Record Mirror, February 25, 1978: Difference between revisions

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{{:Record Mirror index}}
{{:Record Mirror index}}
{{Bibliography article header}}
{{Bibliography article header}}
<center><h3> Stiffs heroes </h3></center>
<center><h3> Stiff's heroes </h3></center>
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<center> Barry Cain </center>
<center> Barry Cain </center>
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'''Various artists <br>
'''Various artists: <br>
Stiffs Live Stiffs
''Stiffs Live Stiffs'' (Stiff Get1)<br>
{{Bibliography text 1}}
{{3.5of5stars}}
In the golden age of the movies the nign street cinema queues bought their tickets ror Astairees spats, Gable's dimples. Rogers' feathers. Taylor's. Arneche's, Flynn's. Donat's pencil moustaches — the personality as opposed to the plot In the platinum age of the movies attractiteur switched. The Intelligentsia itnci the increagingiy aware tretryie hip to fashionable directors. N*.' people got wet bet:luso of FellIni's flirtations. Russell's paranoia. KubrIk's fantasising.  
{{Bibliography text }}
In the golden age of the movies the high street cinema queues bought their tickets for Astaire's spats, Gable's dimples, Rogers' feathers. Taylor's. Arneche's, Flynn's, Donat's pencil moustaches — the personality as opposed to the plot.


Although not quite on the same scale — more of .trt abstract influence than an overwhelming belief —. punters are beginning to check out record txbetw And yes, it has been known for a fan to buy an album bearing a Stiff logo regardIervi of whatever artist happens to be etching his dreams on vinyl. No doubt their current offering will Invelele Itself into a few collections precisely because of that tact — but Castello and Fury have since transcended •./t, Stiff fa stiii ation.  
In the platinum age of the movies attractions switched. The intelligentsia and the increasingly aware became hip to fashionable directors. Now people got wet because of Fellini's flirtations. Russell's paranoia. Kubrik's fantasising.  


'Live Stiffs' Is a (2, irsi Reader's Digest version te., the recent lour with the aforementioned heroes ask* Nick Lowe. Wreckless Etic and Larry Wallis
Although not quite on the same scale — more of an abstract influence than an overwhelming belief — punters are beginning to check out record labels. And yes, it has been known for a fan to buy an album bearing a Stiff logo regardless of whatever artist happens to be etching his dreams on vinyl. No doubt their current offering will inveigle itself into a few collections precisely because of that fact — but Costello and Dury have since transcended the Stiff fascination.  


Now. epithets may hr etiquette when talking of Stiff but this album ain't as hot as ft could het*, been Atmosphere Is reduced because of elsomf. editing — each track fades out with :audit tot chePrA, pease, then Cheers intro A unoytng
''Live Stiffs'' is a £2.99 Reader's Digest version of the recent tour with the aforementioned heroes plus Nick Lowe, Wreckless Eric and Larry Wallis


The first side is nicked by WAIllit with a convincing rendition of •rolice Cars... Lowe, skied" by Dave Edmunds, never realty gets cooking on two donations 'I Knew The Bride' and Let's ter: while Wreckleics Eric's incoherent set is retired fr.* utter failure by his Connect:lie extempore:leo* raps.  
Now epithets may be etiquette when talking of Stiff but this album ain't as hot as it could have been. Atmosphere is reduced because of clumsy editing — each track fades out with audience cheers, pause, then cheers intro. Annoying.  


Side Two la an improvement — it has to be will CAxslello sing ing 'T Just Don't. Know What To Do Mel Myself and 'Miracle Man' In such an indifferss. way and Dury's defecating vocal style on 'Wake VP 11. Make Love With Me' followed by the CaSarketohn !splendour of 'RWericay Dickte
The first side is nicked by Wallis with a convincing rendition of 'Police Cars'. Lowe aided by Dave Edmunds, never really gets cooking on his two donations 'I Knew The Bride' and Let's Eat" while Wreckless Eric's incoherent set is saved from utter failure by his connecting extemporeaneous raps.  


But the side is ruined by is disastrous ensendbliiil attempt at 'Sex And Drugs And Rick And Roleti Appropriately chaotic on the night It nowhere neatl makes it on record.  
Side Two is an improvement — it has to be with Costello singing 'I Just Don't Know What To Do With Myself' and 'Miracle Man' in such an indifferent way and Dury's defecating vocal style on 'Wake Up & Make Love With Me' followed by the Casanovian splendour of 'Billericay Dickie'.  


Still. I guess it's worth having Rut maybe, youNiii all be better off with John Wayne's walk. Or Zvi* Flynn's swashbuckle And did he have swashbuckle.
But the side is ruined by is disastrous ensemble attempt at 'Sex And Drugs And Rock And Roll'. Appropriately chaotic on the night it nowhere near makes it on record.  


Still. I guess it's worth having. But maybe, you'll all be better off with John Wayne's walk. Or Errol Flynn's swashbuckle. And did he have swashbuckle.
{{cx}}
{{tags}}[[Stiff|Stiff Records]] {{-}} [[Live Stiffs]] {{-}} [[Ian Dury]] {{-}} [[Nick Lowe]] {{-}} [[Wreckless Eric]] {{-}} [[Larry Wallis]] {{-}} [[Dave Edmunds]] {{-}} [[I Knew The Bride]] {{-}} [[Wreckless Eric]] {{-}} [[I Just Don't Know What To Do With Myself]] {{-}} [[Miracle Man]] {{-}} [[Sex & Drugs & Rock & Roll]]
{{cx}}
{{cx}}
{{Transcription needed}}




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[[image:1978-02-25 Record Mirror page 20.jpg|x250px|page 20 - Live Stiffs]]
[[image:1978-02-25 Record Mirror page 20.jpg|x250px|page 20 - Live Stiffs]]
<br><small>Page scans.</small>
<br><small>Page scans.</small>





Revision as of 21:14, 10 March 2024

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Record Mirror

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Stiff's heroes


Barry Cain

Various artists:
Stiffs Live Stiffs (Stiff Get1)
3½ star (of 5) reviews3½ star (of 5) reviews3½ star (of 5) reviews3½ star (of 5) reviews3½ star (of 5) reviews

In the golden age of the movies the high street cinema queues bought their tickets for Astaire's spats, Gable's dimples, Rogers' feathers. Taylor's. Arneche's, Flynn's, Donat's pencil moustaches — the personality as opposed to the plot.

In the platinum age of the movies attractions switched. The intelligentsia and the increasingly aware became hip to fashionable directors. Now people got wet because of Fellini's flirtations. Russell's paranoia. Kubrik's fantasising.

Although not quite on the same scale — more of an abstract influence than an overwhelming belief — punters are beginning to check out record labels. And yes, it has been known for a fan to buy an album bearing a Stiff logo regardless of whatever artist happens to be etching his dreams on vinyl. No doubt their current offering will inveigle itself into a few collections precisely because of that fact — but Costello and Dury have since transcended the Stiff fascination.

Live Stiffs is a £2.99 Reader's Digest version of the recent tour with the aforementioned heroes plus Nick Lowe, Wreckless Eric and Larry Wallis

Now epithets may be etiquette when talking of Stiff but this album ain't as hot as it could have been. Atmosphere is reduced because of clumsy editing — each track fades out with audience cheers, pause, then cheers intro. Annoying.

The first side is nicked by Wallis with a convincing rendition of 'Police Cars'. Lowe aided by Dave Edmunds, never really gets cooking on his two donations 'I Knew The Bride' and Let's Eat" while Wreckless Eric's incoherent set is saved from utter failure by his connecting extemporeaneous raps.

Side Two is an improvement — it has to be with Costello singing 'I Just Don't Know What To Do With Myself' and 'Miracle Man' in such an indifferent way and Dury's defecating vocal style on 'Wake Up & Make Love With Me' followed by the Casanovian splendour of 'Billericay Dickie'.

But the side is ruined by is disastrous ensemble attempt at 'Sex And Drugs And Rock And Roll'. Appropriately chaotic on the night it nowhere near makes it on record.

Still. I guess it's worth having. But maybe, you'll all be better off with John Wayne's walk. Or Errol Flynn's swashbuckle. And did he have swashbuckle.


Tags: Stiff RecordsLive StiffsIan DuryNick LoweWreckless EricLarry WallisDave EdmundsI Knew The BrideWreckless EricI Just Don't Know What To Do With MyselfMiracle ManSex & Drugs & Rock & Roll


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Record Mirror, February 25, 1978


Barry Cain reviews Live Stiffs.


Tim Lott reviews Nick Lowe's Jesus Of Cool.

Images

page 19 - Nick Lowe, Jesus Of Cool page 20 - Live Stiffs
Page scans.


It'll cost you but it's worth it


Tim Lott

Nick Lowe
Jesus Of Cool

Record Mirror, February 25, 1978 -- Barry Cain reviews Live Stiffs. Tim Lott reviews Nick Lowe's Jesus Of Cool.






Transcribe.jpg


Cover.
1978-02-25 Record Mirror cover.jpg

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