New Musical Express, May 12, 1979: Difference between revisions

From The Elvis Costello Wiki
Jump to navigationJump to search
(add transcribed text - remove Category:Transcription needed)
(formatting +Flickr: nothingelseon link)
Line 3: Line 3:
{{:NME index}}
{{:NME index}}
{{Bibliography article header}}
{{Bibliography article header}}
<center>'''AN ‘80s HERO FOR THE ‘60s'''</center>
<center><h3> An '80s hero for the '60s </h3></center>
<center><h3> Accidents Will Happen </h3></center>
<center>''' Elvis Costello ''' / Accidents Will Happen </center>
<center>''' Elvis Costello </center>
----
----
<center> Ian Penman </center>
<center> Ian Penman </center>
----
----
{{Bibliography text}}
{{Bibliography text}}
A big fiction-in-the-way is that singles (especially) have a ‘direct’ meaning or effect; this is obvious, we’re frequently told. It’s nothing of the sort. Singles have histories too.
A big fiction-in-the-way is that singles (especially) have a "direct" meaning or effect; this is obvious, we're frequently told. It's nothing of the sort. Singles have histories too.


‘Accidents Will Happen’ has a history. It stands for a subject and the ‘subject’ isn’t in the least bit deserving of public involvement viz, the idealogical onanism of Elvis Costello (whoever he is). A minor fiction-sticking-large is the idea that Costello’s barkings and/or whimperings are anything other than a slickly arranged glut of thematically consumable and satisfying images-cum-motifs.
"Accidents Will Happen" has a history. It stands for a subject and the "subject" isn't in the least bit deserving of public involvement viz, the idealogical onanism of Elvis Costello (whoever he is). A minor-fiction-sticking-large is the idea that Costello's barkings and/or whimperings are anything other than a slickly arranged glut of thematically consumable and satisfying images-cum-motifs.


The marketing history of Costello is implicated as an ideological form of fascism insofar as he (or the rock press?) sees his speciality as transcending determinations from the ''base'' of production (real social conditions). The marketing is a pile of grubby mystifications on the fact that the last people to know about (or care about) working-class culture i.e. R’n’R – are the industry’s venal ‘stars’.  idealogues and careerists.
The marketing history of Costello is implicated as an ideological form of fascism insofar as he (or the rock press?) sees his speciality as transcending determinations from the ''base'' of production (real social conditions). The marketing is a pile of grubby mystifications on the fact that the last people to know about (or care about) working-class culture i.e. R'n'R — are the industry's venal "stars," idealogues and careerists.
 
It is not odd to see a pushy little object-d'pseudo-art such as "Accidents Will Happen" (an LP track moderngraphic-ized and EP-ized to fulfil average market £sd sense criteria) separated from real (social) conditions and history of production if you bear in mind how totally bureaucratic and idealistic R'n'R still is.
 
Take this "hero" and shelve it.  


It is not odd to see a pushy little object-d’pseudo-art such as ‘Accidents Will Happen’ (an LP track moderngraphic-ized and EP-ized to fulfil average market £sd sense criteria) separated from real (social) conditions and history of production if you bear in mind how totally bureaucratic and idealistic R’n’R still is.
Take this ‘hero’ and shelve it. 
{{cx}}
{{cx}}


Line 36: Line 37:
<br><small>Page scan.</small>
<br><small>Page scan.</small>


<small>Cover.</small><br>
[[image:1979-05-12 New Musical Express cover.jpg|x120px|border]]
[[image:1979-05-12 New Musical Express cover.jpg|x120px|border]]
<br><small>Cover.</small>


{{Bibliography notes footer}}
{{Bibliography notes footer}}
Line 47: Line 48:
*[http://en.wikipedia.org/wiki/NME Wikipedia: NME]
*[http://en.wikipedia.org/wiki/NME Wikipedia: NME]
*[https://twitter.com/nothingelseon/status/1025992025370324992 Twitter: nothingelseon]
*[https://twitter.com/nothingelseon/status/1025992025370324992 Twitter: nothingelseon]
*[https://www.flickr.com/photos/nothingelseon/43856051691/in/album-72157671956816408/ Flickr: nothingelseon]


{{DEFAULTSORT:New Musical Express 1979-05-12}}
{{DEFAULTSORT:New Musical Express 1979-05-12}}

Revision as of 02:53, 30 November 2019

... Bibliography ...
727677787980818283
848586878889909192
939495969798990001
020304050607080910
111213141516171819
202122232425 26 27 28


NME

-

An '80s hero for the '60s

Elvis Costello / Accidents Will Happen

Ian Penman

A big fiction-in-the-way is that singles (especially) have a "direct" meaning or effect; this is obvious, we're frequently told. It's nothing of the sort. Singles have histories too.

"Accidents Will Happen" has a history. It stands for a subject and the "subject" isn't in the least bit deserving of public involvement — viz, the idealogical onanism of Elvis Costello (whoever he is). A minor-fiction-sticking-large is the idea that Costello's barkings and/or whimperings are anything other than a slickly arranged glut of thematically consumable and satisfying images-cum-motifs.

The marketing history of Costello is implicated as an ideological form of fascism insofar as he (or the rock press?) sees his speciality as transcending determinations from the base of production (real social conditions). The marketing is a pile of grubby mystifications on the fact that the last people to know about (or care about) working-class culture — i.e. R'n'R — are the industry's venal "stars," idealogues and careerists.

It is not odd to see a pushy little object-d'pseudo-art such as "Accidents Will Happen" (an LP track moderngraphic-ized and EP-ized to fulfil average market £sd sense criteria) separated from real (social) conditions and history of production if you bear in mind how totally bureaucratic and idealistic R'n'R still is.

Take this "hero" and shelve it.

-
<< >>

New Musical Express, May 12, 1979


Ian Penman reviews the single for "Accidents Will Happen."

Images

1979-05-12 New Musical Express page 23.jpg
Page scan.

Cover.
1979-05-12 New Musical Express cover.jpg

-



Back to top

External links