Twat" was an instant success that should have been dedicated to Richard Hell: ''"Like a recently disinfected toilet you're clean round the bend... you're like a dose of scabies, I've got you under my skin... I'd consider killing you if I thought you were alive... speaking as an outsider what d'you think of the human race?"'' Pure abuse. Luvly.
Clark is clever, sharp and enough of a stand up comedian to make instant connections at any level of appreciation. Personally though, I'd like him to put his idea of a two section show — one with a band, one without — into practice. Variety is the spice of life, m'dears.
Helloid on the other hand is, well, I s'pose he's not ''that'' bad. I liked the openers and "Blank Generation" is a minor gem but on the whole he cuts it on the big so-what scale. He interviews well but livesville I kin take him or leave him each time.
Costello I can take — warts an' all — till the cows cometh home. It's the last UK gig for some time tonight and he's chirpy. Almost talkative. And miles away. Lots and lots of white men and women in 'Ammersmith Palais and I'm right at the back, as sold out as the venue. But the, uh, vibes are good, better than the pre-Xmas gigs.
"Goon Squad" kicks off, the sound is good and the band on form and watchable — Steve's animated and Elvis sports a jacket based on one of J. Jackson's ties but we won't hold that against him.
Calculation was the show's keynote, as inexorably the set built up to the stage managed encores. OK, so near the beginning it sagged slightly, but from the poppy uptempo newie "Opportunity" onwards it worked. Onwards through the magnificent "Green Shirt," "Two Little Hitlers," "Lipstick Vogue," "Detectives," onwards through more ''Armed Forces'' to the mighty "Oliver's Army" and if that's not Top Five...
They're off. We cheer. They're on with Martin Belmont from The Rumour for group intros and "Pump It Up." They're off. We cheer. They're on with Dave Edmunds for "Mystery Dance" (and not — as some drunken hacks claimed — Van Morrison at all). They're off. We cheer. They're on for "Chelsea" and "Peace, Love And Understanding" (not funny, El, just sad that they don't work). The end.
A calculated triumph from a Costello camp rife with calculations — the next single, the next album, the films, America. It's like a chess game. We're the pawns and Costello slowly but surely moves towards End Game.
When my wife demands to come to a gig you know that the move from rock audiences to mass audiences is only a matter of time.
{{cx}}
{{tags}}[[Concert 1979-01-30 London|Hammersmith Palais]] {{-}} [[London]] {{-}} [[The Attractions]] {{-}} [[Steve Nieve]] {{-}} [[Richard Hell]] & [[The Voidoids]] {{-}} [[John Cooper Clarke]] {{-}} [[Martin Belmont]] {{-}} [[The Rumour]] {{-}} [[Dave Edmunds]] {{-}} [[Goon Squad]] {{-}} [[Opportunity]] {{-}} [[Green Shirt]] {{-}} [[Two Little Hitlers]] {{-}} [[Lipstick Vogue]] {{-}} [[Watching The Detectives]] {{-}} [[Armed Forces]] {{-}} [[Oliver's Army]] {{-}} [[Pump It Up]] {{-}} [[Mystery Dance]] {{-}} [[Van Morrison]] {{-}} [[(I Don't Want To Go To) Chelsea]] {{-}} [[(What's So Funny 'Bout) Peace, Love And Understanding?]] {{-}} [[Concert 1978-12-18 London|pre-Xmas gigs]]
{{cx}}
{{cx}}


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{{Bibliography next
{{Bibliography next
|prev = Sounds, February 3, 1979
|prev = Sounds, February 3, 1979
|next = Sounds, April 21, 1979‎
|next = Sounds, May 12, 1979
}}
}}
'''Sounds, February 10, 1979
'''Sounds, May 12, 1979‎
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[[Garry Bushell]] reviews Elvis Costello & [[The Attractions]], [[Richard Hell]] & [[The Voidoids]] and [[John Cooper Clarke]], Tuesday, [[Concert 1979-01-30 London|January 30, 1979]], Hammersmith Palais, London, England.
[[Garry Bushell]] reviews Elvis Costello & [[The Attractions]], [[Richard Hell]] & [[The Voidoids]] and [[John Cooper Clarke]], Tuesday, [[Concert 1979-01-30 London|January 30, 1979]], Hammersmith Palais, London, England.
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{{Bibliography images}}
{{Bibliography images}}


[[image:1979-02-10 Sounds clipping 01.jpg|360px|border]]
[[image:1979-02-10 Sounds page 41 clipping 01.jpg|360px]]
<br><small>Clipping.</small>
<br><small>Clipping.</small>


[[image:1979-02-10 Sounds cover.jpg|x120px|border]]
<small>Cover and page scan.</small><br>
<br><small>Cover.</small>
[[image:1979-02-10 Sounds cover.jpg|x120px]]
[[image:1979-02-10 Sounds page 41.jpg|x120px]]


{{Bibliography notes footer}}
{{Bibliography notes footer}}
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==External links==
==External links==
*[http://en.wikipedia.org/wiki/Sounds_(magazine) Wikipedia: Sounds]
*[http://en.wikipedia.org/wiki/Sounds_(magazine) Wikipedia: Sounds]
*[https://twitter.com/SoundsClips/status/1491710532478459907 Twitter: SoundsClips]
*[https://www.rocksbackpages.com/Library/Writer/garry-bushell Rocksbackpages: Garry Bushell]


{{DEFAULTSORT:Sounds 1979-02-10}}
{{DEFAULTSORT:Sounds 1979-02-10}}

Latest revision as of 21:08, 17 February 2023

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Sounds

-

An exercise in calculation


Garry Bushell

Elvis Costello And the Attractions
Richard Hell And The Voidoids
John Cooper Clarke
Hammersmith Palais

The hipper amongst my colleagues reckoned Elvis blew it tonight and Richard Hell made it all worthwhile. Perverse little bleeder that I am, I hated Hell and enjoyed El. Fact is the only thing that bothered me overmuch was the presence in the audience of large numbers of people with broken limbs. Not all journalists, surely.

Walking dip-stick Johnny No Hyphen Clarke, resplendent in red blazer and leather railway guides, began with a hot haranguing of old faves, poems with a more discernible story line ("Kung Fu," "Salome Malone") making more impact than the more stream-of-images offerings.

Newie "Twat" was an instant success that should have been dedicated to Richard Hell: "Like a recently disinfected toilet you're clean round the bend... you're like a dose of scabies, I've got you under my skin... I'd consider killing you if I thought you were alive... speaking as an outsider what d'you think of the human race?" Pure abuse. Luvly.

Clark is clever, sharp and enough of a stand up comedian to make instant connections at any level of appreciation. Personally though, I'd like him to put his idea of a two section show — one with a band, one without — into practice. Variety is the spice of life, m'dears.

Helloid on the other hand is, well, I s'pose he's not that bad. I liked the openers and "Blank Generation" is a minor gem but on the whole he cuts it on the big so-what scale. He interviews well but livesville I kin take him or leave him each time.

Costello I can take — warts an' all — till the cows cometh home. It's the last UK gig for some time tonight and he's chirpy. Almost talkative. And miles away. Lots and lots of white men and women in 'Ammersmith Palais and I'm right at the back, as sold out as the venue. But the, uh, vibes are good, better than the pre-Xmas gigs.

"Goon Squad" kicks off, the sound is good and the band on form and watchable — Steve's animated and Elvis sports a jacket based on one of J. Jackson's ties but we won't hold that against him.

Calculation was the show's keynote, as inexorably the set built up to the stage managed encores. OK, so near the beginning it sagged slightly, but from the poppy uptempo newie "Opportunity" onwards it worked. Onwards through the magnificent "Green Shirt," "Two Little Hitlers," "Lipstick Vogue," "Detectives," onwards through more Armed Forces to the mighty "Oliver's Army" and if that's not Top Five...

They're off. We cheer. They're on with Martin Belmont from The Rumour for group intros and "Pump It Up." They're off. We cheer. They're on with Dave Edmunds for "Mystery Dance" (and not — as some drunken hacks claimed — Van Morrison at all). They're off. We cheer. They're on for "Chelsea" and "Peace, Love And Understanding" (not funny, El, just sad that they don't work). The end.

A calculated triumph from a Costello camp rife with calculations — the next single, the next album, the films, America. It's like a chess game. We're the pawns and Costello slowly but surely moves towards End Game.

When my wife demands to come to a gig you know that the move from rock audiences to mass audiences is only a matter of time.


Tags: Hammersmith PalaisLondonThe AttractionsSteve NieveRichard Hell & The VoidoidsJohn Cooper ClarkeMartin BelmontThe RumourDave EdmundsGoon SquadOpportunityGreen ShirtTwo Little HitlersLipstick VogueWatching The DetectivesArmed ForcesOliver's ArmyPump It UpMystery DanceVan Morrison(I Don't Want To Go To) Chelsea(What's So Funny 'Bout) Peace, Love And Understanding?pre-Xmas gigs

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<< >>

Sounds, May 12, 1979‎


Garry Bushell reviews Elvis Costello & The Attractions, Richard Hell & The Voidoids and John Cooper Clarke, Tuesday, January 30, 1979, Hammersmith Palais, London, England.

Images

1979-02-10 Sounds page 41 clipping 01.jpg
Clipping.

Cover and page scan.
1979-02-10 Sounds cover.jpg 1979-02-10 Sounds page 41.jpg

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