New Musical Express, June 14, 1980

Bibliography   72 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 UK & Ireland weeklies UK & Ireland magazines UK & Ireland newspapers US newspapers US rock magazines US music magazines US magazines US alternative weeklies European magazines European newspapers Canada  •  Mexico  •  Asia Australia  •  New Zealand South America  •  Africa Blogs  •  Fanzines  •  Books Online publications NME   1952 October 17 1953 December 18 1973 July 14 1974 March 30 1976 November 6 1977 March 26 1977 April 9 1977 July 23 1977 July 30 1977 August 6 1977 August 13 1977 August 20 1977 August 27 1977 September 3 1977 September 10 1977 September 17 1977 October 1 1977 October 8 1977 October 15 1977 October 22 1977 October 29 1977 November 5 1977 December 17 1977 December 24 1978 January 7 1978 January 21 1978 January 28 1978 February 11 1978 February 18 1978 March 4 1978 March 11 1978 March 18 1978 March 25 1978 April 8 1978 April 15 1978 April 22 1978 April 29 1978 September 16 1978 September 30 1978 October 21 1978 October 28 1978 November 11 1978 November 25 1978 December 2 1978 December 9 1978 December 23 1979 January 6 1979 January 13 1979 January 20 1979 January 27 1979 February 3 1979 February 10 1979 March 31 1979 April 7 1979 April 14 1979 May 12 1979 May 19 1979 June 2 1979 June 9 1979 November 24 1979 December 1 1979 December 22 1980 January 5 1980 January 12 1980 January 19 1980 January 26 1980 February 9 1980 February 16 1980 March 8 1980 April 5 1980 April 12 1980 June 14 1980 June 21 1980 June 28 1980 August 16 1980 August 23 1980 August 30 1980 September 6 1980 September 20 1980 September 27 1980 October 4 1980 October 11 1980 November 22 1980 December 6 1980 December 20 1981 January 3 1981 January 10 1981 January 17 1981 January 24 1981 February 14 1981 February 28 1981 April 4 1981 April 11 1981 April 18 1981 May 2 1981 May 16 1981 June 6 1981 June 13 1981 June 20 1981 July 4 1981 August 8 1981 August 29 1981 September 5 1981 October 3 1981 October 17 1981 October 24 1981 November 7 1981 November 14 1981 November 28 1981 December 19 1982 January 9 1982 January 16 1982 January 23 1982 January 30 1982 April 3 1982 May 15 1982 May 22 1982 June 12 1982 June 26 1982 July 3 1982 July 31 1982 August 21 1982 September 11 1982 September 18 1982 October 30 1982 December 25 1983 January 8 1983 January 15 1983 February 26 1983 March 12 1983 May 28 1983 July 2 1983 July 9 1983 July 30 1983 August 6 1983 August 13 1983 August 20 1983 September 3 1983 September 10 1983 October 1 1983 October 8 1983 October 15 1983 November 19 1983 November 26 1983 December 10 1983 December 17 1983 December 24 1984 January 7 1984 January 14 1984 February 4 1984 April 21 1984 April 28 1984 August 4 1984 August 11 1984 September 29 1984 October 6 1984 October 13 1984 October 20 1984 December 15 1985 February 23  1985 March 23 1985 March 30 1985 May 4 1985 May 11 1985 May 18 1985 June 1 1985 November 30 1986 January 25 1986 February 1 1986 February 22 1986 March 1 1986 May 31 1986 July 26 1986 August 2 1986 August 9 1986 August 16 1986 September 13 1986 September 20 1986 November 29 1986 December 20 1987 January 24  1987 January 31 1987 February 7 1987 February 14 1987 June 6 1987 June 27 1987 September 19 1987 November 7 1987 December 5 1988 January 2 1988 May 14 1988 June 4 1988 September 24 1988 November 19 1989 January 28 1989 February 4 1989 February 11 1989 February 18 1989 February 25 1989 April 22 1989 April 29  1989 May 13 1989 May 27 1989 June 24 1989 July 1 1989 September 16 1989 October 28 1991 May 18 1991 June 8 1991 July 13 1991 July 27 1991 August 3 1991 August 17 1991 September 28 1992 May 2 1992 September 26 1993 January 23 1993 March 6 1993 March 13 1993 October 30 1993 December 11 1993 December 25 1994 February 26 1994 March 5 1994 April 30 1994 May 28 1994 July 2 1994 July 9 1994 July 16 1994 November 12 1994 November 19 1994 December 24 1995 April 8 1995 May 13 1995 May 20 1995 May 27 1995 June 17 1995 August 19 1996 May 11 1996 June 29 1996 July 20 1998 May 2 1998 October 3 1998 October 10 1998 November 14 1999 May 1 2000 May 3 2000 July 24 2000 November 3 2001 March 8 2001 March 23   2001 March 28 2002 April 20 2005 February 5 2008 May 30  2013 September 14 2015 October 23 2015 Special Edition 2018 June 18 2018 July 27 2020 October 3 2021 March 28 2021 July 18 2021 October 27 2022 May 30  2023 February 18  — Cleave it out, Elvis! Frazer Clarke Elvis Costello And The Attractions Bataclan, Paris Lincoln, Yeovil, Paris, Lyon: from England's backwaters to the conurbations of France the Costello tour roars on, nightly refuelled by the energy it inspires. En route, keyboard player Steve Naive has had to pull out, the victim of a car crash. His replacement is a surprise, Martin Belmont, guitarist with The Rumour. The resultant twin-guitar based sound is a less sophisticated but funkier mix than before; James Brown's rough diamonds rather than the polished pearls of Smokey Robinson. It's certainly a sound suited to tonight's venue. Le Bataclan is a Parisian Marquee, cramped, seatless and sweaty with a strong reputation as France's home of blues and soul. As if in acknowledgement, The Attractions play Sonny Boy Williamson's "Help Me," a slow-burning, bubbling blues stew, with more than a taste of "Green Onions" thrown in. The song is one of a half dozen non-originals performed, which includes the other Elvis' "Little Sister," a lollipop already licked by Ry Cooder and now crunched and swallowed by The Attractions. Cooder stressed the seductive qualities in the number; Costello is out for retribution. Bitter resentment remains the stock-in-trade of Costello the songwriter, in spite of the almost "born again" joy of Costello the man. He is still passion's slave, the difference being that no longer does "everybody have to feel his pain." One can only assume that his Muse is treating him more kindly these days. The change in image is absolute, from the profuse thanks and garrulous stage chat (his accent is pure Liverpudlian) to the ecstatic squirming as Elvis repeats the final line of "Secondary Modern." Belmont's resonant guitar flourishes fade away with the song. Generally, the band seem happiest pelting through the set's fastest numbers. "Mystery Dance" and "Waiting For The End Of The World" (appropriately introduced as "a message from The Ayatollah") are revived with a double helping of brio and a mini-Niagara pours constantly from Costello's chin. It's during the atmospheric "Lipstick Vogue" and "Watching The Detectives" that Naive is most missed. Without the spooky hyphens provided by his organ, the central build-up of tension in "Lipstick Vogue" seems forced, with little connection with the rest of the tune. Visually, Martin Belmont seems out of place, and not just because he's inches taller than either Costello or Bruce Thomas. He's thickset and often wanders into Elvis' mid-stage territory, whereas the lightweight Naive's role was more peripheral, cordoned off by a barrier of keyboards. Naive's joyous leaps are replaced by Belmont's guitar-hero grimaces. The guitarist is obviously accustomed to playing in a more egalitarian organization, while Thomases Bruce and Pete seem content to be subordinate sidemen. (Pete sits calmly behind his drums, occasionally mouthing the lyrics, with a look so phlegmatic that you'd think his trousers would have to be on fire before he'd be disturbed.) But this is more than just a physical attraction, and it's churlish to belittle Belmont's success in fitting quite neatly into the band's sound — as well as adding a new dimension of his own — at short notice. The different approach is welcome in itself, and is accentuated in view of the precise, clipped sound which dominates Get Happy!! The contrast in guitar styles highlighted in "(I Don't Want To Go To) Chelsea" is a treat. Costello deals with solos the way a cleaver deals with meat, blitzing through to the bone. Belmont's style is more sustained and earthier, here complementing, there duelling with the man in the middle. Costello's voice is strained, it could do with oiling, but no one seems to notice and the cheers are raucous and constant. Whatever happened to Paris's aloof reserve? Tags: Bataclan  •  Paris  •  France  •  The Attractions  •  Martin Belmont  •  1980 UK Tour  •  Lincoln  •  Yeovil  •  1980 European Tour  •  Lyon  •  Steve Naive  •  James Brown  •  Smokey Robinson  •  Sonny Boy Williamson  •  Help Me  •  Elvis Presley  •  Little Sister  •  Ry Cooder  •  Secondary Modern  •  Mystery Dance  •  Waiting For The End Of The World  •  Lipstick Vogue  •  Watching The Detectives  •  Bruce Thomas  •  Pete Thomas  •  Get Happy!!  •  (I Don't Want To Go To) Chelsea  •  High Fidelity  •  F-Beat  •  Graham Parker  •  The Rumour  •  Hope And Anchor  •  New Amsterdam (single)  •  New Amsterdam  •  Ghost Train  •  Dr. Luther's Assistant  •  This Year's Model  •  Single Girl << >> New Musical Express, June 14, 1980 Frazer Clarke reviews Elvis Costello & The Attractions (with Martin Belmont subbing for Steve Nieve), Monday, May 5, 1980, Bataclan, Paris, France. Jerry-Lee Abbott reports on Steve Nieve's car accident, and on rumours that EC and the Attractions may split. Charles Shaar Murray reviews the single for "New Amsterdam," which is Bubbling Under on the singles chart (page 2). Images   Clippings. Attractions get unhappy Jerry Lee Abbott Steve Naive car crash; Solo projects abound; So do split rumours Elvis Costello and company are doing the mystery dance again. The latest spate of rumours and conjecture are already doing the rounds quicker than "High Fidelity" plummeted from the Fun Thirty. The story goes that a split between the minstrel and his musical accomplices could be on the cards in the light of Elvis's new Attractions-less EP and a forthcoming Attractions solo single with a possible album to follow. But the plan for myopic world domination, it transpires, has not suddenly slipped five gears into reverse. A spokesman for El's record label F-Beat tacitly denied even the remote possibility of a growing rift in the ranks: "There's no question of a break." Nonetheless, an ongoing Graham Parker And The Rumour situation appears to be developing within the set-up with Attractions Steve Naive, Bruce and Pete Thomas free to pursue projects outside their involvement with El. To this end, an F-Beat 45: "Single Girl," penned and sung by Naive will be asserting the band's new-found independence on July 4. The trio also have ready an album's worth of material, recorded in Holland around the same time as Get Happy, although it remains to be seen whether the eleven tracks, reportedly mainstream pop fare, surface as an LP or a stream of singles. Naive, meanwhile is still recovering from the after-effects of a car crash in Los Angeles in which a female passenger was killed. The crash meant that the band were forced to complete a two-month European tour plus one low key British gig at the Hope and Anchor last month without keyboards. The Rumour's Martin Belmont stood in on second guitar for the gig. Photos by Denis O'Regan and Mark Coleman.   New Amsterdam EP Charles Shaar Murray, Max Bell, Paul Rambali MB: That's my favourite song on the album, "New Amsterdam." CSM: Yeah, but is it a single? MB: I haven't thought about it... "Dr. Luther's Assistant" was an outtake from This Year's Model, wasn't it? PR: This is Elvis' Basement Tapes. That's enough of that. CSM: Really. Put the other side on. What's this one called? PR: "Ghost Train," it's an outtake from the last album. MB: They all are. Maybe we ought to make some attempt to find out. CSM: Sod it. Put another record on... MB: It's all psychedelic music. PR: Can I just say that Elvis Costello gets more surreal every time? It finishes with backward tapes. Cover and page scans.

External links

• NME.com
• Wikipedia: NME
• elviscostello.info
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