Q, October 1999: Difference between revisions

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{{:Bibliography index}}
{{:Bibliography index}}
{{:Q magazine index}}
{{:Q magazine index}}
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{{:UK & Ireland magazines index}}
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<center><h3> Summary's here </h3></center>
<center><h3> Summary's here </h3></center>
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<center> Paul Du Noyer </center>
<center> Paul Du Noyer </center>
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'''The Very Best Of Elvis Costello
'''The Very Best Of Elvis Costello <br> {{5stars}}
 
'''Standout tracks:''' Alison, I Want You, Shipbuilding
{{Bibliography text}}
{{Bibliography text}}
The bad new is that ''The Very Best Of...'' "includes personal favourites selected for this collection by Elvis Costello." The good news is that they're probably the same things you would have picked yourself. Phew! No gruelling lessons in classical music with The Brodsky Quartet, then. Not much country music. No film scores. Not a huge amount off his recent Warner albums, either. A bit of Burt Bacharach, but that's fair enough. Above all, a whole load of family favourites from his first half-a-dozen LPs. It's not the first time Costello has been compiled for posterity and it certainly won't be the last. But, for now, it's the very best summary of his 22-year recording career that anyone could hope to find.
The bad new is that ''The Very Best Of...'' "includes personal favourites selected for this collection by Elvis Costello." The good news is that they're probably the same things you would have picked yourself. Phew! No gruelling lessons in classical music with The Brodsky Quartet, then. Not much country music. No film scores. Not a huge amount off his recent Warner albums, either. A bit of Burt Bacharach, but that's fair enough. Above all, a whole load of family favourites from his first half-a-dozen LPs. It's not the first time Costello has been compiled for posterity and it certainly won't be the last. But, for now, it's the very best summary of his 22-year recording career that anyone could hope to find.


Whatever personal involvement Costello had in the project, it's been chosen with a realistic eye to public taste. The immediate marketing angle is "[[She]]," the warbly old French song that should have been the big hit single off ''[[Notting Hill: Music From The Motion Picture|Notting Hill]],'' just as Wet Wet Wet had the big hit single off ''Four Weddings & A Funeral''. Alas, Costello is not to be this year's Marti Pellow: She reached a modest Number 19, with the top honours taken by Ronan Keating trilling some other load of old tripe. But even a modest Number 19 is good going for Costello these days, who was not a regular chart contender even when he was making the songs we seem to remember as colossal successes. By and large they weren't, apart from "[[Oliver's Army]]," "[[I Can't Stand Up For Falling Down]]" and, curiously, "[[Good Year For The Roses|A Good Year For The Roses]]."
Whatever personal involvement Costello had in the project, it's been chosen with a realistic eye to public taste. The immediate marketing angle is "She," the warbly old French song that should have been the big hit single off ''Notting Hill,'' just as Wet Wet Wet had the big hit single off ''Four Weddings & A Funeral''. Alas, Costello is not to be this year's Marti Pellow: She reached a modest Number 19, with the top honours taken by Ronan Keating trilling some other load of old tripe. But even a modest Number 19 is good going for Costello these days, who was not a regular chart contender even when he was making the songs we seem to remember as colossal successes. By and large they weren't, apart from "Oliver's Army," "I Can't Stand Up For Falling Down" and, curiously, "A Good Year For The Roses."


Many less celebrated pleasures lie in wait here. "[[Riot Act]]," "[[Man Out Of Time]]," "[[Brilliant Mistake]]" and the deceptively avuncular "[[New Amsterdam]]" are each as toothsomely melodic as "[[Alison]]" (itself a popular classic that never molested the Top 20 in its day). "[[I Want You]]," from ''Blood & Chocolate'', is hypnotically creepy, like something a serial killer would whistle before going out to work. The recent Burt Bacharach collaborations, represented by "[[God Give Me Strength]]," suggest the best news of all: that he's got as much left to give as he's already given.
Many less celebrated pleasures lie in wait here. "Riot Act," "Man Out Of Time," "Brilliant Mistake" and the deceptively avuncular "New Amsterdam" are each as toothsomely melodic as "Alison" (itself a popular classic that never molested the Top 20 in its day). "I Want You," from ''Blood & Chocolate'', is hypnotically creepy, like something a serial killer would whistle before going out to work. The recent Burt Bacharach collaborations, represented by "God Give Me Strength," suggest the best news of all: that he's got as much left to give as he's already given.


{{5stars}}
{{cx}}
<!-- '''Standout tracks:''' Alison, I Want You, Shipbuilding <br> '''Influenced by...''' Jimmy Webb, ''Land's End''. 1974 <br> '''Influence on...''' Tom Petty & The Heartbreakers. ''Echo'', 1999 -->


{{tags}}[[The Very Best Of Elvis Costello]] {{-}} [[The Brodsky Quartet]] {{-}} [[Warner Bros.]] {{-}} [[Burt Bacharach]] {{-}} [[She]] {{-}} [[Notting Hill: Music From The Motion Picture]] {{-}} [[Wet Wet Wet]] {{-}} [[Ronan Keating]] {{-}} [[Oliver's Army]] {{-}} [[I Can't Stand Up For Falling Down]] {{-}} [[Good Year For The Roses]] {{-}} [[Riot Act]] {{-}} [[Man Out Of Time]] {{-}} [[Brilliant Mistake]] {{-}} [[New Amsterdam]] {{-}} [[Alison]] {{-}} [[I Want You]] {{-}} [[Blood & Chocolate]] {{-}} [[God Give Me Strength]] {{-}} [[Paul Du Noyer]]
{{cx}}
{{cx}}
'''Influenced by...''' Jimmy Webb, ''Land's End''. 1974 <br>
'''Influence on...''' Tom Petty & The Heartbreakers. ''Echo'', 1999


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{{Bibliography next
|prev = Q, November 1998
|prev = Q, March 18, 1999
|next = Q, June 2000
|next = Q, June 2000
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[[image:1999-10-00 Q photo 01.jpg|360px|border]]
[[image:1999-10-00 Q photo 01.jpg|300px]]
<br><small>Photo credit needed.</small>
<br><small>Photographer unknown.</small>


<small>Cover and contents page clipping.</small><br>
[[image:1999-10-00 Q cover 1.jpg|x120px]]
[[image:1999-10-00 Q cover 1.jpg|x120px]]
[[image:1999-10-00 Q page 03 clipping 01.jpg|x120px]]
[[image:1999-10-00 Q page 03 clipping 01.jpg|x120px]]
<br><small>Cover and contents page clipping.</small>


{{Bibliography notes footer}}
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*[http://covers.q4music.com QTheMusic.com]
*[http://covers.q4music.com QTheMusic.com]
*[http://en.wikipedia.org/wiki/Q_magazine  Wikipedia: Q magazine]
*[http://en.wikipedia.org/wiki/Q_magazine  Wikipedia: Q magazine]
*[http://www.elviscostello.info/articles/o-q/q.991001a.html elviscostello.info]
*[http://www.elviscostello.info/articles/o-q/q.991001a.html elviscostello.info{{t}}][http://www.elviscostello.info/articles/o-q/q.991001a2.html {{t}}]
*[http://www.elviscostello.info/articles/o-q/q.991001a2.html elviscostello.info]


{{DEFAULTSORT:Q 1999-10-00}}
{{DEFAULTSORT:Q 1999-10-00}}

Latest revision as of 19:56, 6 April 2022

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Q magazine
Q Special Edition

UK & Ireland magazines

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Summary's here

Elvis's gold records. Some of them, anyway.

Paul Du Noyer

The Very Best Of Elvis Costello
5 star reviews5 star reviews5 star reviews5 star reviews5 star reviews

The bad new is that The Very Best Of... "includes personal favourites selected for this collection by Elvis Costello." The good news is that they're probably the same things you would have picked yourself. Phew! No gruelling lessons in classical music with The Brodsky Quartet, then. Not much country music. No film scores. Not a huge amount off his recent Warner albums, either. A bit of Burt Bacharach, but that's fair enough. Above all, a whole load of family favourites from his first half-a-dozen LPs. It's not the first time Costello has been compiled for posterity and it certainly won't be the last. But, for now, it's the very best summary of his 22-year recording career that anyone could hope to find.

Whatever personal involvement Costello had in the project, it's been chosen with a realistic eye to public taste. The immediate marketing angle is "She," the warbly old French song that should have been the big hit single off Notting Hill, just as Wet Wet Wet had the big hit single off Four Weddings & A Funeral. Alas, Costello is not to be this year's Marti Pellow: She reached a modest Number 19, with the top honours taken by Ronan Keating trilling some other load of old tripe. But even a modest Number 19 is good going for Costello these days, who was not a regular chart contender even when he was making the songs we seem to remember as colossal successes. By and large they weren't, apart from "Oliver's Army," "I Can't Stand Up For Falling Down" and, curiously, "A Good Year For The Roses."

Many less celebrated pleasures lie in wait here. "Riot Act," "Man Out Of Time," "Brilliant Mistake" and the deceptively avuncular "New Amsterdam" are each as toothsomely melodic as "Alison" (itself a popular classic that never molested the Top 20 in its day). "I Want You," from Blood & Chocolate, is hypnotically creepy, like something a serial killer would whistle before going out to work. The recent Burt Bacharach collaborations, represented by "God Give Me Strength," suggest the best news of all: that he's got as much left to give as he's already given.


Tags: The Very Best Of Elvis CostelloThe Brodsky QuartetWarner Bros.Burt BacharachSheNotting Hill: Music From The Motion PictureWet Wet WetRonan KeatingOliver's ArmyI Can't Stand Up For Falling DownGood Year For The RosesRiot ActMan Out Of TimeBrilliant MistakeNew AmsterdamAlisonI Want YouBlood & ChocolateGod Give Me StrengthPaul Du Noyer

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Q, No. 157, October 1999


Paul Du Noyer reviews The Very Best Of Elvis Costello.

Images

1999-10-00 Q photo 01.jpg
Photographer unknown.

Cover and contents page clipping.
1999-10-00 Q cover 1.jpg 1999-10-00 Q page 03 clipping 01.jpg

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