New Musical Express, December 22, 1979

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NME

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Nick Lowe competition: Final week


NME

If you want a weekend in the studio with Nick Lowe now is the time to send in your cassette tapes.

Now here are the rules in full:

1) Every contestant is required to submit one (and only one) original song performed by themselves on a clean cassette tape together with a typewritten lyric sheet. If there is more than one song on the cassette the contestant will be disqualified.
Important: No reel-to-reel tapes, acetate demos, privately made records, sheet music, videos or in-person auditions will be accepted as an official entry.

2) All entries must be accompanied by all three NME official competition vouchers, the cassette cover official entry form on the left of the page is the third voucher and must be completed correctly and used in the manner stated below. No photostats will be accepted.

3) All contestants by signing the official declaration on the entry form will be declaring:

(a) that the entry submitted is of their own work and performed by them.
(b) that they have no existing recording or publishing contracts or any currently pending with any record label or music publishing house.
(c) that they own the exclusive copyright to both the song and the recording submitted. In other words, nobody else has any legal claim to it.
(d) that previous to entering this competition, a contestant hasn't held a professional recording contract with either a label or a production company. An ex-member of a recording group who is no longer professional or bound to any existing contracts is still eligible.

4) Any contestant who has privately financed, recorded, pressed and distributed their own record can enter, but only if that record was not financed (wholly or partly) by a known recording company or distributor. If you have made a record on your own label, neither that song nor the recording will be accepted as an official entry.

5) This competition is open to everyone from soloists to groups and orchestras.

6) No tapes will be returned. And positively no dialogue, written or verbal, will be entered into with either contestants , anyone acting on their behalf, managers, publicists or protective mothers. Also entries cannot be delivered to the NME offices.

Important: Should any of these rules be violated, if tapes are sent in without all vouchers and entry form, the offenders will automatically be disqualified.

This competition is open to all readers in the UK, Eire, Isle Of Man and the Channel Islands, except employees (and the families) of IPC Magazines Ltd, the printers of New Musical Express, the staff of Riviera-Global, Rockpile and Elvis Costello & The Attractions. The Editor's decision is final and the results will be published in a future edition of NME.

Once the winner has been chosen and notified, a recording session will be arranged at a mutually agreeable time with Nick Lowe producing. Once the session has been completed, the two-inch master tape together with the quarter-inch mixed copy tape will become the exclusive property of that act officially judged the winner by Nick Lowe and his manager Jake Riviera in the collaboration with NME's Neil Spencer and Roy Carr. The winner is free to dispose of the tape in whatever manner they wish. However, in such shark-infested waters, to assure fair play and to avoid a rip-off, both Nick Lowe and Jake Riviera (Riviera-Global) will offer advice about securing a favourable label deal without getting burned.

All entries must be received by Monday, January 15, 1980. Just complete the entry form on the left of the page, place it inside the cassette cover and along with your type-written lyric sheet send it to:

Nick Lowebrau Competition, 55 Ewer Street, London, SE99 6YP.


Tags: Jake RivieraAmericathonCrawling To The USARadar RecordsRiviera GlobalGet Happy!!Nick LoweI Stand AccusedRockpileThe AttractionsThe MerseybeatsThe SpecialsStephen StillsNeil SpencerRoy Carr

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New Musical Express, December 22, 1979


A competition to win studio time with Nick Lowe reaches its final week.


Mark Ellen updates EC's activities — appearing in Americathon, touring France and Portugal, and recording the new album (Get Happy!!).

Images

1979-12-22 New Musical Express page 18 clipping 02.jpg
Clipping.


Yeah, whatever did happen to..?


Mark Ellen

Remember Meatloaf? Costello? Springsteen, anyone? Do the words 'Bee Gees' ring any bells? And who were X-Ray Spex, or TRB? And Why?

Extract:

1979-12-22 New Musical Express page 18 clipping 01.jpg

And talking of movies, a line to Costello's manager, Jake Riviera, reveals that Elvis was also roped into the notorious Americathon. Remembering that the UK's the 54th state in the Hebrab-owned USA, Brit pop-star Earl Manchester (that's ole four-eyes to you and me) is this country's only saleable product and appears for a fleeting moment to perform "Crawling To The USA."

Apart from producing The Specials and calling Stephen Stills "old tin nose" in a Chicago bar-room brawl, we've neither seen nor heard too much about Elvis these last 12 months. But as clearly outlined by Riviera, he's hardly been out of work and is currently touring France and Portugal.

The demise of the Radar label has been largely responsible for denying him any further releases. The new album's finished, recorded in Holland and produced again by Nick Lowe, but it won't be in the racks for "a few months yet." Elvis has also nailed down a 4-track of non-originals, including The Merseybeats' "I Stand Accused."



Photo by Chalkie Davies
1979-12-22 New Musical Express photo 01 cd.jpg


Cover.
1979-12-22 New Musical Express cover.jpg

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