The Word, August 2006: Difference between revisions
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{{Bibliography header}} | {{Bibliography header}} | ||
{{Bibliography index}} | {{:Bibliography index}} | ||
{{:The Word index}} | |||
{{:UK & Ireland magazines index}} | |||
{{Bibliography article header}} | {{Bibliography article header}} | ||
<center><h3>Ol' Men River</h3> | <center><h3> Ol' Men River </h3></center> | ||
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<center>Graeme Thomson</center> | <center>Graeme Thomson</center> | ||
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Costello is an American artist now. His laser-pen is no longer trained on the provincial jackals, political hypocrites and poor-me celebrity whores of little Britain. Now, | '''''The River In Reverse'' proves it's good to share. | ||
{{Bibliography text}} | |||
Costello is an American artist now. His laser-pen is no longer trained on the provincial jackals, political hypocrites and poor-me celebrity whores of little Britain. Now, it's all Fifth Avenue torch songs (''North''), Southern Gothic concept albums (''The Delivery Man'') and, with ''The River In Reverse'', drawing inspiration from one of the United States' great songwriters. | |||
Costello re-established an occasional acquaintance with Allen Toussaint while the legendary New Orleans writer and pianist was holed up in New York, having been evicted by Hurricane Katrina. Inevitably — this is Costello, after all — the idea of a full collaboration soon followed, half of it cut in still-ravaged New Orleans with a combination of local players and Costello's Imposters. The result is his most enjoyable record for a decade: ribald, melodic, funky, tear-stained when appropriate, above all drenched in soulful humanity. | Costello re-established an occasional acquaintance with Allen Toussaint while the legendary New Orleans writer and pianist was holed up in New York, having been evicted by Hurricane Katrina. Inevitably — this is Costello, after all — the idea of a full collaboration soon followed, half of it cut in still-ravaged New Orleans with a combination of local players and Costello's Imposters. The result is his most enjoyable record for a decade: ribald, melodic, funky, tear-stained when appropriate, above all drenched in soulful humanity. | ||
Scattered amongst vibrant new readings of Toussaint gems like Tears, Tears And More Tears and Freedom For The Stallion, the handful of co-compositions need to be on their game and generally are: International Echo is the theme from Only Fools And Horses married to | Scattered amongst vibrant new readings of Toussaint gems like "Tears, Tears And More Tears" and "Freedom For The Stallion," the handful of co-compositions need to be on their game and generally are: "International Echo" is the theme from ''Only Fools And Horses'' married to Costello's own "Fish 'N' Chip Paper," reverberating with the joy of making music. The title song, by contrast, is funereal, its merciless beat slow-marching relentlessly to the morgue, the words picking their way through the nightmare of an unnamed but hellishly evoked New Orleans. It's the only time ''The River In Reverse'' doesn't wear its political anger lightly, and is all the more effective for it. | ||
In terms of Costello, the song simply reaffirms that Uncle | In terms of Costello, the song simply reaffirms that Uncle Sam's gain is our loss. However, there is no doubting the album's true star. ''The River In Reverse'' is a timely reminder of the stature of the super-talented Toussaint, emphasising the fluidity of his playing and the brilliance of his songbook, not to mention how many of his lyrics remain depressingly relevant today. Indeed, weighted as it is towards Costello, the album's only drawback is that you end up aching for more of his collaborator. | ||
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{{tags}}[[The River In Reverse]] {{-}} [[Allen Toussaint]] {{-}} [[The Imposters]] {{-}} [[Tears, Tears And More Tears]] {{-}} [[Freedom For The Stallion]] {{-}} [[International Echo]] {{-}} [[Fish 'N' Chip Paper]] {{-}} [[New Orleans]] {{-}} [[North]] {{-}} [[The Delivery Man]] | |||
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{{Bibliography notes header}} | {{Bibliography notes header}} | ||
{{Bibliography notes}} | {{Bibliography notes}} | ||
'''Word, August 2006 | {{Bibliography next | ||
|prev = The Word, May 2006 | |||
|next = The Word, December 2007 | |||
}} | |||
'''The Word, No. 42, August 2006 | |||
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Graeme Thomson reviews ''[[The River In Reverse]]''. | [[Graeme Thomson]] reviews ''[[The River In Reverse]]''. | ||
{{Bibliography images}} | {{Bibliography images}} | ||
[[image:2006-08-00 Word photo.jpg|290px]] | |||
<br><small>Photo.</small> | |||
<small>Cover.</small><br> | |||
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{{Bibliography notes footer}} | {{Bibliography notes footer}} | ||
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==External links== | ==External links== | ||
*[http://en.wikipedia.org/wiki/The_Word_(magazine) Wikipedia: The Word] | *[http://en.wikipedia.org/wiki/The_Word_(magazine) Wikipedia: The Word] | ||
*[ | *[https://en.wikipedia.org/wiki/Only_Fools_and_Horses Wikipedia: Only Fools and Horses] | ||
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[[Category:Bibliography]] | [[Category:Bibliography]] | ||
[[Category:Bibliography 2006]] | [[Category:Bibliography 2006]] | ||
[[Category:Word]] | [[Category:The Word| Word 2006-08-00]] | ||
[[Category:Magazine articles]] | [[Category:Magazine articles]] | ||
[[Category:Album reviews]] | [[Category:Album reviews]] | ||
[[Category:The River In Reverse reviews]] | [[Category:The River In Reverse reviews]] | ||
Latest revision as of 04:41, 20 June 2020
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