Vancouver Sun, February 18, 1989: Difference between revisions

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''' Elvis Costello ''' / Spike <br>
''' Elvis Costello ''' / Spike <br>
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{{Bibliography text}}
{{Bibliography text}}
Amazing, how Elvis Costello can pack more melodies, musical styles and lyrical twists into a single song than some artists do in their entire careers.
Amazing, how Elvis Costello can pack more melodies, musical styles and lyrical twists into a single song than some artists do in their entire careers.
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''Spike'' is another installment in his career-long obsession with change, inserting weird brass arrangements (courtesy of the Dirty Dozen Brass Band) and traditional folk (played by members of the Chieftains) into his standard mix of brilliant pop, heart-wrenching ballads and lyrical savagery.
''Spike'' is another installment in his career-long obsession with change, inserting weird brass arrangements (courtesy of the Dirty Dozen Brass Band) and traditional folk (played by members of the Chieftains) into his standard mix of brilliant pop, heart-wrenching ballads and lyrical savagery.


Co-produced by Costello, T-Bone Burnett and Kevin Killen, ''Spike'' blends the hard edge and intensity of his last album, ''Blood and Chocolate'', with the melodic prettiness and folk feel of the one before that, ''King of America''.
Co-produced by Costello, T{{nb}}Bone Burnett and Kevin Killen, ''Spike'' blends the hard edge and intensity of his last album, ''Blood & Chocolate'', with the melodic prettiness and folk feel of the one before that, ''King of America''.


"Veronica" (co-written by Paul McCartney) is a pop gem: it sounds like a love song, but on closer inspection the lyric proves to be about an old lady who sits watching the days go by, lost inside her mind and daydreaming of her youth.
"Veronica" (co-written by Paul McCartney) is a pop gem: it sounds like a love song, but on closer inspection the lyric proves to be about an old lady who sits watching the days go by, lost inside her mind and daydreaming of her youth.
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And these are just a sampling of the album's charms: songs like "Any King's Shilling," "This Town" and "God's Comic" all measure up to his best work. Stunning.
And these are just a sampling of the album's charms: songs like "Any King's Shilling," "This Town" and "God's Comic" all measure up to his best work. Stunning.


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{{tags}}[[Spike]] {{-}} [[Dirty Dozen Brass Band]] {{-}} [[The Chieftains]] {{-}} [[T{{nb}}Bone Burnett]] {{-}} [[Kevin Killen]] {{-}} [[Blood & Chocolate]] {{-}} [[King Of America]] {{-}} [[Veronica]] {{-}} [[Paul McCartney]] {{-}} [[Let Him Dangle]] {{-}} [[Tramp The Dirt Down]] {{-}} [[Margaret Thatcher]] {{-}} [[Baby Plays Around]] {{-}} [[Any King's Shilling]] {{-}} [[...This Town...|This Town]] {{-}} [[God's Comic]]
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{{Bibliography notes}}
{{Bibliography notes}}
{{Bibliography next
|prev = Vancouver Sun, November 14, 1986
|next = Vancouver Sun, October 17, 1998
}}
'''The Vancouver Sun, February 18, 1989
'''The Vancouver Sun, February 18, 1989
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Latest revision as of 09:39, 30 December 2021

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Vancouver Sun

Canada publications

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University publications

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Costello's career takes stunning new twist


John Mackie

Elvis Costello / Spike
5 stars (out of 5) reviews5 stars (out of 5) reviews5 stars (out of 5) reviews5 stars (out of 5) reviews5 stars (out of 5) reviews

Amazing, how Elvis Costello can pack more melodies, musical styles and lyrical twists into a single song than some artists do in their entire careers.

Spike is another installment in his career-long obsession with change, inserting weird brass arrangements (courtesy of the Dirty Dozen Brass Band) and traditional folk (played by members of the Chieftains) into his standard mix of brilliant pop, heart-wrenching ballads and lyrical savagery.

Co-produced by Costello, T Bone Burnett and Kevin Killen, Spike blends the hard edge and intensity of his last album, Blood & Chocolate, with the melodic prettiness and folk feel of the one before that, King of America.

"Veronica" (co-written by Paul McCartney) is a pop gem: it sounds like a love song, but on closer inspection the lyric proves to be about an old lady who sits watching the days go by, lost inside her mind and daydreaming of her youth.

"Let Him Dangle" (a chilling song that takes a strong stand against capital punishment) and "Tramp The Dirt Down" (the most vicious song he's ever written, and one of the most political — it's about Margaret Thatcher, and ends with Elvis hoping he outlives her, so he can tramp the dirt down on her grave) are a little more direct, as is the stark ballad of betrayal, "Baby Plays Around."

And these are just a sampling of the album's charms: songs like "Any King's Shilling," "This Town" and "God's Comic" all measure up to his best work. Stunning.


Tags: SpikeDirty Dozen Brass BandThe ChieftainsT Bone BurnettKevin KillenBlood & ChocolateKing Of AmericaVeronicaPaul McCartneyLet Him DangleTramp The Dirt DownMargaret ThatcherBaby Plays AroundAny King's ShillingThis TownGod's Comic

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The Vancouver Sun, February 18, 1989


John Mackie reviews Spike.

Images

1989-02-18 Vancouver Sun page D2 clipping 01.jpg
Clipping.

Page scan.
1989-02-18 Vancouver Sun page D2.jpg

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