Vancouver Sun, June 27, 2006: Difference between revisions

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<center><h3> Pairing offers surging, soaring intensity </h3></center>
<center><h3>Pairing offers surging, soaring intensity</h3></center>
<center>''' Costello and Toussaint stretch their songbook </center>
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<center>Costello and Toussaint stretch their songbook</center>
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<center>Greg Buium<center><br>
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Elvis Costello and the Imposters featuring the piano and songs of Allen Toussaint<br>
<center> Greg Buium </center>
The TD Canada Trust [[Vancouver International Jazz Festival]]<br>
 
Orpheum Theatre, June 26
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'''Elvis Costello and the Imposters featuring the piano and songs of Allen Toussaint, The TD Canada Trust Vancouver International Jazz Festival, Orpheum Theatre
{{Bibliography text}}
{{Bibliography text}}
If you bundled together all of the recent benefits for the city of New Orleans very few could rival the sobering, shimmering, ecstatic [[The River In Reverse|River in Reverse]], the wonder-stroke union of Elvis Costello and [[Allen Toussaint]], which arrived in Canada for the first time Monday night at the Orpheum.
If you bundled together all of the recent benefits for the city of New Orleans very few could rival the sobering, shimmering, ecstatic ''[[The River In Reverse|River in Reverse]]'', the wonder-stroke union of Elvis Costello and Allen Toussaint, which arrived in Canada for the first time Monday night at the Orpheum.


The pairing of Costello and Toussaint, the fabled New Orleans singer, songwriter and pianist, for the first time since 1989, wasn't ever meant to be a minor operation. They matched Costello's band, the Imposters, with Toussaint's [[The Crescent City Horns|Crescent City Horns]], plus his guitarist [[Anthony Brown]].
The pairing of Costello and Toussaint, the fabled New Orleans singer, songwriter and pianist, for the first time since 1989, wasn't ever meant to be a minor operation. They matched Costello's band, the Imposters, with Toussaint's Crescent City Horns, plus his guitarist [[Anthony Brown]].


Together, 10 men mounted the stage in a night of surging, soaring intensity. The River in Reverse, their recent CD, was only the starting point: the scope and substance of the night stretched back to old-time New Orleans and up into huge swaths of Costello's own, multifaceted songbook.
Together, 10 men mounted the stage in a night of surging, soaring intensity. ''The River in Reverse'', their recent CD, was only the starting point: the scope and substance of the night stretched back to old-time New Orleans and up into huge swaths of Costello's own, multifaceted songbook.


Indeed, the sometime British Columbian walked out with his three-piece -- organist [[Steve Nieve]], bassist [[Davey Faragher]], drummer [[Pete Thomas|Peter Thomas]] -- and tore into [[(What's So Funny 'Bout) Peace, Love And Understanding?|(What's So Funny 'Bout) Peace, Love and Understanding]]: a fabulous, muddy mix that turned far more precise as the horns arrived and the night progressed.
Indeed, the sometime British Columbian walked out with his three-piece organist [[Steve Nieve]], bassist [[Davey Faragher]], drummer [[Pete Thomas|Peter Thomas]] and tore into "[[(What's So Funny 'Bout) Peace, Love And Understanding?|(What's So Funny 'Bout) Peace, Love and Understanding]]": a fabulous, muddy mix that turned far more precise as the horns arrived and the night progressed.


"Congratulations, dad!" someone yelled out. "A new baby!" shouted another, noting the news that his wife, [[Diana Krall]], is expecting a child in December.
"Congratulations, dad!" someone yelled out. "A new baby!" shouted another, noting the news that his wife, Diana Krall, is expecting a child in December.


Costello hesitated, then looked at his watch.
Costello hesitated, then looked at his watch.
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"Does this make me Canadian, then?" he said to wild applause.
"Does this make me Canadian, then?" he said to wild applause.


Costello was certainly centre stage all night, retelling the story of the project, and the first time he and Toussaint played together again, just after Hurricane Katrina, at a Lincoln Center benefit, before going into a duet on [[Freedom For The Stallion|Freedom for the Stallion]].
Costello was certainly centre stage all night, retelling the story of the project, and the first time he and Toussaint played together again, just after Hurricane Katrina, at a Lincoln Center benefit, before going into a duet on "[[Freedom For The Stallion|Freedom for the Stallion]]."


There was so much to watch, and listen to. Costello's own inspired, chainsaw rhythm guitar playing, trombonist [[Sam Williams]]'s towering solo turns, and his moonwalk.
There was so much to watch, and listen to. Costello's own inspired, chainsaw rhythm guitar playing, trombonist [[Sam Williams]]'s towering solo turns, and his moonwalk.
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"How come you sing all the vocals on this record, you big-headed swine," Costello recalled someone asking him, before explaining that Toussaint was just too "self-effacing."
"How come you sing all the vocals on this record, you big-headed swine," Costello recalled someone asking him, before explaining that Toussaint was just too "self-effacing."


This late review went to press before the end of Monday's concert.
{{cx}}
{{cx}}
''This late review went to press before the end of Monday's concert.
{{Bibliography notes header}}
{{Bibliography notes header}}


{{Bibliography notes}}
{{Bibliography notes}}
'''Vancouver Sun, 27 June, 2006'''
'''Vancouver Sun, 27 June, 2006
 
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[[Greg Buium]] reviews ''[[Concert 2006-06-26 Vancouver|Elvis Costello and Allen Toussaint at the Vancouver International Jazz Festival]]''.
[[Greg Buium]] reviews Elvis Costello & [[The Imposters]] with [[Allen Toussaint]] and [[The Crescent City Horns]], Monday,
 
[[Concert 2006-06-26 Vancouver|June 26, 2006]], Orpheum Theatre, Vancouver, Canada.


{{Bibliography no images}}
{{Bibliography no images}}
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*[http://en.wikipedia.org/wiki/The_Vancouver_Sun Wikipedia: The Vancouver Sun]
*[http://en.wikipedia.org/wiki/The_Vancouver_Sun Wikipedia: The Vancouver Sun]


[[Category:Bibliography|Vancouver Sun 2006-06-27]]
{{DEFAULTSORT:Vancouver Sun 2006-06-27}}
[[Category:Bibliography 2006|Vancouver Sun 2006-06-27]]
[[Category:Bibliography]]
[[Category:The Vancouver Sun| Vancouver Sun 2006-06-27]]
[[Category:Bibliography 2006]]
[[Category:Newspaper articles|Vancouver Sun 2006-06-27]]
[[Category:Vancouver Sun| Vancouver Sun 2006-06-27]]
[[Category:2006 concert reviews|Vancouver Sun 2006-06-27]]
[[Category:Newspaper articles]]
[[Category:2006 concert reviews]]
[[Category:2006 US Tour|~Vancouver Sun 2006-06-27]]

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Vancouver Sun

Canada publications

Newspapers

University publications

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Pairing offers surging, soaring intensity

Costello and Toussaint stretch their songbook

Greg Buium

Elvis Costello and the Imposters featuring the piano and songs of Allen Toussaint, The TD Canada Trust Vancouver International Jazz Festival, Orpheum Theatre

If you bundled together all of the recent benefits for the city of New Orleans very few could rival the sobering, shimmering, ecstatic River in Reverse, the wonder-stroke union of Elvis Costello and Allen Toussaint, which arrived in Canada for the first time Monday night at the Orpheum.

The pairing of Costello and Toussaint, the fabled New Orleans singer, songwriter and pianist, for the first time since 1989, wasn't ever meant to be a minor operation. They matched Costello's band, the Imposters, with Toussaint's Crescent City Horns, plus his guitarist Anthony Brown.

Together, 10 men mounted the stage in a night of surging, soaring intensity. The River in Reverse, their recent CD, was only the starting point: the scope and substance of the night stretched back to old-time New Orleans and up into huge swaths of Costello's own, multifaceted songbook.

Indeed, the sometime British Columbian walked out with his three-piece — organist Steve Nieve, bassist Davey Faragher, drummer Peter Thomas — and tore into "(What's So Funny 'Bout) Peace, Love and Understanding": a fabulous, muddy mix that turned far more precise as the horns arrived and the night progressed.

"Congratulations, dad!" someone yelled out. "A new baby!" shouted another, noting the news that his wife, Diana Krall, is expecting a child in December.

Costello hesitated, then looked at his watch.

"Does this make me Canadian, then?" he said to wild applause.

Costello was certainly centre stage all night, retelling the story of the project, and the first time he and Toussaint played together again, just after Hurricane Katrina, at a Lincoln Center benefit, before going into a duet on "Freedom for the Stallion."

There was so much to watch, and listen to. Costello's own inspired, chainsaw rhythm guitar playing, trombonist Sam Williams's towering solo turns, and his moonwalk.

And there was of course Toussaint himself.

"How come you sing all the vocals on this record, you big-headed swine," Costello recalled someone asking him, before explaining that Toussaint was just too "self-effacing."

This late review went to press before the end of Monday's concert.

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Vancouver Sun, 27 June, 2006


Greg Buium reviews Elvis Costello & The Imposters with Allen Toussaint and The Crescent City Horns, Monday, June 26, 2006, Orpheum Theatre, Vancouver, Canada.


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