University of Chattanooga Echo, March 23, 1979: Difference between revisions
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<center><h3> Elvis Costello emerges from <br> no man's land with subtlety </h3></center> | <center><h3> Elvis Costello emerges from <br> no man's land with subtlety, impact </h3></center> | ||
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<center> David Gomien </center> | <center> David Gomien </center> | ||
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"We've just gotten out of no man's land and it's really good to be here in Nashville, Tennessee," welcomed Elvis Costello after his first few numbers at his March 12 Nashville concert appearance. "No man's land" is Costello's phrase for the mental anguish and exhaustion felt between two periods in a person's life; in this context he was talking about the time spent in between concert dates, spinning down miles of road in his chartered touring bus. | "We've just gotten out of no man's land and it's really good to be here in Nashville, Tennessee," welcomed Elvis Costello after his first few numbers at his March 12 Nashville concert appearance. "No man's land" is Costello's phrase for the mental anguish and exhaustion felt between two periods in a person's life; in this context he was talking about the time spent in between concert dates, spinning down miles of road in his chartered touring bus. | ||
Elvis Costello came out of no man's | Elvis Costello came out of no man's land with a bang March 12 as he and his band, the Attractions, hammered out 13 songs in rapid succession before coming out for encores. Elvis relied heavily on material from ''Armed Forces'', his newest and most popular album. Starting off the show with a heavy rock version of "Accidents Will Happen" he covered much of the contents from that disc before the evening was over. | ||
For someone who has only seen Elvis on his few television appearances, seeing him in concert was full of surprises. Gone were his broken-leg, lock-kneed "rage dances" and performing stance. Gone were the fits of rage so apparent on his ''Saturday Night Live'' appearance. In his three years of performing, Elvis has learned a new trick that gives his music all the more impact — subtlety. | For someone who has only seen Elvis on his few television appearances, seeing him in concert was full of surprises. Gone were his broken-leg, lock-kneed "rage dances" and performing stance. Gone were the fits of rage so apparent on his ''Saturday Night Live'' appearance. In his three years of performing, Elvis has learned a new trick that gives his music all the more impact — subtlety. | ||
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Although subtlety is not embraced by most new wave bands, Elvis and the Attractions harness all their energy into music with an impact that's immediately felt and rarely forgotten. His most famous song, "Watching the Detectives," drives home each time it is heard and was the catalyst that finally brought much of the audience to its feet. | Although subtlety is not embraced by most new wave bands, Elvis and the Attractions harness all their energy into music with an impact that's immediately felt and rarely forgotten. His most famous song, "Watching the Detectives," drives home each time it is heard and was the catalyst that finally brought much of the audience to its feet. | ||
Unlike most of today's | Unlike most of today's songwriters, Elvis writes lyrics that are poetic, not prosaic. To Costello one carefully turned phrase is much more effective than an entire chorus of preaching. A verse of "Green Shirt" comes to mind: | ||
{{n}}''So you tease, <br> | {{n}}''So you tease, <br> | ||
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{{n}}''And you shine all the buttons on your green shirt. <br> | {{n}}''And you shine all the buttons on your green shirt. <br> | ||
{{n}}''You can please yourself <br> | {{n}}''You can please yourself <br> | ||
{{n}}''But somebody's | {{n}}''But somebody's gonna get it. | ||
"Green Shirt," like all of the cuts on ''Armed Forces'', sets up the metaphor with the military to explain and probe forces that enter lives and twist them. "Green Shirt" is not only talking about military clothing, it's talking about self-centeredness. | "Green Shirt," like all of the cuts on ''Armed Forces'', sets up the metaphor with the military to explain and probe forces that enter lives and twist them. "Green Shirt" is not only talking about military clothing, it's talking about self-centeredness. | ||
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Elvis and the Attractions were nearly as tight in concert as they are in the studio. His vocals were expressive to the point that they carried the songs beyond their original impact. The Attractions provided strong music with Bruce Thomas on the bass, Pete Thomas on the drums, and keyboardist, Steve Naive pumping up the whirling and bouncing organ work that makes him one of the most stylized organists around. | Elvis and the Attractions were nearly as tight in concert as they are in the studio. His vocals were expressive to the point that they carried the songs beyond their original impact. The Attractions provided strong music with Bruce Thomas on the bass, Pete Thomas on the drums, and keyboardist, Steve Naive pumping up the whirling and bouncing organ work that makes him one of the most stylized organists around. | ||
After the rousing "Watching the Detectives," Elvis and the band demanded the audience to its feet with "Radio Radio."' Then they left. | After the rousing "Watching the Detectives," Elvis and the band demanded the audience to its feet with "Radio, Radio."' Then they left. | ||
They came back for their first encore, played for fifteen minutes to a dancing audience and left the stage again. Then Elvis did something he is famous for not doing — he came back for a second encore to appease the screaming crowd, singing "Mystery Dance," an incredible cut from his first album. | They came back for their first encore, played for fifteen minutes to a dancing audience and left the stage again. Then Elvis did something he is famous for not doing — he came back for a second encore to appease the screaming crowd, singing "Mystery Dance," an incredible cut from his first album. | ||
There was an immediacy to Elvis Costello and the Attractions in concert. They ran onto the stage played their music and left. After the show, Elvis was caught on the street walking to his bus. He was friendly but fast. One could almost feel the anxiety building inside him as he readies once again to enter no man's land. | There was an immediacy to Elvis Costello and the Attractions in concert. They ran onto the stage, played their music and left. After the show, Elvis was caught on the street walking to his bus. He was friendly but fast. One could almost feel the anxiety building inside him as he readies once again to enter no man's land. | ||
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{{tags}}[[Concert 1979-03-12 Nashville|War Memorial Auditorium]] {{-}} [[Nashville]] {{-}} [[TN|Tennessee]] {{-}} [[Armed Forces]] {{-}} [[The Attractions]] {{-}} [[Accidents Will Happen]] {{-}} [[Watching The Detectives]] {{-}} [[Green Shirt]] {{-}} [[Bruce Thomas]] {{-}} [[Pete Thomas]] {{-}} [[Steve Nieve|Steve Naive]] {{-}} [[Radio, Radio]] {{-}} [[Mystery Dance]] {{-}} [[My Aim Is True]] {{-}} [[TV 1977-12-17 Saturday Night Live|Saturday Night Live]] | |||
{{cx}} | {{cx}} | ||
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{{Bibliography notes}} | {{Bibliography notes}} | ||
{{Bibliography next | |||
|prev = University of Chattanooga Echo, January 19, 1979 | |||
|next = University of Chattanooga Echo, October 17, 1980 | |||
}} | |||
'''The Echo, March 23, 1979 | '''The Echo, March 23, 1979 | ||
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[[David Gomien]] reviews Elvis Costello & [[The Attractions]], Monday, [[Concert 1979-03-12 Nashville|March 12, 1979]], War Memorial Auditorium, Nashville, | [[David Gomien]] reviews Elvis Costello & [[The Attractions]], Monday, [[Concert 1979-03-12 Nashville|March 12, 1979]], War Memorial Auditorium, Nashville, Tennessee. | ||
{{Bibliography images}} | {{Bibliography images}} |
Latest revision as of 17:18, 21 March 2024
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Photo by Jeff Blevins.
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