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{{:Melbourne Age index}} His ''Get Happy'' album (F Beat Records, XXLP1), recorded with the Attractions, contains 20 excellent compositions which reinforce Costello's

{{:Melbourne Age index}} <center> Age Weekender </center>

{{:Melbourne Age index}} .... With the indispensable help of Doobie Brother John McFee on pedal steel, the band savors classics including Don Gibson's "Sweet Dreams."

{{Whats new date|April 30}} *[[New Musical Express, September 20, 1980|New Musical Express, Sep. 20, 1980]]

{{What's new browser|What's new, February 2021|What's new, April 2021}} *[[Bradley University Scout, October 3, 1980|Bradley Univ. Scout, Oct. 3, 1980]]

...Audio files|39|||1980-04-30 Berlin|1980-08-17 Edinburgh|1980-09-29 London|1980-11-13 Stockholm}} {{Whats new date|September 24}}

*[[Melbourne Age, May 20, 1982]] |April 7, 1987 newspaper advertisement for |Concert 1987-04-28 Washington|April 28, 1987, George Washington University, Washington, DC}}

{{whats new date|April 30}} {{whats new date|April 29}}

*[[Music Week, April 22, 1978]] *[[PopMatters, December 24, 2015]]

*[[Rock The Best Music, April 24, 2019]] *[[Tracks, March/April 2012]]

*[[Leidsch Dagblad, March 12, 1980]] *[[Leidsch Dagblad, April 15, 2002]]

{{Whats new date|April 30}} *[[Boston Globe, April 21, 2010]]

{{whats new date|April 29}} *[[Concert 2014-06-24 New York|2014-06-24, New York, NY]]

*[[New Musical Express, September 6, 1980]] *[[The Scotsman, May 12, 2012]]

*[[Philadelphia Inquirer, October 31, 1980]] ...end page 20 clipping 01.jpg|x110px|link=Philadelphia Inquirer, October 31, 1980]]

*[[Washington Post, April 14, 2006]] *[[Washington Post, April 24, 2006]]

*[[Georgia Straight, April 4, 2012]] *[[Milwaukee Journal, April 27, 1984]]

*[[Chicago Sun-Times, April 23, 2002]] *[[Off-beat: Pub Rock For The '80's]]

*[[New York Times, April 21, 1978|1978 April 21]] *[[New York Times, April 3, 1979|1979 April 3]]

*[[Washington Post, April 7, 1979|1979 April 7]] *[[Washington Post, April 16, 1980|1980 April 16]]

*[[Southern Daily Echo, April 26, 2004]] *[[Webcast 2020-11-29 The Immobile Tour|November 29, 2020, The Immobile Tour]]

'''30''' {{th}} Elvis Costello & the Attractions<br> ...g Your Head" and "I Hope You're Happy Now" are mournful and furious, while the relentless "I Want You" remains, against formidable competition, Costello's

<center><h3> Elvis Costello at the Beacon: Misery and splendor </h3></center> ...lcome to 'Imperial Bedroom & Other Chambers'!" Costello said at the top of the show. Then, mischievously: "Who knows what kind of misery lurks within?"

...llo]], 1999<br>[[Singles, Volume 1]], 2003<br>[[The Best Of Elvis Costello The First 10 Years]], 2007<br>[[Unfaithful Music & Soundtrack Album]], 2015 ...Big Bad World]], 1999<br>[[Soundtrack: Get Over It|Get Over It: Music From The Miramax Motion Picture]], 2001

...listened to any Spanish-language radio. He’s worked on seminal albums from the Latin pop canon, collaborating with artists such as Shakira, Carlos Vives, ...ollaborating with legendary singer-songwriter Elvis Costello, co-producing the albums ''Look Now'' (which earned a Grammy for Best Traditional Pop Album)

''' A look at "The Other Elvis" ...support for Costello was undeniable — musicians and pop music fans around the world knew something was afoot.

<font size=5>The Rise And Rise Of Elvis Costello</font> This wiki page was originally derived from a biography by the "Pope Of Pop", Paul Inglis, and is edited and maintained by members of this

...albums essential to a happy life. It was a long, tortuous undertaking, but the man knows music — and his aim is true. :Fast songs: for nights entertaining your Australian friends, or playing with the dressing-up box. Slow songs: a pop-music version of Bergman's ''Scenes from

<center><h3> The 70 Landmark Albums of the Last 70 years </h3></center> ...ory and explains the criteria behind our choices. Fulminating responses to the usual address...

'''The musical adventures of Elvis Costello: how an angry young man and new wave p ...ritical darling, and not just because, as Dave Lee Roth bitterly attested, the sleeve of ''Model'' was, for most journalists, like looking in a mirror.