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Very few modern pop artists have managed to delight, infuriate, intrigue and provoke quite so consistently as Elvis Costello over the last three decades.
Perhaps only Bob Dylan, Van Morrison and Neil Young can boast quite such a catalogue of complexity, and yet Costello still continues to rage against the complacency of so much modern popular music and refuses to stand still.
On Wednesday night, at the Palace Theatre, accompanied just by Steve Nieve on the keyboards as he was at the Apollo several months ago, Costello proceeded to gleefully reinvent vast chunks of his back catalogue whilst also treating us to a bevy of new material from the numerous projects he's currently working on.
This included a song cycle called The Delivery Man, a film called Prison Song and some plain and simple new songs.
Typically, Costello took the stage in semi-darkness, laying into a raucously confrontational affair called "Alibi."
Before the audience could fully recover from this unexpected onslaught. Costello and Nieve stunned the audience again with a relatively familiar tune, the "Man Out Of Time" from his lush Imperial Bedroom period, remodelled and stripped back to a state where it resembled nothing so much as the spooky sort of thing you might expect to hear accompanying an old black and white film chiller.
So it continued, with the audience not so much comforted by a stroll through some familiar favourites from Costello's older albums as expected to engage with those songs quite as vigorously as the artist himself seems determined to do.
This approach could only too easily have antagonised his audience, but instead it was accomplished instead with such a likeably self-deprecating and good humoured attitude that Elvis emerged unbowed and triumphant.
His aim, it seems clear, is still true.
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