Wall Street Journal index: Difference between revisions
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| <span style="font-size:92%"> '''Wall Street Journal''' [[Wall Street Journal index|{{n}}]] </span> | | <span style="font-size:92%">'''Wall Street Journal''' [[Wall Street Journal index|{{n}}]] </span> | ||
[[Wall Street Journal, March 4, 2013|2013 March 4]] | *[[Wall Street Journal, October 9, 2003|2003 October 9]] | ||
[[Wall Street Journal, September 30, 2013|2013 September 30]] | *[[Wall Street Journal, December 4, 2008|2008 December 4]] | ||
[[Wall Street Journal, November 14, 2014|2014 November 14]] | *[[Wall Street Journal, May 28, 2009|2009 May 28]] | ||
*[[Wall Street Journal, May 29, 2009|2009 May 29]] | |||
*[[Wall Street Journal, October 19, 2010|2010 October 19]] | |||
*[[Wall Street Journal, October 21, 2010|2010 October 21]] | |||
*[[Wall Street Journal, March 4, 2013|2013 March 4]] | |||
*[[Wall Street Journal, September 30, 2013|2013 September 30]] | |||
*[[Wall Street Journal, November 14, 2014|2014 November 14]] | |||
*[[Wall Street Journal, December 30, 2014|2014 December 30]] | |||
*[[Wall Street Journal, October 16, 2015|2015 October 16]] | |||
*[[Wall Street Journal, November 17, 2015|2015 November 17]] | |||
*[[Wall Street Journal, October 28, 2020|2020 October 28]] | |||
*[[Wall Street Journal, March 9, 2023|2023 March 9]] | |||
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[[Category:Wall Street Journal| ]]</noinclude><!-- | [[Category:Wall Street Journal| ]]</noinclude><!-- | ||
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http://www.wsj.com/articles/how-elvis-costello-created-red-shoes-1447782860 | |||
http://www.pressreader.com/belgium/the-wall-street-journal-europe/20151118/281844347533309/TextView | |||
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October 21, 2010 | |||
Elton John, Leon Russell, and Elvis Costello Join Forces | |||
By Jim Fusilli | |||
Oct. 21, 2010 1:00 pm ET | |||
Print | |||
Text | |||
While some 1,200 bands were careening around New York City in hope of career advancement during the annual CMJ Music Marathon, a collection of veteran rock and bluegrass stars, promising newcomers and some of today's best musicians were on stage at the Beacon Theatre on Broadway. On Tuesday evening, Elton John and Leon Russell introduced their new album, "The Union," and last night, T Bone Burnett led John, Russell and a squadron of artists in what he calls The Speaking Clock Revue. | |||
Last night's event was a fundraiser for Participant Foundation, which is dedicated to supporting arts and music education in public schools. But it was also a tribute to record producer Burnett and his house musicians, including drummers Jay Bellerose and Jim Keltner, guitarist Marc Ribot and bassist Dennis Crouch, who learned 60 songs to work both gigs. Many singers who fronted the band performed songs they recorded with Burnett and his mates. | |||
Elvis Costello, who also served as the revue's master of ceremonies, offered "Brilliant Mistake," a song he released in '86, and "A Slow Drag with Josephine" from his forthcoming album "National Ransom." Both were produced by Burnett, as was "Low Down Country Blues," a disk from Gregg Allman to be released early next year. Recovering from liver-transplant surgery, Allman was much thinner than in recent years, but his raspy-blues voice was true. The Beacon Theater is the Allman Brothers Band's home away from home – Allman let slip they'll return next March for another long stint – and the crowd welcomed his new material. But when he played his chestnut "Midnight Rider," they roared in appreciation. | |||
With the Ribot-led band at their backs and Costello waving the performers to center stage, the revue never seemed harried or too much of a good thing. Tanned and in bright spirits, John Mellencamp visited his Burnett-produced "No Better Than This" and Jeff Bridges, borrowing a Gretsch electric guitar from Jackson Smith, performed two songs from the soundtrack from "Crazy Heart," produced by, you guessed it, T Bone Burnett. | |||
Introduced by Costello as "America's greatest country singer," 83-year-old Ralph Stanley delivered bluegrass and gospel with his miraculous quivering voice, ending his brief set with "Man of Constant Sorrow" which was featured on the Burnett-produced soundtrack to the Coen Brothers' film "O Brother, Where Art Thou?" Though Ribot excelled – he opened the revue's second half with a knotty solo rendition of "Don't Blame Me," a song Rudy Vallee popularized in the '30s – perhaps the night's best performance on guitar was turned in by James Shelton, Stanley's long-time sideman who, in a quiet, unassuming way, flatpicks so deftly that it seems as if there's another invisible guitarist nearby. | |||
To Read the Full Story | |||
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