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...os, and teaseroo unreleased tracks. Dig those hep liner notes! Wonder what they'll do with this one. Talk about biting back those feeding hands. ...ere with Levi Stubbs on "Reach Out" for spiffo Dylan appropriations. (Call me A. J.)

*[[But Not For Me]] *[[Call On Me]]

...ose cheap synth strings on the track before there were really even synths. They said. "The strings will make it a hit!" ...h more word of mouth. You could say to someone, "Have you heard this?" and they would never have heard of it. Although I suppose that's what the recommenda

<font size=1>From [[Single: Don't Let Me Be Misunderstood|Don't Let Me Be Misunderstood]] single</font><br> '''[[But Not For Me]]'''<br>

| [[Call On Me]] | [[Can You Hear Me?]]

A clarion call that helped open the floodgates for what would become known as New Wave, th ...ending me tulips mistaken for lilies / you give me your lip after punching me silly"'' and ''"Twice shy and dog tired because you've been bitten / everyt

| 10. [[Call On Me]] | 06. [[You Belong To Me]]

...reative impasse of a permanent group, I thought myself lucky to be able to call on such a rich group of players in both the studio and during live adventur ...and Jim Keltner, scheduling five days with each drummer, making sure that they overlapped for a couple for sessions in case we wanted to attempt anything

Instead, I decided to also name the tracks that make these albums special to me. So, if nothing is written, head straight for the title track or assume tha ...eed. I've also gone for some less well-known titles by famous artists, but they are records that dig a little deeper.

...of the LP on ''In The Wee Small Hours'' (1955). Its cover art, featuring a lonesome Sinatra on a street corner swathed in a blue half-light, could have appeare ...akes, add-ons to the original, carefully-sequenced LP experience. However, they did benefit classical music artists such as Gorecki, Tavener and Arvo Part,