Sounds, October 20, 1984: Difference between revisions

From The Elvis Costello Wiki
Jump to navigationJump to search
(formatting)
(formatting)
Line 17: Line 17:
And still, he persists in eternally reshuffling ''great things'' like "Shabby Doll" and "Detectives" without doing them any particularly interesting service.
And still, he persists in eternally reshuffling ''great things'' like "Shabby Doll" and "Detectives" without doing them any particularly interesting service.


There were some gorgeous heatspots, though. "Beyond Belief," the new "Hope You're Happy Now," described succinctly by Elvis as a (much-welcomed) piece of "mindless spite"; a breathlessly complete "Lipstick Vogue;" and a timely raid on "So You Want To Be A Rock 'n' Roll Star".
There were some gorgeous heatspots, though. "Beyond Belief"; the new "Hope You're Happy Now," described succinctly by Elvis as a (much-welcomed) piece of "mindless spite"; a breathlessly complete "Lipstick Vogue"; and a timely raid on "So You Want To Be A Rock 'n' Roll Star."


But the whole was distressingly one-dimensional, and marred by an unscheduled interval, due to Costello's self-confessed sore throat, from which it never really recovered.
But the whole was distressingly one-dimensional, and marred by an unscheduled interval, due to Costello's self-confessed sore throat, from which it never really recovered.


Encores saved the night from anti-climax: a cynical new solo exposition on the bleak outlook from a 1984 cradle; a biting "Peace In Our Time;" a beautiful "Shipbuilding." But poignant, irate, pertinent, human, tender and perfect as his articulate protests might be, the predictable euphoria which greets such an awesome trio seems to obscure its limitations: the lack of hope and the message, ultimately, of unanimous strength only in defeat and helplessness.
Encores saved the night from anti-climax: a cynical new solo exposition on the bleak outlook from a 1984 cradle; a biting "Peace In Our Time"; a beautiful "Shipbuilding." But poignant, irate, pertinent, human, tender and perfect as his articulate protests might be, the predictable euphoria which greets such an awesome trio seems to obscure its limitations: the lack of hope and the message, ultimately, of unanimous strength only in defeat and helplessness.


I doubt if many more than me were mulling over such problems as they were guided thrillingly through "Red Shoes," but considering I've always counted myself unshakeably a fan, any elation I'd wanted to feel was definitely incomplete.
I doubt if many more than me were mulling over such problems as they were guided thrillingly through "Red Shoes," but considering I've always counted myself unshakeably a ''fan'', any elation I'd wanted to feel was definitely incomplete.


I'd been here before. And just coming back and doing it again — with however much feeling — isn't always going to be enough. Not even for Elvis Costello.  
I'd been here before. And just coming back and doing it again — with however much feeling — isn't always going to be enough. Not even for Elvis Costello.  


{{cx}}
{{tags}}[[Hammersmith Palais]] {{-}} [[London]] {{-}} [[The Attractions]] {{-}} [[Gary Barnacle]] {{-}} [[Sour Milk-Cow Blues]] {{-}} [[King Horse]] {{-}} [[Clubland]] {{-}} [[Mystery Dance]] {{-}} [[Shabby Doll]] {{-}} [[Watching The Detectives]] {{-}} [[Beyond Belief]] {{-}} [[I Hope You're Happy Now]] {{-}} [[Lipstick Vogue]] {{-}} [[So You Want To Be A Rock 'N' Roll Star]] {{-}} [[Peace In Our Time]] {{-}} [[Shipbuilding]] {{-}} [[(The Angels Wanna Wear My) Red Shoes]]
{{cx}}
{{cx}}


Line 38: Line 41:
'''Sounds, October 20, 1984
'''Sounds, October 20, 1984
----
----
[[Robin Gibson]] reviews Elvis Costello & [[The Attractions]] with [[Gary Barnacle]], Monday, [[Concert 1984-10-01 London|October 1, 1984]], Hammersmith Palais, London.
[[Robin Gibson]] reviews Elvis Costello & [[The Attractions]] with [[Gary Barnacle]], Monday, [[Concert 1984-10-01 London|October{{nb}}1,{{nb}}1984]], Hammersmith Palais, London.


{{Bibliography images}}
{{Bibliography images}}
Line 62: Line 65:
[[Category:1984 concert reviews]]
[[Category:1984 concert reviews]]
[[Category:1984 UK Tour|~Sounds 1984-10-20]]
[[Category:1984 UK Tour|~Sounds 1984-10-20]]
[[Category:Unknown date]]

Revision as of 02:13, 2 August 2020

... Bibliography ...
727677787980818283
848586878889909192
939495969798990001
020304050607080910
111213141516171819
202122232425 26 27 28


Sounds

-

Elvis Costello And The Attractions

Hammersmith Palais

Robin Gibson

Costello comes, Costello goes and Costello, of course, is received (even on this distinctly faulty form) with rapture by his reliably jubilant crowds. And increasingly affluent crowds — six quid tickets and still, I noticed, they're arriving in cabs.

From last year's multi-person operation, Costello has pared things down to feature simply the ever-impressive Attractions, augmented by some very fine Gary Barnacle sax intrusions.

And to concentrate, apparently, on rock 'n' roll. The opening kickstart through "Sour Milk-Cow Blues" set the pace and we were hustled into an uptempo collection of near-knuckleduster rushes on the likes of "King Horse," "Clubland" and "Mystery Dance," while more subtle ballads and blues were almost dismissed with undue haste.

And still, he persists in eternally reshuffling great things like "Shabby Doll" and "Detectives" without doing them any particularly interesting service.

There were some gorgeous heatspots, though. "Beyond Belief"; the new "Hope You're Happy Now," described succinctly by Elvis as a (much-welcomed) piece of "mindless spite"; a breathlessly complete "Lipstick Vogue"; and a timely raid on "So You Want To Be A Rock 'n' Roll Star."

But the whole was distressingly one-dimensional, and marred by an unscheduled interval, due to Costello's self-confessed sore throat, from which it never really recovered.

Encores saved the night from anti-climax: a cynical new solo exposition on the bleak outlook from a 1984 cradle; a biting "Peace In Our Time"; a beautiful "Shipbuilding." But poignant, irate, pertinent, human, tender and perfect as his articulate protests might be, the predictable euphoria which greets such an awesome trio seems to obscure its limitations: the lack of hope and the message, ultimately, of unanimous strength only in defeat and helplessness.

I doubt if many more than me were mulling over such problems as they were guided thrillingly through "Red Shoes," but considering I've always counted myself unshakeably a fan, any elation I'd wanted to feel was definitely incomplete.

I'd been here before. And just coming back and doing it again — with however much feeling — isn't always going to be enough. Not even for Elvis Costello.


Tags: Hammersmith PalaisLondonThe AttractionsGary BarnacleSour Milk-Cow BluesKing HorseClublandMystery DanceShabby DollWatching The DetectivesBeyond BeliefI Hope You're Happy NowLipstick VogueSo You Want To Be A Rock 'N' Roll StarPeace In Our TimeShipbuilding(The Angels Wanna Wear My) Red Shoes

-
<< >>

Sounds, October 20, 1984


Robin Gibson reviews Elvis Costello & The Attractions with Gary Barnacle, Monday, October 1, 1984, Hammersmith Palais, London.

Images

File:1984-10-20 Sounds clipping 01.jpg
Clipping.

Cover.
1984-10-20 Sounds cover.jpg

-



Back to top

External links