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Toronto Globe and Mail, June 16, 2014 - Revision history
2024-03-28T17:28:51Z
Revision history for this page on the wiki
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Zmuda: +Category:2014 North American Solo Tour
2024-02-21T01:49:26Z
<p>+<a href="/wiki/index.php?title=Category:2014_North_American_Solo_Tour" title="Category:2014 North American Solo Tour">Category:2014 North American Solo Tour</a></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 01:49, 21 February 2024</td>
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Zmuda: formatting +Canada publications index
2021-04-07T10:59:11Z
<p>formatting +Canada publications index</p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{:Bibliography index}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{:Bibliography index}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{:Toronto Globe and Mail index}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{:Toronto Globe and Mail index}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>{{:<del style="font-weight: bold; text-decoration: none;">Newspaper </del>index}}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{:<ins style="font-weight: bold; text-decoration: none;">Canada publications </ins>index}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Bibliography article header}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Bibliography article header}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><center><h3>Why Elvis Costello at Massey Hall was simply brilliant </h3></center></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><center><h3> Why Elvis Costello at Massey Hall was simply brilliant </h3></center></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><center> Jared Bland </center></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><center> Jared Bland </center></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''Elvis Costello <br></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Massey Hall, Toronto</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Bibliography text}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Bibliography text}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">'''Artist''' Elvis Costello<br></del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Elvis Costello took the stage at <ins style="font-weight: bold; text-decoration: none;">Toronto's </ins>Massey Hall on Saturday night, swiftly and alone <ins style="font-weight: bold; text-decoration: none;">— </ins>he was at the microphone, guitar in hand, before most of the audience even realized <ins style="font-weight: bold; text-decoration: none;">he'd </ins>made his entrance. He smiled impishly, chewed some gum and launched into a furiously paced acoustic rendition of <ins style="font-weight: bold; text-decoration: none;">"</ins>Welcome to the Working Week.<ins style="font-weight: bold; text-decoration: none;">"</ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">'''Venue''' Massey Hall<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">'''City''' Toronto<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">'''Date''' Saturday, June 14, 2014<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">----</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Elvis Costello took the stage at <del style="font-weight: bold; text-decoration: none;">Toronto’s </del>Massey Hall on Saturday night, swiftly and alone <del style="font-weight: bold; text-decoration: none;">– </del>he was at the microphone, guitar in hand, before most of the audience even realized <del style="font-weight: bold; text-decoration: none;">he’d </del>made his entrance. He smiled impishly, chewed some gum and launched into a furiously paced acoustic rendition of <del style="font-weight: bold; text-decoration: none;">[[Welcome To The Working Week|</del>Welcome to the Working Week<del style="font-weight: bold; text-decoration: none;">]]</del>.</div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Costello, it soon became clear, was there to work. He played alone for nearly two and a half hours, including three encores, offering a 32-song set that spanned his career, from his earliest punkish hits to work so fresh he seemed to be rewriting it as he sang. Throughout, he was simply brilliant: charismatic, playful and endlessly energetic.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Costello, it soon became clear, was there to work. He played alone for nearly two and a half hours, including three encores, offering a 32-song set that spanned his career, from his earliest punkish hits to work so fresh he seemed to be rewriting it as he sang. Throughout, he was simply brilliant: charismatic, playful and endlessly energetic.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>By the time he hit the <del style="font-weight: bold; text-decoration: none;">set’s </del>fourth song, <del style="font-weight: bold; text-decoration: none;">[[</del>Alison<del style="font-weight: bold; text-decoration: none;">]]</del>, so much of what would make the evening special was apparent. Costello worked even his most familiar songs down to their basic structures, and then rebuilt them with new flourishes and turns. Alison, in particular, thrived: The song is a towering work of art, one of the best pop songs of the 20th century, and on this night it rang with new clarity and sadness.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>By the time he hit the <ins style="font-weight: bold; text-decoration: none;">set's </ins>fourth song, <ins style="font-weight: bold; text-decoration: none;">"</ins>Alison,<ins style="font-weight: bold; text-decoration: none;">" </ins>so much of what would make the evening special was apparent. Costello worked even his most familiar songs down to their basic structures, and then rebuilt them with new flourishes and turns. Alison, in particular, thrived: The song is a towering work of art, one of the best pop songs of the 20th century, and on this night it rang with new clarity and sadness.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Much of the <del style="font-weight: bold; text-decoration: none;">show’s </del>success was built on <del style="font-weight: bold; text-decoration: none;">Costello’s </del>voice, which, even as he approaches 60, is still nuanced and rich and capable of remarkable acrobatics. It lent heft to the eerie staccato melody of <del style="font-weight: bold; text-decoration: none;">[[</del>Beyond Belief<del style="font-weight: bold; text-decoration: none;">]]</del>, rethought as a shimmering, finger-picked near-boogie; it brought the room to complete silence during a haunting rendition of <del style="font-weight: bold; text-decoration: none;">[[</del>Shipbuilding<del style="font-weight: bold; text-decoration: none;">]]</del>, played on electric piano to open the first encore. Costello informed the crowd that <del style="font-weight: bold; text-decoration: none;">he’d </del>had to cut the [[Concert 2014-06-13 Ann Arbor|<del style="font-weight: bold; text-decoration: none;">previous evening’s </del>show]] short, having lost his ability to sing. But in Toronto on Saturday, he was in full and glorious voice.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Much of the <ins style="font-weight: bold; text-decoration: none;">show's </ins>success was built on <ins style="font-weight: bold; text-decoration: none;">Costello's </ins>voice, which, even as he approaches 60, is still nuanced and rich and capable of remarkable acrobatics. It lent heft to the eerie staccato melody of <ins style="font-weight: bold; text-decoration: none;">"</ins>Beyond Belief,<ins style="font-weight: bold; text-decoration: none;">" </ins>rethought as a shimmering, finger-picked near-boogie; it brought the room to complete silence during a haunting rendition of <ins style="font-weight: bold; text-decoration: none;">"</ins>Shipbuilding,<ins style="font-weight: bold; text-decoration: none;">" </ins>played on electric piano to open the first encore. Costello informed the crowd that <ins style="font-weight: bold; text-decoration: none;">he'd </ins>had to cut the <ins style="font-weight: bold; text-decoration: none;">previous evening's </ins>[[Concert 2014-06-13 Ann Arbor|show]] short, having lost his ability to sing. But in Toronto on Saturday, he was in full and glorious voice.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Late in the evening, he was joined by another fine voice, <del style="font-weight: bold; text-decoration: none;">Toronto’s [[</del>Ron Sexsmith<del style="font-weight: bold; text-decoration: none;">]]</del>, <del style="font-weight: bold; text-decoration: none;">who’d </del>spent the first half of the show nearly bursting out of his seat with excitement, fidgeting along to every one of <del style="font-weight: bold; text-decoration: none;">Costello’s </del>hyper-rhythmic twists and turns. He rose from his spot two-thirds of the way through the set and made his way to the side doors, heading backstage. He appeared again at the end of the first encore, joining Costello for a ramshackle rendition of <del style="font-weight: bold; text-decoration: none;">[[Everyday I Write The Book|</del>Everyday I Write the Book<del style="font-weight: bold; text-decoration: none;">]]</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Late in the evening, he was joined by another fine voice, <ins style="font-weight: bold; text-decoration: none;">Toronto's </ins>Ron Sexsmith, <ins style="font-weight: bold; text-decoration: none;">who'd </ins>spent the first half of the show nearly bursting out of his seat with excitement, fidgeting along to every one of <ins style="font-weight: bold; text-decoration: none;">Costello's </ins>hyper-rhythmic twists and turns. He rose from his spot two-thirds of the way through the set and made his way to the side doors, heading backstage. He appeared again at the end of the first encore, joining Costello for a ramshackle rendition of <ins style="font-weight: bold; text-decoration: none;">"</ins>Everyday I Write the Book.<ins style="font-weight: bold; text-decoration: none;">"</ins></div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">“He </del>taught me how to sing one of my own songs,<del style="font-weight: bold; text-decoration: none;">” </del>Costello said by way of introducing Sexsmith. But over the course of a few hours, it was clear that Elvis was the teacher here. In each of his liquid melodies, you could hear the genius that has influenced Sexsmith and countless others. His songs, stripped bare, were elemental and undeniable.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">"He </ins>taught me how to sing one of my own songs,<ins style="font-weight: bold; text-decoration: none;">" </ins>Costello said by way of introducing Sexsmith. But over the course of a few hours, it was clear that Elvis was the teacher here. In each of his liquid melodies, you could hear the genius that has influenced Sexsmith and countless others. His songs, stripped bare, were elemental and undeniable.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Elvis Costello plays the Maison symphonique de Montréal on [[Concert 2014-06-29 Montreal|June 29]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{cx}}</ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{tags}}[[Concert 2014-06-14 Toronto|Massey Hall]] {{-}} [[Toronto]] {{-}} [[Canada]] {{-}} [[Ron Sexsmith]] {{-}} [[Welcome To The Working Week]] {{-}} [[Alison]] {{-}} [[Beyond Belief]] {{-}} [[Shipbuilding]] {{-}} [[Everyday I Write The Book]] {{-}} [[Concert 2014-06-13 Ann Arbor|Ann Arbor]]</ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Jared Bland]] reviews Elvis Costello with [[Ron Sexsmith]] <del style="font-weight: bold; text-decoration: none;">on </del>Saturday, [[Concert 2014-06-14 Toronto|June 14, 2014]], <del style="font-weight: bold; text-decoration: none;"> at </del>Massey Hall, Toronto, Canada.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Jared Bland]] reviews Elvis Costello with [[Ron Sexsmith]]<ins style="font-weight: bold; text-decoration: none;">, </ins>Saturday, [[Concert 2014-06-14 Toronto|June 14, 2014]], Massey Hall, Toronto, Canada.</div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><small><del style="font-weight: bold; text-decoration: none;">Photo credit to </del>Denis Balibouse/Reuters</small></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><br><small><ins style="font-weight: bold; text-decoration: none;">[[Concert 2010-07-13 Montreux|2010]] photo by [[</ins>Denis Balibouse<ins style="font-weight: bold; text-decoration: none;">]]</ins>/Reuters<ins style="font-weight: bold; text-decoration: none;">.</ins></small></div></td></tr>
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</table>
Zmuda
https://elviscostello.info//wiki/index.php?title=Toronto_Globe_and_Mail,_June_16,_2014&diff=17297054&oldid=prev
Nick Ratcliffe: fix typo
2015-02-22T00:11:16Z
<p>fix typo</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 00:11, 22 February 2015</td>
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Nick Ratcliffe
https://elviscostello.info//wiki/index.php?title=Toronto_Globe_and_Mail,_June_16,_2014&diff=17297052&oldid=prev
Nick Ratcliffe: create page for Toronto Globe and Mail review of Concert 2014-06-14 Toronto
2015-02-22T00:09:12Z
<p>create page for Toronto Globe and Mail review of <a href="/wiki/index.php?title=Concert_2014-06-14_Toronto" title="Concert 2014-06-14 Toronto">Concert 2014-06-14 Toronto</a></p>
<p><b>New page</b></p><div>{{Bibliography header}}<br />
{{:Bibliography index}}<br />
{{:Toronto Globe and Mail index}}<br />
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{{Bibliography article header}}<br />
<center><h3>Why Elvis Costello at Massey Hall was simply brilliant </h3></center><br />
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<center> Jared Bland </center><br />
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{{Bibliography text}}<br />
'''Artist''' Elvis Costello<br><br />
'''Venue''' Massey Hall<br><br />
'''City''' Toronto<br><br />
'''Date''' Saturday, June 14, 2014<br><br />
----<br />
Elvis Costello took the stage at Toronto’s Massey Hall on Saturday night, swiftly and alone – he was at the microphone, guitar in hand, before most of the audience even realized he’d made his entrance. He smiled impishly, chewed some gum and launched into a furiously paced acoustic rendition of [[Welcome To The Working Week|Welcome to the Working Week]].<br />
<br />
Costello, it soon became clear, was there to work. He played alone for nearly two and a half hours, including three encores, offering a 32-song set that spanned his career, from his earliest punkish hits to work so fresh he seemed to be rewriting it as he sang. Throughout, he was simply brilliant: charismatic, playful and endlessly energetic.<br />
<br />
By the time he hit the set’s fourth song, [[Alison]], so much of what would make the evening special was apparent. Costello worked even his most familiar songs down to their basic structures, and then rebuilt them with new flourishes and turns. Alison, in particular, thrived: The song is a towering work of art, one of the best pop songs of the 20th century, and on this night it rang with new clarity and sadness.<br />
<br />
Much of the show’s success was built on Costello’s voice, which, even as he approaches 60, is still nuanced and rich and capable of remarkable acrobatics. It lent heft to the eerie staccato melody of [[Beyond Belief]], rethought as a shimmering, finger-picked near-boogie; it brought the room to complete silence during a haunting rendition of [[Shipbuilding]], played on electric piano to open the first encore. Costello informed the crowd that he’d had to cut the [[Concert 2014-06-13 Ann Arbor|previous evening’s show]] short, having lost his ability to sing. But in Toronto on Saturday, he was in full and glorious voice.<br />
<br />
Late in the evening, he was joined by another fine voice, Toronto’s [[Ron Sexsmith]], who’d spent the first half of the show nearly bursting out of his seat with excitement, fidgeting along to every one of Costello’s hyper-rhythmic twists and turns. He rose from his spot two-thirds of the way through the set and made his way to the side doors, heading backstage. He appeared again at the end of the first encore, joining Costello for a ramshackle rendition of [[Everyday I Write The Book|Everyday I Write the Book]].<br />
<br />
“He taught me how to sing one of my own songs,” Costello said by way of introducing Sexsmith. But over the course of a few hours, it was clear that Elvis was the teacher here. In each of his liquid melodies, you could hear the genius that has influenced Sexsmith and countless others. His songs, stripped bare, were elemental and undeniable.<br />
<br />
Elvis Costello plays the Maison symphonique de Montréal on [[Concert 2014-06-29 Montreal|June 29]].<br />
----<br />
<br />
{{cx}}<br />
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{{Bibliography notes header}}<br />
<br />
{{Bibliography notes}}<br />
'''The Globe and Mail, June 16, 2014<br />
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[[Jared Bland]] reviews Elvis Costello with [[Ron Sexsmith]] on Saturday, [[Concert 2014-06-14 Toronto|June 14, 2014]], at Massey Hall, Toronto, Canada.<br />
<br />
{{Bibliography images}}<br />
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[[Image:2010-07-13 Montreux photo 09 db.jpg|x120px|border]]<br><br />
<small>Photo credit to Denis Balibouse/Reuters</br><br />
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{{Bibliography notes footer}}<br />
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{{Bibliography footer}}<br />
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==External links==<br />
*[http://www.theglobeandmail.com/arts/music/why-elvis-costello-at-massey-hall-was-simply-brilliant/article19183715/ TheGlobeAndMail.com]<br />
*[http://en.wikipedia.org/wiki/The_Globe_and_Mail Wikipedia: The Globe and Mail]<br />
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{{DEFAULTSORT:Toronto Globe and Mail 2014-06-16}}<br />
[[Category:Bibliography]]<br />
[[Category:Bibliography 2014]]<br />
[[Category:Toronto Globe and Mail| Toronto Globe and Mail 2014-06-16]]<br />
[[Category:Newspaper articles]]<br />
[[Category:2014 concert reviews]]</div>
Nick Ratcliffe