New Musical Express, April 22, 1978

Bibliography   72 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 UK & Ireland weeklies UK & Ireland magazines UK & Ireland newspapers US newspapers US rock magazines US music magazines US magazines US alternative weeklies European magazines European newspapers Canada  •  Mexico  •  Asia Australia  •  New Zealand South America  •  Africa Blogs  •  Fanzines  •  Books Online publications NME   1952 October 17 1953 December 18 1973 July 14 1974 March 30 1976 November 6 1977 March 26 1977 April 9 1977 July 23 1977 July 30 1977 August 6 1977 August 13 1977 August 20 1977 August 27 1977 September 3 1977 September 10 1977 September 17 1977 October 1 1977 October 8 1977 October 15 1977 October 22 1977 October 29 1977 November 5 1977 December 17 1977 December 24 1978 January 7 1978 January 21 1978 January 28 1978 February 11 1978 February 18 1978 March 4 1978 March 11 1978 March 18 1978 March 25 1978 April 8 1978 April 15 1978 April 22 1978 April 29 1978 September 16 1978 September 30 1978 October 21 1978 October 28 1978 November 11 1978 November 25 1978 December 2 1978 December 9 1978 December 23 1979 January 6 1979 January 13 1979 January 20 1979 January 27 1979 February 3 1979 February 10 1979 March 31 1979 April 7 1979 April 14 1979 May 12 1979 May 19 1979 June 2 1979 June 9 1979 November 24 1979 December 1 1979 December 22 1980 January 5 1980 January 12 1980 January 19 1980 January 26 1980 February 9 1980 February 16 1980 March 8 1980 April 5 1980 April 12 1980 June 14 1980 June 21 1980 June 28 1980 August 16 1980 August 23 1980 August 30 1980 September 6 1980 September 20 1980 September 27 1980 October 4 1980 October 11 1980 November 22 1980 December 6 1980 December 20 1981 January 3 1981 January 10 1981 January 17 1981 January 24 1981 February 14 1981 February 28 1981 April 4 1981 April 11 1981 April 18 1981 May 2 1981 May 16 1981 June 6 1981 June 13 1981 June 20 1981 July 4 1981 August 8 1981 August 29 1981 September 5 1981 October 3 1981 October 17 1981 October 24 1981 November 7 1981 November 14 1981 November 28 1981 December 19 1982 January 9 1982 January 16 1982 January 23 1982 January 30 1982 April 3 1982 May 15 1982 May 22 1982 June 12 1982 June 26 1982 July 3 1982 July 31 1982 August 21 1982 September 11 1982 September 18 1982 October 30 1982 December 25 1983 January 8 1983 January 15 1983 February 26 1983 March 12 1983 May 28 1983 July 2 1983 July 9 1983 July 30 1983 August 6 1983 August 13 1983 August 20 1983 September 3 1983 September 10 1983 October 1 1983 October 8 1983 October 15 1983 November 19 1983 November 26 1983 December 10 1983 December 17 1983 December 24 1984 January 7 1984 January 14 1984 February 4 1984 April 21 1984 April 28 1984 August 4 1984 August 11 1984 September 29 1984 October 6 1984 October 13 1984 October 20 1984 December 15 1985 February 23  1985 March 23 1985 March 30 1985 May 4 1985 May 11 1985 May 18 1985 June 1 1985 November 30 1986 January 25 1986 February 1 1986 February 22 1986 March 1 1986 May 31 1986 July 26 1986 August 2 1986 August 9 1986 August 16 1986 September 13 1986 September 20 1986 November 29 1986 December 20 1987 January 24  1987 January 31 1987 February 7 1987 February 14 1987 June 6 1987 June 27 1987 September 19 1987 November 7 1987 December 5 1988 January 2 1988 May 14 1988 June 4 1988 September 24 1988 November 19 1989 January 28 1989 February 4 1989 February 11 1989 February 18 1989 February 25 1989 April 22 1989 April 29  1989 May 13 1989 May 27 1989 June 24 1989 July 1 1989 September 16 1989 October 28 1991 May 18 1991 June 8 1991 July 13 1991 July 27 1991 August 3 1991 August 17 1991 September 28 1992 May 2 1992 September 26 1993 January 23 1993 March 6 1993 March 13 1993 October 30 1993 December 11 1993 December 25 1994 February 26 1994 March 5 1994 April 30 1994 May 28 1994 July 2 1994 July 9 1994 July 16 1994 November 12 1994 November 19 1994 December 24 1995 April 8 1995 May 13 1995 May 20 1995 May 27 1995 June 17 1995 August 19 1996 May 11 1996 June 29 1996 July 20 1998 May 2 1998 October 3 1998 October 10 1998 November 14 1999 May 1 2000 May 3 2000 July 24 2000 November 3 2001 March 8 2001 March 23   2001 March 28 2002 April 20 2005 February 5 2008 May 30  2013 September 14 2015 October 23 2015 Special Edition 2018 June 18 2018 July 27 2020 October 3 2021 March 28 2021 July 18 2021 October 27 2022 May 30  2023 February 18  — Why don't you tell me about the mystery bass? Neil Peters Elvis Costello And The Attractions Roundhouse You can always tell when an act has made it in big way because you find some shady-looking types milling around outside a gig by the act in question, asking if you "Wanna buy a ticket, guy?" or if you've "Got any spare tickets?" On this occasion however, it appeared that few punters wanted to knows shout the touts' exorbitant prices or, for that matter about the management's generous refund offer (the reasons for which you probably know already, so I won't bother repeating them) — a smart move, as it turned out because Costello and various Attractions, despite obvious difficulties, made this, the first of their two London dates, a triumphant climax to their first motor headlining tour. But, first, brief mentions for the two support acts. The Mickey Jupp Band, led by yet another of the sons of Canvey Island with Mick Grabham (ex-Procol Harum, for all you useless fax 'n' info freaks) on lead guitar, were on first and played a predictable, and sometimes sluggish rocka-boogie set. I yawned twice near the end. Can't say I was swept off my feet by Whirlwind, either (geddit?). I know next to nothing when it comes to rockabilly, but these boys sounded authentic enough to me, although their material is too samey. Still, they were called back for an encore and I only yawned once. After that, the roadies set up the Attractions' complete stage gear, so it was clear that a replacement for Bruce Thomas had been found, but no one was letting on as to the identity of the mystery bassist — it seemed that Elvis wanted to keep the punters guessing. Then suddenly, completely unannounced (oh, the drama of it all!), Elvis runs on alone, bows (!), stares at the crowd, and starts to play a song called, I think, "She'll Be The One," on his guitar. The song over, he pauses to say "Good evening. How are you?" to smile even, before playing "Chemistry Class." Still no mention of the replacement bassist, until he introduces Pete Thomas and Steve Naive and then... is it? ... no, but it can't be... yes it is — Nick Lowe, who proceeds to play perfectly sound bass throughout the set. The last time I saw Elvis was in August of last year when he was still playing weekly gigs at the Nashville. He was good, sure, but I felt that he was performing at rather than for, the audience. No such qualms this time, however, he immediately seemed more confident and relaxed, no doubt the effect of assorted Stiff and American tours, but was still just as charismatic a performer. The sound was better too, so I could hear the keyboards properly and Steve Naive, his gaunt features offset by a pair of round shades so that he looked like nothing so much as some giant insect, proved, with only an electric piano and a Vox Continental, how utterly unnecessary synthesisers are (for all their supposed versatility). There were times when the Attractions could have been accused of over-speeding so it was the slower numbers that tended to stand out — "Waiting For The End Of The World," "Less Than Zero," and even "Chelsea" all made their studio counterparts sound, well, a little tame. An agreeable surprise also to bear the Attractions version of "Alison" not as poignant as the one which graces the grooves of My Aim Is True but I suppose that's asking too much, and in an extended "Watching The Detectives" Elvis' uneasy listening became uneasier still. They were called back for "Mystery Dance" with Phil Lynott on bass, who obliged with one clenched-fist salute as he left the stage, but there was no way the crowd was going to let them off a second encore so Elvis returned, looking somewhat chuffed at his reception, and explained that they didn't know any more songs ("I'm Not Angry," "Lipstick Vogue," and "Night Rally" were all conspicuous by their absence from the set, but credit where it's due — Basher had performed admirably) so Nick was going to sing "Heart Of The City," and so he did. And that was it. Probably not the best gig Elvis and The Attractions have ever played but, considering the circumstances, still worthy of the highest praise and good enough to make monkeys of most other bands. I didn't yawn once. << >> New Musical Express, April 22, 1978 Neil Peters reviews Elvis Costello & The Attractions with guests Nick Lowe and Phil Lynott and opening acts Whirlwind and Mickey Jupp, Saturday, April 15, 1978, Roundhouse, London. News Round-up previews the single for "Radio, Radio" and the start of the 3rd US tour with Johnny Ciambotti subbing for Bruce Thomas. This Year's Model is No. 10 on the album chart; "(I Don't Want To Go To) Chelsea" is No. 19 on the singles chart (page 2). Images   Photo by Chalkie Davies. Elvis Costello News round-up Elvis Costello has a new single out on Radar on April 28, titled "Pump It Up." The B-side "Big Tears" features Clash guitarist Mick Jones. Elvis flew to to America this week and, for the first week of his tour, he'll be using guest bassist John Ciambotti from Clover. It's expected that regular bassist Bruce Thomas, currently nursing a hand injury, will then be fit to join him... Nick Lowe's new single, "Little Hitler" / "Cruel To Be kind" is a May 5 release, also on Radar. Photos by Chalkie Davies and Gary Merrin. Cover and page scan.

External links

• Wikipedia: NME