Vue Weekly, March 3, 2005: Difference between revisions
(create page for Vue Weekly review of All This Useless Beauty) |
(formatting / standardize quote marks & apostrophes / +Canada publications index / default sorting) |
||
(One intermediate revision by one other user not shown) | |||
Line 1: | Line 1: | ||
{{Bibliography header}} | {{Bibliography header}} | ||
{{Bibliography index}} | {{:Bibliography index}} | ||
{{:Vue Weekly index}} | {{:Vue Weekly index}} | ||
{{ | {{:Canada publications index}} | ||
{{Bibliography article header}} | {{Bibliography article header}} | ||
<center><h3> | <center><h3> All This Useless Beauty </h3></center> | ||
<center>''' Elvis Costello & The Attractions </center> | |||
---- | |||
<center> Vue Weekly </center> | |||
---- | ---- | ||
{{Bibliography text}} | {{Bibliography text}} | ||
Even though Paul | Even though Paul Bellows' new album ''Tape Deck Classics'' is filled with the same vigour that earned his 1998 debut, ''Juliet Pauses'', a top-12 DIY album from ''Performing Songwriter'' magazine, Bellows admits that his conservative upbringing has him behind the times; when asked what album he would pick as the one that most influenced his musical career, he chose Elvis Costello's ''All This Useless Beauty''. No surprise, really — a lot of singer/songwriters see Costello as an icon. But what might surprise Bellows' fans is that he first got into Costello after he was basically shamed into listening to his work. | ||
"I grew up in a pretty religious family, and pretty much stuck to the party line all through high school and beyond," says Bellows. "I listened to a lot of Bruce Cockburn and other great songwriters, but I didn't really have friends or go to parties, so I didn't have anyone to teach me about rock 'n' roll. I don't think I even tasted beer until after I was 20 — and by then I was married. | |||
"But halfway through my divorce, someone gave me ''All This Useless Beauty''," he continues. "I'd been playing some of my music at open stages in Winnipeg, where I was living at the time, and one of the other musicians asked if I counted Elvis Costello as an influence. I said I'd never listened to him, and no one believed me. So they made me sit down and start listening. It was like a doorway into a world of songwriting that I didn't know existed; I felt like I'd found a new family." | |||
at open stages in Winnipeg, where I was living at the time, and one of the other musicians asked if I counted Elvis Costello as an influence. I said | |||
Released in 1996, All This Useless Beauty is a collection of songs that Costello had sitting around for years. Some of them were composed for other artists and ended up not being used; others were collaborations that never saw the light of day. Because of this, it offered the first-time Costello listener the chance to hear him through the various stages of his career. | Released in 1996, ''All This Useless Beauty'' is a collection of songs that Costello had sitting around for years. Some of them were composed for other artists and ended up not being used; others were collaborations that never saw the light of day. Because of this, it offered the first-time Costello listener the chance to hear him through the various stages of his career. | ||
Notable on the album are | |||
Notable on the album are "The Other End (Of The Telescope)" (co-written with former Til Tuesday chanteuse Aimee Mann) and "Shallow Grave," which Costello co-wrote with Paul McCartney. While this collection doesn't really address the New Wave portion of Costello's career (there's nothing like "Pump It Up" | |||
here), it does offer a worthy look into a man who has transformed into a living legend. | here), it does offer a worthy look into a man who has transformed into a living legend. | ||
Originally released by Warner, the album was actually one of | Originally released by Warner, the album was actually one of Costello's poorest sellers, and it went out of print without a lot of fanfare. But Rhino Records has since re-released the album with a bonus disc that includes demo versions of tunes and "My Dark Life," a collaboration with Brian Eno. | ||
Although Costello currently occupies the throne as the most influential musician in | Although Costello currently occupies the throne as the most influential musician in Bellows' career, Bellows admits there's a chance that Costello might get unseated as he frantically tries to play catch-up with all the important musical artists of the last several decades. | ||
"From that album, I've started working my way backwards in time, and then once I hit the early '70s I started moving forwards again," he says. "I'm hoping that by the time I'm 40 I understand what is happening in music today. Right now I'm still in the mid- to late-'80s. Just give me some time; I'll get there." | |||
again, | |||
the mid- to late | |||
To find out about | To find out about Bellows' latest album, or to check out when he will be playing in town next, surf over to www.paulbellows.com. | ||
{{cx}} | {{cx}} | ||
{{Bibliography notes header}} | {{Bibliography notes header}} | ||
Line 35: | Line 36: | ||
'''Vue Weekly, March 3, 2005 | '''Vue Weekly, March 3, 2005 | ||
---- | ---- | ||
Vue Weekly | ''Vue Weekly'''s profile of Paul Bellows includes a review of ''[[All This Useless Beauty]]''. | ||
{{Bibliography images}} | {{Bibliography images}} | ||
[[ | [[image:All This Useless Beauty album cover.jpg|180px|border|link=All This Useless Beauty]] | ||
{{Bibliography notes footer}} | {{Bibliography notes footer}} | ||
Line 50: | Line 50: | ||
*[http://en.wikipedia.org/wiki/Vue_Weekly Wikipedia: Vue Weekly] | *[http://en.wikipedia.org/wiki/Vue_Weekly Wikipedia: Vue Weekly] | ||
{{DEFAULTSORT:Vue Weekly 2005-03-03}} | |||
[[Category:Bibliography 2005|Vue Weekly 2005-03-03]] | [[Category:Bibliography]] | ||
[[Category: | [[Category:Bibliography 2005]] | ||
[[Category:Album reviews | [[Category:Vue Weekly| Vue Weekly 2005-03-03]] | ||
[[Category:All This Useless Beauty reviews | [[Category:Magazine articles]] | ||
[[Category:Album reviews]] | |||
[[Category:All This Useless Beauty reviews]] |
Latest revision as of 07:01, 3 October 2020
|