Houston Chronicle, July 27, 2005: Difference between revisions
(.+Texas publications index) |
(+US publications by state index) |
||
Line 3: | Line 3: | ||
{{:Houston Chronicle index}} | {{:Houston Chronicle index}} | ||
{{:Texas publications index}} | {{:Texas publications index}} | ||
{{:US publications by state index}} | |||
{{Bibliography article header}} | {{Bibliography article header}} | ||
<center><h3>Instincts led Elvis Costello to America's{{nb}}backwaters </h3></center> | <center><h3>Instincts led Elvis Costello to America's{{nb}}backwaters </h3></center> | ||
Line 13: | Line 14: | ||
There's no doubt that Elvis Costello launched his musical trip years ago with a firm grasp on rock's roots, his biting British pop molded with a nod to the throwback sound, even look, of the 1950s. | There's no doubt that Elvis Costello launched his musical trip years ago with a firm grasp on rock's roots, his biting British pop molded with a nod to the throwback sound, even look, of the 1950s. | ||
But as Costello arrived at last fall's '' | But as Costello arrived at last fall's ''The Delivery Man'', his latest creative detour, in a career that's become defined by them, he found himself quite literally at the crossroads — in the heart of Clarksdale, Miss. Nearly three decades after landing on the budding punk and new wave scene with a blast of whip-smart pub rock, Costello had made his way to the ancient cradle of Delta blues. | ||
'' | ''The Clarksdale Sessions'', a seven-song set available on vinyl and on a newly beefed-up edition of ''Delivery Man'', showcases the artist's head-first plunge into the American backwaters where the proteins and polymers of rock came to life. | ||
"I didn't really think, 'OK, we're going to the roots now,' " Costello says. "But I know that in the last five or six years, when I've picked up the guitar, I've felt more of a relationship to the blues than I had in the past." | "I didn't really think, 'OK, we're going to the roots now,' " Costello says. "But I know that in the last five or six years, when I've picked up the guitar, I've felt more of a relationship to the blues than I had in the past." | ||
You can find the preliminary traces of evidence on 2002's '' | You can find the preliminary traces of evidence on 2002's ''When I Was Cruel'', his first straight rock record after a series of collaborations with pop traditionalist Burt Bacharach. Costello says that while the connections have been overlooked by many fans, a fiercely devoted bunch that doesn't miss much, he sees a direct lineage between such bare cuts as that album's "[[Dust 2...|Dust 2" and the new "[[Needle Time]]." | ||
Costello's Southern sojourn was "a chance thing," he says — much like the other stylistic twists and turns in a recent period that has seen him embrace jazz, score an Italian symphony and marry Canadian trad-pop vocalist | Costello's Southern sojourn was "a chance thing," he says — much like the other stylistic twists and turns in a recent period that has seen him embrace jazz, score an Italian symphony and marry Canadian trad-pop vocalist Diana Krall. | ||
"It's been a musical instinct every time, not what was right commercially or anything like that," says Costello, whose country dabbling stretches back to an unreleased 1977 duet with | "It's been a musical instinct every time, not what was right commercially or anything like that," says Costello, whose country dabbling stretches back to an unreleased 1977 duet with George Jones. "When I was on the road in 2002, we happened to play the tail end of the tour in the South. I had this feeling that it was the right place to keep working. | ||
"I needed something the band could thrive on musically. We needed songs that could hold their own in the set against these songs that have been around for 25 years." | "I needed something the band could thrive on musically. We needed songs that could hold their own in the set against these songs that have been around for 25 years." | ||
Line 29: | Line 30: | ||
He didn't just toy around. Resurrecting songs he'd begun writing in the late '90s, Costello headed to Clarksdale to record the storytelling fare of ''Delivery Man'', cast in the vintage musical mold of 1940s Americana. | He didn't just toy around. Resurrecting songs he'd begun writing in the late '90s, Costello headed to Clarksdale to record the storytelling fare of ''Delivery Man'', cast in the vintage musical mold of 1940s Americana. | ||
The seeds of his new summer tour were planted last fall. Performing at a tiny Memphis club with his band | The seeds of his new summer tour were planted last fall. Performing at a tiny Memphis club with his band the Imposters — a set filmed for the new ''[[Club Date: Live In Memphis|Live in Memphis]]'' DVD — Costello was joined by the velvet-voiced Emmylou Harris for a five-song stretch. | ||
"The grace she brings to the stage is just something else," he says. | "The grace she brings to the stage is just something else," he says. | ||
Line 35: | Line 36: | ||
Costello goes out of his way to clear up misconceptions about the new tour with Harris, which has been mislabeled in some quarters as a double-headlining affair. In fact, "she's actually in the band," Costello says — "the featured singer in a portion of the show. Her numbers will be inside our set. Don't get there late, because you'll miss something." | Costello goes out of his way to clear up misconceptions about the new tour with Harris, which has been mislabeled in some quarters as a double-headlining affair. In fact, "she's actually in the band," Costello says — "the featured singer in a portion of the show. Her numbers will be inside our set. Don't get there late, because you'll miss something." | ||
The tight, two-part harmony isn't the only new element in Costello's set. The show, which features Costello standards among the new rootsy material, benefits from the versatility of the Imposters, a crack band with guitarist-vocalist | The tight, two-part harmony isn't the only new element in Costello's set. The show, which features Costello standards among the new rootsy material, benefits from the versatility of the Imposters, a crack band with guitarist-vocalist Davey Faragher joining longtime players Steve Nieve (keyboard) and Pete Thomas (drums), and guitarist Larry Campbell, who logged seven years in Bob Dylan's touring band, will take the stage for a handful of numbers. | ||
"I've got a pretty great band, and I know they can surprise me — suddenly the picture emerging around me onstage might nudge me to sing a different way," Costello says. "It's a different kind of band for me, very much rooted in the relationship between the bass and drums. I've been drawn more toward that kind of sound, coincidentally, now that I've got it at my disposal." | "I've got a pretty great band, and I know they can surprise me — suddenly the picture emerging around me onstage might nudge me to sing a different way," Costello says. "It's a different kind of band for me, very much rooted in the relationship between the bass and drums. I've been drawn more toward that kind of sound, coincidentally, now that I've got it at my disposal." | ||
Line 56: | Line 57: | ||
'''Houston Chronicle, July 27, 2005 | '''Houston Chronicle, July 27, 2005 | ||
---- | ---- | ||
[[Brian McCollum]] interviews | [[Brian McCollum]] interviews EC about the recording of ''[[The Delivery Man]]'' and ''[[The Clarksdale Sessions]]''. | ||
{{Bibliography no images}} | {{Bibliography no images}} |
Revision as of 04:44, 12 March 2019
|