Uncut, June 2001

Bibliography   72 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 UK & Ireland weeklies UK & Ireland magazines UK & Ireland newspapers US newspapers US rock magazines US music magazines US magazines US alternative weeklies European magazines European newspapers Canada  •  Mexico  •  Asia Australia  •  New Zealand South America  •  Africa Blogs  •  Fanzines  •  Books Online publications Uncut   1997 June 1998 July 1998 November 1999 January 1999 June 1999 November 2001 January 2001 February 2001 June 2001 November 2002 April 2002 May 2002 July 2002 August 2002 November 2003 January 2003 May 2003 October 2003 November 2004 June 2004 September 2004 November 2004 December 2005 March 2005 May 2005 June 2005 July 2005 September 2006 July 2007 February 2007 September 2007 November 2008 May 2008 October 2008 November 2009 May 2009 July 2009 December 2010 November 2011 April  2011 June 2011 November 2012 January 2013 July 2013 October 2013 December 2014 December 2015 October  2015 December 2016 January 2016 February  2016 March 2016 May 2018 November 2019 January 2020 May 2020 December 2022 February 2022 May 31  2022 August 2023 January 2023 February  2023 March 23 2023 June Ultimate Music Guide 2022 April Magazines  Concerto Details Entertainment Weekly Esquire Forbes Il giornale della musica GQ Interview magazine Life Music Maker The Nation New Yorker Newsweek Nöjesguiden Opera News People Spy Time Total Guitar Uncut Vanity Fair Village Voice Vox The Word — For The Stars Anne Sofie von Otter meets Elvis Costello Chris Roberts Another unlikely collaboration for the prolific Costello Elvis seems to have become addicted to working with his heroes, from McCartney to Bacharach to the Brodskys. The ploy of friendly rivalry's beginning to grate a little. While teaming up with Burt resulted in some skilful, haunted new songs (one of which is rehashed here) with a strong central feel, this tentative, respectful pairing, with the acclaimed opera singer "whose voice affected me like no other," achieves only a rag-bag of covers and Costello songs, mostly sung by her. Elvis croons on just half a dozeen, so unless you're into Von Otter's vocals — they're a sweet, showy, acquired taste — this is an incurable romantic's curate's egg. Abba, Beatles ("For No One"), Waits ("Broken Bicycles"), and Cait (Elvis' wife) are among the composers honoured, but over-precious adornments such as accordions from Abba's Benny Andersson only detract from the songs' grace. Von Otter doesn't sound comfortable with such dark lyrics as "Poets lose the power of speech" on Costello's (brand new) title track, or on Brian Wilson's lighter, trippier moments (such as "Don't Talk" from Pet Sounds). Polished, and always interesting, but a sterile, academic exercise rather than a moving, breathing, organic beast. << >> Uncut, No. 49, June 2001 Chris Roberts reviews For The Stars. Images Clipping. Photo by Vince Reichardt. Cover.

External links

• Uncut.co.uk
• Wikipedia: Uncut