South Bend Tribune, November 2, 1986: Difference between revisions
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Since his beginnings in Buffalo Springfield in the '60s through the albums with Crosby, Stills and Nash, Crazy Horse and others, Neil Young has always recorded the music he wanted to with little regard for commercial considerations. That, and his recent work with "Farm-Aid" and other charities have earned him respect for his integrity and commitment, if not the multi-platinum sales of some less talented artists. | Since his beginnings in Buffalo Springfield in the '60s through the albums with Crosby, Stills and Nash, Crazy Horse and others, Neil Young has always recorded the music he wanted to with little regard for commercial considerations. That, and his recent work with "Farm-Aid" and other charities have earned him respect for his integrity and commitment, if not the multi-platinum sales of some less talented artists. | ||
Costello, on the other hand, has seemed to veer from near-success to commercial contempt at regular intervals. ''Blood & Chocolate'' is in turns, melodic and menacing, soothing and sardonic. While there are a wealth of textures and tempos to be relished by listeners, this album, like his 13 preceding is not likely to bring him the wild acclaim In the U.S. that would match his accomplishments in his native England. Perhaps he speaks of his career in "Battered Old Bird" from side two: "Well Here's a boy if ever there was / who's going to do big things / that's what they all say — and that's how the trouble begins." | Costello, on the other hand, has seemed to veer from near-success to commercial contempt at regular intervals. ''Blood & Chocolate'' is in turns, melodic and menacing, soothing and sardonic. While there are a wealth of textures and tempos to be relished by listeners, this album, like his 13 preceding is not likely to bring him the wild acclaim In the U.S. that would match his accomplishments in his native England. Perhaps he speaks of his career in "Battered Old Bird" from side two: ''"Well <!-- Here's --> there's a boy if ever there was / who's going to do big things / that's what they all say — and that's how the trouble begins."'' | ||
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{{tags}}[[ | {{tags}}[[The Attractions]] {{-}} [[The Confederates]] {{-}} [[James Burton]] {{-}} [[Jerry Scheff]] {{-}} [[King Of America]] {{-}} [[Blood & Chocolate]] {{-}} [[Spectacular Spinning Songbook]] {{-}} [[Ferry 'Cross The Mersey]] {{-}} [[Leave My Kitten Alone]] {{-}} [[Cinnamon Girl]] {{-}} [[(I Don't Want To Go To) Chelsea]] {{-}} [[Lovable]] {{-}} [[Less Than Zero]] {{-}} [[Alison]] {{-}} [[The Only Flame In Town]] {{-}} [[Inch By Inch]] {{-}} [[Goodbye Cruel World]] {{-}} [[Napoleon Dynamite]] {{-}} [[Pete Thomas]] {{-}} [[Bruce Thomas]] {{-}} [[Steve Nieve]] {{-}} [[Beyond Belief]] {{-}} [[No Action]] {{-}} [[The Beat]] {{-}} [[Radio, Radio]] {{-}} [[Pump It Up]] {{-}} [[Twist And Shout]] {{-}} [[Declan MacManus]] {{-}} [[Seven Day Weekend]] {{-}} [[Jimmy Cliff]] {{-}} [[Steve Jordan]] {{-}} [[Buffalo Springfield]] {{-}} [[Crosby, Stills, Nash & Young|Crosby, Stills And Nash]] {{-}} [[Battered Old Bird]] {{-}} [[Neil Young]] {{-}} [[Crazy Horse]] {{-}} [[Rosemont Theatre]] | ||
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{{Bibliography notes}} | {{Bibliography notes}} | ||
{{Bibliography next | |||
|prev = :Category:South Bend Tribune | |||
|next = South Bend Tribune, May 18, 1991 | |||
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'''South Bend Tribune, November 2, 1986 | '''South Bend Tribune, November 2, 1986 | ||
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Latest revision as of 01:02, 17 May 2024
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