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It was bound to happen. If you're going to give me a pedestal upon which to perch and spout off about rock and roll, sooner or later, I'd find myself listening to Elvis Costello and the Attractions and I'd feel the need to remind you all that Pete Thomas is rock and roll's greatest living drummer.
There, I've said it.
You can hear it on the records, of course. That snare drum snap, that spark plug energy, that urgency, that unfailing ability to keep things interesting and to adapt to anything Elvis and company can hurl his way.
Keep your flashy, show-offs with their 132th notes on the hi-hat. They'll never impress anyone but other musos. Pete's a guy that can kick butt while never forgetting that he's playing a SONG. We're never forced to listen to him practice his paradiddles. Although, he's clearly got "chops," if that matters to you.
You really wanna hear Pete shine? Check out the many live gigs that are floating around there on tape, on CD, on the 'net. His power and his fire are especially apparent on the Attractions' versions of the songs Elvis recorded with Clover on his debut disc, My Aim Is True.
The record has a loose, easy-going bar band gait, but on the live versions from '78 or '79 Pete Thomas is kicking the living crap out of those songs. Add Bruce Thomas' (no relation) spider web bass lines and the material reaches new heights.
Compare the sizzle of This Year's Model with the lope of My Aim Is True and you'll see just what Thomas brought to the table. You'll notice that even when Elvis is recording with Bruce Thomas and Steve Nieve, Pete is usually by his side, behind the kit.
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