Calgary Herald, May 4, 2008: Difference between revisions

From The Elvis Costello Wiki
Jump to navigationJump to search
(create page for Calgary Herald review of Momofuku)
 
(formatting / tidy)
Line 4: Line 4:
{{:Newspaper index}}
{{:Newspaper index}}
{{Bibliography article header}}
{{Bibliography article header}}
<center><h3>CD review: ''Momofuko'' by Elvis Costello — back in rock and roll mode </h3></center>
<center><h3> Momofuko by Elvis Costello — back in <br> rock and roll mode </h3></center>
----
----
<center> John Mackie </center>
<center> John Mackie </center>
----
----
{{4stars}}
{{Bibliography text}}
{{Bibliography text}}
'''MOMOFUKU'''<br>
'''Elvis Costello'''<br>
Lost Highway/Universal<br>
4 stars<br>
Elvis Costello does things differently.
Elvis Costello does things differently.


A couple of months ago, he went down to Los Angeles to guest on a new solo record by [[Jenny Lewis]], the singer in Rilo Kiley. He got inspired, wrote a bunch of songs, called in his bandmates, then recorded his own record in six days.
A couple of months ago, he went down to Los Angeles to guest on a new solo record by [[Jenny Lewis]], the singer in Rilo Kiley. He got inspired, wrote a bunch of songs, called in his bandmates, then recorded his own record in six days.


Two weeks ago, the record was released without any fanfare or hype - but only as a vinyl LP and digital download. This week it comes out on compact disc, still without any fanfare or hype.
Two weeks ago, the record was released without any fanfare or hype but only as a vinyl LP and digital download. This week it comes out on compact disc, still without any fanfare or hype.


Given the bang-bang way it came together, it's not all that surprising that it's a bit of a bang-bang record: Elvis is back in rock and roll mode.
Given the bang-bang way it came together, it's not all that surprising that it's a bit of a bang-bang record: Elvis is back in rock and roll mode.


Well, at least on some songs - Elvis Costello records tend to be stylistically varied. The opening [[No Hiding Place]] is a stomper with a wicked guitar line, while the raucous [[American Gangster Time]] could be an outtake from ''[[This Year's Model]]'', propelled by some wonderful  new wave-'60s organ from [[Steve Nieve|Steve Neive]]. The nastiest number is [[Stella Hurt]], which is as gnarly and lowdown as anything Costello has ever recorded.
Well, at least on some songs Elvis Costello records tend to be stylistically varied. The opening "[[No Hiding Place]]" is a stomper with a wicked guitar line, while the raucous "[[American Gangster Time]]" could be an outtake from ''This Year's Model'', propelled by some wonderful  new wave-'60s organ from [[Steve Nieve|Steve Neive]]. The nastiest number is "[[Stella Hurt]]," which is as gnarly and lowdown as anything Costello has ever recorded.


On the flip side, volume-wise, there's a lovely ballad about fatherhood called [[My Three Sons]] which features Elvis at his most tender and lyrically direct. [[Song With Rose]] (co-written by [[Rosanne Cash]]) has a majestic feel enhanced by the use of 12-string and steel guitar, while [[Pardon Me, Madam, My Name Is Eve|Pardon Me Madam, My Name Is Eve]] is a slinky, slow-burning ballad (the title came from [[Loretta Lynn]], who Elvis recently wrote some songs with).
On the flip side, volume-wise, there's a lovely ballad about fatherhood called "[[My Three Sons]]" which features Elvis at his most tender and lyrically direct. "[[Song With Rose]]" (co-written by [[Rosanne Cash]]) has a majestic feel enhanced by the use of 12-string and steel guitar, while "[[Pardon Me, Madam, My Name Is Eve|Pardon Me Madam, My Name Is Eve]]" is a slinky, slow-burning ballad (the title came from [[Loretta Lynn]], who Elvis recently wrote some songs with).


Jenny Lewis chips in some harmonies, and her band joins Costello's [[Imposters]] on a couple of songs, making for a nine-piece ensemble (a nonet). In a release Elvis describes the resulting sound as "a fine old noise," an apt description for all of ''Momofuku''.
Jenny Lewis chips in some harmonies, and her band joins Costello's [[Imposters]] on a couple of songs, making for a nine-piece ensemble (a nonet). In a release Elvis describes the resulting sound as "a fine old noise," an apt description for all of ''Momofuku''.
Line 35: Line 31:
'''Calgary Herald, May 4, 2008
'''Calgary Herald, May 4, 2008
----
----
[[John Mackie]] review [[Momofuku]].
[[John Mackie]] reviews ''[[Momofuku]]''.


{{Bibliography images}}
{{Bibliography images}}


[[Image:Momofuku album cover.jpg|x240px|border]]
[[image:Momofuku album cover.jpg|x180px|border]]


{{Bibliography notes footer}}
{{Bibliography notes footer}}
Line 49: Line 45:
*[http://en.wikipedia.org/wiki/Calgary_Herald Wikipedia: Calgary Herald]
*[http://en.wikipedia.org/wiki/Calgary_Herald Wikipedia: Calgary Herald]


 
{{DEFAULTSORT:Calgary Herald 2008-05-04}}
[[Category:Bibliography|Calgary Herald 2008-05-04]]
[[Category:Bibliography]]
[[Category:Bibliography 2008|Calgary Herald 2008-05-04]]
[[Category:Bibliography 2008]]
[[Category:Calgary Herald| Calgary Herald 2008-05-04]]
[[Category:Calgary Herald| Calgary Herald 2008-05-04]]
[[Category:Newspaper articles|Calgary Herald 2008-05-04]]
[[Category:Newspaper articles]]
[[Category:Album reviews|Calgary Herald 2008-05-04]]
[[Category:Album reviews]]
[[Category:Momofuku reviews]]
[[Category:Momofuku reviews]]

Revision as of 02:48, 9 March 2015

... Bibliography ...
727677787980818283
848586878889909192
939495969798990001
020304050607080910
111213141516171819
202122232425 26 27 28


Calgary Herald

Newspapers
-

Momofuko by Elvis Costello — back in
rock and roll mode


John Mackie

4-star reviews4-star reviews4-star reviews4-star reviews

Elvis Costello does things differently.

A couple of months ago, he went down to Los Angeles to guest on a new solo record by Jenny Lewis, the singer in Rilo Kiley. He got inspired, wrote a bunch of songs, called in his bandmates, then recorded his own record in six days.

Two weeks ago, the record was released without any fanfare or hype — but only as a vinyl LP and digital download. This week it comes out on compact disc, still without any fanfare or hype.

Given the bang-bang way it came together, it's not all that surprising that it's a bit of a bang-bang record: Elvis is back in rock and roll mode.

Well, at least on some songs — Elvis Costello records tend to be stylistically varied. The opening "No Hiding Place" is a stomper with a wicked guitar line, while the raucous "American Gangster Time" could be an outtake from This Year's Model, propelled by some wonderful new wave-'60s organ from Steve Neive. The nastiest number is "Stella Hurt," which is as gnarly and lowdown as anything Costello has ever recorded.

On the flip side, volume-wise, there's a lovely ballad about fatherhood called "My Three Sons" which features Elvis at his most tender and lyrically direct. "Song With Rose" (co-written by Rosanne Cash) has a majestic feel enhanced by the use of 12-string and steel guitar, while "Pardon Me Madam, My Name Is Eve" is a slinky, slow-burning ballad (the title came from Loretta Lynn, who Elvis recently wrote some songs with).

Jenny Lewis chips in some harmonies, and her band joins Costello's Imposters on a couple of songs, making for a nine-piece ensemble (a nonet). In a release Elvis describes the resulting sound as "a fine old noise," an apt description for all of Momofuku.

-

Calgary Herald, May 4, 2008


John Mackie reviews Momofuku.

Images

Momofuku album cover.jpg

-



Back to top

External links