London Guardian, November 16, 2000: Difference between revisions
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Nathanson, the saxophonist and co-founder (with trombonist [[Curtis Fowlkes]]) of [[the Jazz Passengers]], deployed his augmented forces sparingly. Smart changes of mood, tempo and timbre meant singers such as David Driver, Darius de Haas, Nancy King and Kenny Washington had only a few minutes to shine before making way for the next line-up. | Nathanson, the saxophonist and co-founder (with trombonist [[Curtis Fowlkes]]) of [[the Jazz Passengers]], deployed his augmented forces sparingly. Smart changes of mood, tempo and timbre meant singers such as David Driver, Darius de Haas, Nancy King and Kenny Washington had only a few minutes to shine before making way for the next line-up. | ||
Nathanson apart, the most constant presence was JT Lewis, a terrific drummer whose sure-footed swing was teamed with [[Brad Jones]] on double bass and organist Reuben Wilson's bass pedals. Guitarist Adam Roberts and pianist Deidre Rodman fleshed out the chord changes and percussionist Bosco d'Oliveira was a great asset. | Nathanson apart, the most constant presence was JT Lewis, a terrific drummer whose sure-footed swing was teamed with [[Brad Jones]] on double bass and organist Reuben Wilson's bass pedals. Guitarist Adam Roberts and pianist Deidre Rodman fleshed out the chord changes and percussionist [[Bosco D'Oliveria|Bosco d'Oliveira]] was a great asset. | ||
Ashley Slater, suitably villainous, sang "Last Call" and Cleveland Watkiss, yet another local hero, led a male voice quintet for Carol Ann, a driving groove augmented by the banshee sax wails of Nathanson and Marty Ehrlich. | Ashley Slater, suitably villainous, sang "Last Call" and Cleveland Watkiss, yet another local hero, led a male voice quintet for Carol Ann, a driving groove augmented by the banshee sax wails of Nathanson and Marty Ehrlich. |
Revision as of 07:12, 14 September 2014
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