USA Today, June 5, 2006: Difference between revisions
No edit summary |
mNo edit summary |
||
| Line 4: | Line 4: | ||
Elvis Costello and Allen Toussaint, The River in Reverse (* * *) | Elvis Costello and Allen Toussaint, The River in Reverse (* * *) | ||
Elvis Costello, a serial collaborator who has flitted from jazz to string quartets to Burt Bacharach, has now sidled up to Allen Toussaint. And while the match benefits the underappreciated New Orleans songwriter/producer in terms of exposure, it’s the pop hipster who profits creatively from the odd coupling. The Katrina-themed set, recorded at Piety Street Studios in New Orleans last December with The Imposters and the Crescent City Horns, unveils new songs and retrofits such lesser-known vintage Toussaint tunes as Tears, Tears and More Tears. Toussaint is the album’s heart and soul, a saving grace, since Costello has little natural old-school R&B spunk. Costello’s title track feels stiff, and despite the deliciously spiteful lyrics, his Broken Promise Land is a jumbled composition (salvaged by Toussaint’s horn charts). Their labor of love has warmth and emotional weight, but it’s Toussaint’s creamy vocals, funkified piano and R&B sensibilities, particularly in Gonna Help Brother Get Further, that makes this River run deep. — Edna Gundersen | Elvis Costello, a serial collaborator who has flitted from jazz to string quartets to ''Burt Bacharach'', has now sidled up to Allen Toussaint. And while the match benefits the underappreciated New Orleans songwriter/producer in terms of exposure, it’s the pop hipster who profits creatively from the odd coupling. The Katrina-themed set, recorded at Piety Street Studios in New Orleans last December with ''The Imposters'' and the Crescent City Horns, unveils new songs and retrofits such lesser-known vintage Toussaint tunes as ''Tears, Tears and More Tears''. Toussaint is the album’s heart and soul, a saving grace, since Costello has little natural old-school R&B spunk. Costello’s title track feels stiff, and despite the deliciously spiteful lyrics, his ''Broken Promise Land'' is a jumbled composition (salvaged by Toussaint’s horn charts). Their labor of love has warmth and emotional weight, but it’s Toussaint’s creamy vocals, funkified piano and R&B sensibilities, particularly in ''Gonna Help Brother Get Further'', that makes this River run deep. — ''Edna Gundersen'' | ||
Revision as of 06:52, 27 June 2009
USA TODAY June 05, 2006
Elvis Costello and Allen Toussaint, The River in Reverse (* * *)
Elvis Costello, a serial collaborator who has flitted from jazz to string quartets to Burt Bacharach, has now sidled up to Allen Toussaint. And while the match benefits the underappreciated New Orleans songwriter/producer in terms of exposure, it’s the pop hipster who profits creatively from the odd coupling. The Katrina-themed set, recorded at Piety Street Studios in New Orleans last December with The Imposters and the Crescent City Horns, unveils new songs and retrofits such lesser-known vintage Toussaint tunes as Tears, Tears and More Tears. Toussaint is the album’s heart and soul, a saving grace, since Costello has little natural old-school R&B spunk. Costello’s title track feels stiff, and despite the deliciously spiteful lyrics, his Broken Promise Land is a jumbled composition (salvaged by Toussaint’s horn charts). Their labor of love has warmth and emotional weight, but it’s Toussaint’s creamy vocals, funkified piano and R&B sensibilities, particularly in Gonna Help Brother Get Further, that makes this River run deep. — Edna Gundersen
