Record Mirror, February 25, 1978

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Record Mirror

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Stiff's heroes


Barry Cain

Various artists:
Stiffs Live Stiffs (Stiff Get1)
3½ star (of 5) reviews3½ star (of 5) reviews3½ star (of 5) reviews3½ star (of 5) reviews3½ star (of 5) reviews

In the golden age of the movies the high street cinema queues bought their tickets for Astaire's spats, Gable's dimples, Rogers' feathers. Taylor's. Arneche's, Flynn's, Donat's pencil moustaches — the personality as opposed to the plot.

In the platinum age of the movies attractions switched. The intelligentsia and the increasingly aware became hip to fashionable directors. Now people got wet because of Fellini's flirtations. Russell's paranoia. Kubrik's fantasising.

Although not quite on the same scale — more of an abstract influence than an overwhelming belief — punters are beginning to check out record labels. And yes, it has been known for a fan to buy an album bearing a Stiff logo regardless of whatever artist happens to be etching his dreams on vinyl. No doubt their current offering will inveigle itself into a few collections precisely because of that fact — but Costello and Dury have since transcended the Stiff fascination.

Live Stiffs is a £2.99 Reader's Digest version of the recent tour with the aforementioned heroes plus Nick Lowe, Wreckless Eric and Larry Wallis

Now epithets may be etiquette when talking of Stiff but this album ain't as hot as it could have been. Atmosphere is reduced because of clumsy editing — each track fades out with audience cheers, pause, then cheers intro. Annoying.

The first side is nicked by Wallis with a convincing rendition of 'Police Cars'. Lowe aided by Dave Edmunds, never really gets cooking on his two donations 'I Knew The Bride' and Let's Eat" while Wreckless Eric's incoherent set is saved from utter failure by his connecting extemporeaneous raps.

Side Two is an improvement — it has to be with Costello singing 'I Just Don't Know What To Do With Myself' and 'Miracle Man' in such an indifferent way and Dury's defecating vocal style on 'Wake Up & Make Love With Me' followed by the Casanovian splendour of 'Billericay Dickie'.

But the side is ruined by is disastrous ensemble attempt at 'Sex And Drugs And Rock And Roll'. Appropriately chaotic on the night it nowhere near makes it on record.

Still. I guess it's worth having. But maybe, you'll all be better off with John Wayne's walk. Or Errol Flynn's swashbuckle. And did he have swashbuckle.


Tags: Stiff RecordsLive StiffsIan DuryNick LoweWreckless EricLarry WallisDave EdmundsI Knew The BrideWreckless EricI Just Don't Know What To Do With MyselfMiracle ManSex & Drugs & Rock & Roll


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Record Mirror, February 25, 1978


Barry Cain reviews Live Stiffs.


Tim Lott reviews Nick Lowe's Jesus Of Cool.

Images

page 19 - Nick Lowe, Jesus Of Cool page 20 - Live Stiffs
Page scans.


It'll cost you but it's worth it


Tim Lott

Nick Lowe
Jesus Of Cool

What is this thing called Lowe?

He is this, and that, and the other, too. ‘Pure Pop For Now People’ is the mystical announcement on the cover, but that’s just one of ol’ bleary eyes’ facets.

To deal with subject matter, Nick likes: Songs about the biz – ‘Music For Money’, ‘So It Goes’ ‘Shake And Pop’, occupying three spaces on this album.

Also: Songs about the biz-arre – ‘Marie Prevost’ tells the cautionary tale of a Hollywood actress who gets chomped by her Fidos, ‘Nutted By Reality’ which ostensibly, is about Fidel Castro being castrated (but for you deep bods it’s about living in the real world rather than on cloud nine).

Also: Fifties romance, ‘Little Hitler’ and especially ‘Tonight’ could have come from Dave Edmunds rock ‘n’ roll heart, so gushing and soft centred.

The sides of Lowe are all here, for they are legion. And they are special. At the butt of this review are five little crucifixes which means “unbeatable”.

That doesn’t mean to say I’m not disappointed or even worried. Because five of the 11 tracks, ‘Heart Of The City’, ‘So It Goes’, ‘Marie Prevost’, ‘I Love The Sound Of Breaking Glass’ and ‘They Call It Rock’ (retitled here as ‘Shake And Pop’) have been released already, leaving only six tracks at £3.79 for true fans who’ve already bought up the catalogue.

Music for money, eh Nick?



Transcribe.jpg


Cover.
1978-02-25 Record Mirror cover.jpg

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