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Toronto Globe and Mail, October 29, 2010 - Revision history
2024-03-28T18:45:12Z
Revision history for this page on the wiki
MediaWiki 1.39.4
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Nick Ratcliffe: add publication browser
2022-05-16T21:15:44Z
<p>add publication browser</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 21:15, 16 May 2022</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Bibliography notes}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Bibliography notes}}</div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">|prev = Toronto Globe and Mail, February 19, 2010</ins></div></td></tr>
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Nick Ratcliffe
https://elviscostello.info//wiki/index.php?title=Toronto_Globe_and_Mail,_October_29,_2010&diff=17381753&oldid=prev
Zmuda: formatting +Canada publications index
2018-07-14T18:15:51Z
<p>formatting +Canada publications index</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 18:15, 14 July 2018</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{:Toronto Globe and Mail index}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{:Toronto Globe and Mail index}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>{{:<del style="font-weight: bold; text-decoration: none;">Newspaper </del>index}}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{:<ins style="font-weight: bold; text-decoration: none;">Canada publications </ins>index}}</div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><center>MUSIC </center></del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><center><h3> Elvis Costello's short stories about big ideas </h3><ins style="font-weight: bold; text-decoration: none;"></center></ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><center><h3><del style="font-weight: bold; text-decoration: none;">Disc of the week: </del>Elvis Costello's short stories about big ideas </h3></center></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><center> ''' Elvis Costello ''' / National Ransom </ins></center></div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><center>Brad Wheeler</center></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><center> Brad Wheeler </center></div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{3stars}}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Bibliography text}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Bibliography text}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">{{3stars}}<br></del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Elvis Costello<ins style="font-weight: bold; text-decoration: none;">, with the help of producer T Bone Burnett, guitarists Marc Ribot, Jerry Douglas, Buddy Miller and members of the Imposters and Sugarcanes, has made another fine record — his best in years, according to Costello himself, who is smart and often right.</ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">'''National Ransom''' ''</del>Elvis Costello <del style="font-weight: bold; text-decoration: none;">( Concord/ Universal)''</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Elvis </del>Costello, <del style="font-weight: bold; text-decoration: none;">with the help of producer [[T Bone Burnett]]</del>, <del style="font-weight: bold; text-decoration: none;">guitarists [[Marc Ribot]], [[Jerry Douglas]], [[Buddy Miller]] </del>and <del style="font-weight: bold; text-decoration: none;">members of [[the Imposters]] and [[Sugarcanes]]</del>, <del style="font-weight: bold; text-decoration: none;">has made another fine record </del>- <del style="font-weight: bold; text-decoration: none;">his best in years</del>, <del style="font-weight: bold; text-decoration: none;">according </del>to <del style="font-weight: bold; text-decoration: none;">Costello himself</del>, <del style="font-weight: bold; text-decoration: none;">who is smart and often right</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Costello<ins style="font-weight: bold; text-decoration: none;">'s last effort was 2009's ''Secret</ins>, <ins style="font-weight: bold; text-decoration: none;">Profane & Sugarcane''</ins>, <ins style="font-weight: bold; text-decoration: none;">a bluegrassed </ins>and <ins style="font-weight: bold; text-decoration: none;">darkly-themed song cycle also produced by Burnett. ''Momfuku'' (2008) came two years after ''The River in Reverse''</ins>, <ins style="font-weight: bold; text-decoration: none;">a post</ins>-<ins style="font-weight: bold; text-decoration: none;">Katrina collaboration with Allen Toussaint that came with this title-track stinger: ''"So count your blessings when they ask permission</ins>, to <ins style="font-weight: bold; text-decoration: none;">govern with money and superstition / They tell you it's all for your own protection</ins>, <ins style="font-weight: bold; text-decoration: none;">'til you fear your own reflection</ins>.<ins style="font-weight: bold; text-decoration: none;">"''</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Costello's last effort was 2009's ''[[Secret, Profane & Sugarcane]]'', a bluegrassed and darkly-themed song cycle also produced by Burnett. ''[[Momofuku|Momfuku]]'' (2008) came two years after ''[[The River In Reverse|The River in Reverse]]'', a post-Katrina collaboration with [[Allen Toussaint]] that came with this title-track stinger: "So count your blessings when they ask permission, to govern with money and superstition/ They tell you it's all for your own protection, 'til you fear your own reflection."</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The more things stay the same, the more things stay the same. <ins style="font-weight: bold; text-decoration: none;">''</ins>"Woe betide all this hocus-pocus; they're running us ragged at their first attempt,"<ins style="font-weight: bold; text-decoration: none;">'' </ins>Costello scorches on <ins style="font-weight: bold; text-decoration: none;">"</ins>National Ransom,<ins style="font-weight: bold; text-decoration: none;">" </ins>the disc-opening rocker. <ins style="font-weight: bold; text-decoration: none;">''</ins>"Around the time the killing stopped on Wall Street, you couldn't hold me baby with anything but contempt."<ins style="font-weight: bold; text-decoration: none;">''</ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The more things stay the same, the more things stay the same. "Woe betide all this hocus-pocus; they're running us ragged at their first attempt," Costello scorches on <del style="font-weight: bold; text-decoration: none;">''[[</del>National Ransom<del style="font-weight: bold; text-decoration: none;">]]''</del>, the disc-opening rocker. "Around the time the killing stopped on Wall Street, you couldn't hold me baby with anything but contempt."</div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Costello, unlike fear-mongers and piggy bankers, doesn't hold us ransom. But he does hold our attention. And if his albums of jazz and classical music this decade aren't to everyone's taste, all Costello's adventures should be approved on some level, as they represent the pursuits of an interested man.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Costello, unlike fear-mongers and piggy bankers, doesn't hold us ransom. But he does hold our attention. And if his albums of jazz and classical music this decade aren't to everyone's taste, all Costello's adventures should be approved on some level, as they represent the pursuits of an interested man.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Which bring us to ''National Ransom'', a mind-grabbing 60-minute experience. What we have here is a cleverly musical book of short stories, carried by big-brained lyrics, unusually detailed scenes, mix-and-match combos, deft arrangements, era-specific settings and styles, and characters who lament and lose.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Which bring us to ''National Ransom'', a mind-grabbing 60-minute experience. What we have here is a cleverly musical book of short stories, carried by big-brained lyrics, unusually detailed scenes, mix-and-match combos, deft arrangements, era-specific settings and styles, and characters who lament and lose.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">[[Jimmie Standing In The Rain|</del>Jimmie Standing in the Rain<del style="font-weight: bold; text-decoration: none;">]]</del>, something right out a 1930s English music hall, refers to a career-challenged cowboy singer. If the sky unloads on our stand-in Jimmie Rodgers <del style="font-weight: bold; text-decoration: none;">- </del>an imitator who sings "counterfeited prairie lullabies" <del style="font-weight: bold; text-decoration: none;">- </del>the water damage of the piano-jazzed <del style="font-weight: bold; text-decoration: none;">[[Stations Of The Cross|</del>Stations of the Cross<del style="font-weight: bold; text-decoration: none;">]] </del>is outright catastrophic, with Costello's peculiar vocal emoting having to with water that "came up to the eaves."</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">"</ins>Jimmie Standing in the Rain,<ins style="font-weight: bold; text-decoration: none;">" </ins>something right out a 1930s English music hall, refers to a career-challenged cowboy singer. If the sky unloads on our stand-in Jimmie Rodgers <ins style="font-weight: bold; text-decoration: none;">— </ins>an imitator who sings <ins style="font-weight: bold; text-decoration: none;">''</ins>"counterfeited prairie lullabies"<ins style="font-weight: bold; text-decoration: none;">'' — </ins>the water damage of the piano-jazzed <ins style="font-weight: bold; text-decoration: none;">"</ins>Stations of the Cross<ins style="font-weight: bold; text-decoration: none;">" </ins>is outright catastrophic, with Costello's peculiar vocal emoting having to with water that <ins style="font-weight: bold; text-decoration: none;">''</ins>"came up to the eaves."<ins style="font-weight: bold; text-decoration: none;">''</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">On the jaunty "A Slow Drag with Josephine," Costello finger-picks with a 1937 Gibson L-00, an instrument, according to Costello, which has its "very own confidential voice." The same guitar is employed on "Bullets for the Newborn King," an unusually gentle tune about cold-blooded espionage and a regretful female double-agent.</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">On </del>the <del style="font-weight: bold; text-decoration: none;">jaunty [[A Slow Drag With Josephine|A Slow Drag with Josephine]]</del>, Costello <del style="font-weight: bold; text-decoration: none;">finger-picks with a 1937 Gibson L-OO, an instrument, according to Costello, which has its </del>"<del style="font-weight: bold; text-decoration: none;">very own confidential voice</del>." <del style="font-weight: bold; text-decoration: none;">The same guitar is employed on [[Bullets For The New-Born King|Bullets for the Newborn King]]</del>, <del style="font-weight: bold; text-decoration: none;">an unusually gentle tune about cold-blooded espionage and a regretful female double-agent</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Some of </ins>the <ins style="font-weight: bold; text-decoration: none;">record was recorded at Nashville's Sound Emporium</ins>, <ins style="font-weight: bold; text-decoration: none;">where legendary "Do Right Woman" songwriter Dan Penn reportedly popped in for visit. He may have heard the country soul of </ins>Costello<ins style="font-weight: bold; text-decoration: none;">'s </ins>"<ins style="font-weight: bold; text-decoration: none;">That's Not the Part of Him You're Leaving</ins>." <ins style="font-weight: bold; text-decoration: none;">If so</ins>, <ins style="font-weight: bold; text-decoration: none;">you'd have to think he'd have approved</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Some of the record was recorded at Nashville's Sound Emporium, where legendary Do Right Woman songwriter [[Dan Penn]] reportedly popped in for visit. He may have heard the country soul of Costello's [[That's Not The Part Of Him You're Leaving|That's Not the Part of Him You're Leaving]]. If so, you'd have to think he'd have approved.</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{cx}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{cx}}</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''The Globe and Mail, November 2, 2010</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''The Globe and Mail, November 2, 2010</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Brad Wheeler]] reviews ''[[National Ransom]]''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Brad Wheeler]] reviews ''[[National Ransom]]''<ins style="font-weight: bold; text-decoration: none;">, chosen as Disc of the Week</ins>.</div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[<del style="font-weight: bold; text-decoration: none;">Image</del>:2010-10-29 Toronto Globe & Mail photo 01.jpg|<del style="font-weight: bold; text-decoration: none;">x120px</del>|border]]<br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[<ins style="font-weight: bold; text-decoration: none;">image</ins>:2010-10-29 Toronto Globe & Mail photo 01.jpg|<ins style="font-weight: bold; text-decoration: none;">360px</ins>|border]]</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><small<del style="font-weight: bold; text-decoration: none;">>.A pensive Elvis Costello<br</del>>Photo credit <del style="font-weight: bold; text-decoration: none;">to (</del>Universal Canada<del style="font-weight: bold; text-decoration: none;">)</del></small></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><br><small>Photo credit Universal Canada<ins style="font-weight: bold; text-decoration: none;">.</ins></small></div></td></tr>
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</table>
Zmuda
https://elviscostello.info//wiki/index.php?title=Toronto_Globe_and_Mail,_October_29,_2010&diff=17297146&oldid=prev
Nick Ratcliffe: create Toronto Globe and Mail review of National Ransom
2015-02-22T21:47:17Z
<p>create Toronto Globe and Mail review of <a href="/wiki/index.php?title=National_Ransom" title="National Ransom">National Ransom</a></p>
<p><b>New page</b></p><div>{{Bibliography header}}<br />
{{:Bibliography index}}<br />
{{:Toronto Globe and Mail index}}<br />
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<center>MUSIC </center><br />
<center><h3>Disc of the week: Elvis Costello's short stories about big ideas </h3></center><br />
----<br />
<center>Brad Wheeler</center><br />
----<br />
{{Bibliography text}}<br />
{{3stars}}<br><br />
'''National Ransom''' ''Elvis Costello ( Concord/ Universal)''<br />
<br />
Elvis Costello, with the help of producer [[T Bone Burnett]], guitarists [[Marc Ribot]], [[Jerry Douglas]], [[Buddy Miller]] and members of [[the Imposters]] and [[Sugarcanes]], has made another fine record - his best in years, according to Costello himself, who is smart and often right.<br />
<br />
Costello's last effort was 2009's ''[[Secret, Profane & Sugarcane]]'', a bluegrassed and darkly-themed song cycle also produced by Burnett. ''[[Momofuku|Momfuku]]'' (2008) came two years after ''[[The River In Reverse|The River in Reverse]]'', a post-Katrina collaboration with [[Allen Toussaint]] that came with this title-track stinger: "So count your blessings when they ask permission, to govern with money and superstition/ They tell you it's all for your own protection, 'til you fear your own reflection."<br />
<br />
The more things stay the same, the more things stay the same. "Woe betide all this hocus-pocus; they're running us ragged at their first attempt," Costello scorches on ''[[National Ransom]]'', the disc-opening rocker. "Around the time the killing stopped on Wall Street, you couldn't hold me baby with anything but contempt."<br />
<br />
Costello, unlike fear-mongers and piggy bankers, doesn't hold us ransom. But he does hold our attention. And if his albums of jazz and classical music this decade aren't to everyone's taste, all Costello's adventures should be approved on some level, as they represent the pursuits of an interested man.<br />
<br />
Which bring us to ''National Ransom'', a mind-grabbing 60-minute experience. What we have here is a cleverly musical book of short stories, carried by big-brained lyrics, unusually detailed scenes, mix-and-match combos, deft arrangements, era-specific settings and styles, and characters who lament and lose.<br />
<br />
[[Jimmie Standing In The Rain|Jimmie Standing in the Rain]], something right out a 1930s English music hall, refers to a career-challenged cowboy singer. If the sky unloads on our stand-in Jimmie Rodgers - an imitator who sings "counterfeited prairie lullabies" - the water damage of the piano-jazzed [[Stations Of The Cross|Stations of the Cross]] is outright catastrophic, with Costello's peculiar vocal emoting having to with water that "came up to the eaves."<br />
<br />
On the jaunty [[A Slow Drag With Josephine|A Slow Drag with Josephine]], Costello finger-picks with a 1937 Gibson L-OO, an instrument, according to Costello, which has its "very own confidential voice." The same guitar is employed on [[Bullets For The New-Born King|Bullets for the Newborn King]], an unusually gentle tune about cold-blooded espionage and a regretful female double-agent.<br />
<br />
Some of the record was recorded at Nashville's Sound Emporium, where legendary Do Right Woman songwriter [[Dan Penn]] reportedly popped in for visit. He may have heard the country soul of Costello's [[That's Not The Part Of Him You're Leaving|That's Not the Part of Him You're Leaving]]. If so, you'd have to think he'd have approved.<br />
{{cx}}<br />
<br />
{{Bibliography notes header}}<br />
<br />
{{Bibliography notes}}<br />
'''The Globe and Mail, November 2, 2010<br />
----<br />
[[Brad Wheeler]] reviews ''[[National Ransom]]''.<br />
<br />
{{Bibliography images}}<br />
<br />
[[Image:2010-10-29 Toronto Globe & Mail photo 01.jpg|x120px|border]]<br><br />
<small>.A pensive Elvis Costello<br>Photo credit to (Universal Canada)</small><br />
<br />
{{Bibliography notes footer}}<br />
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{{Bibliography footer}}<br />
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==External links==<br />
*[http://www.theglobeandmail.com/arts/music/disc-of-the-week-elvis-costellos-short-stories-about-big-ideas/article1370793/ TheGlobeAndMail.com]<br />
*[http://en.wikipedia.org/wiki/The_Globe_and_Mail Wikipedia: The Globe and Mail]<br />
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{{DEFAULTSORT:Toronto Globe and Mail 2010-10-29}}<br />
[[Category:Bibliography]]<br />
[[Category:Bibliography 2010]]<br />
[[Category:Toronto Globe and Mail| Toronto Globe and Mail 2010-10-29]]<br />
[[Category:Newspaper articles]]<br />
[[Category:Album reviews]]<br />
[[Category:National Ransom reviews]]</div>
Nick Ratcliffe