La Stampa, June 17, 1989: Difference between revisions
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{{:Bibliography index}} | {{:Bibliography index}} | ||
{{:La Stampa index}} | {{:La Stampa index}} | ||
{{: | {{:Italy publications index}} | ||
{{:European publications by country index}} | |||
{{Bibliography article header}} | {{Bibliography article header}} | ||
<center>'''Via al tour Italiano'''</center> | <center>'''Via al tour Italiano'''</center> | ||
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<center>'''Concerto al Colosseo: biglietti da 23 a 33 mila lire. La collaborazione con Paul McCartney '''</center> | <center>'''Concerto al Colosseo: biglietti da 23 a 33 mila lire. La collaborazione con Paul McCartney '''</center> | ||
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{{GT | link= https://translate.google.com/translate?sl=it&tl=en&u=http%3A%2F%2Fwww.elviscostello.info%2Fwiki%2Findex.php%2FLa_Stampa%2C_June_17%2C_1989 }} | |||
<center>Noemi Romeo</center> | <center>Noemi Romeo</center> | ||
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Tra queste, due in particolare, "[[Veronica]]" già single-hit e "[[...This Town...|This Town]]", composte a quattro mani con l'ex [[Beatles]] e incluse in "Flowers in the dirt", fanno parte del suo ultimo album, "[[Spike]]". Un disco realizzato a sessanta mani, da [[Roger McGuinn]] alla [[The Dirty Dozen Brass Band|Dirty Dizen Bass Band]], da [[Chrissie Hynde]] fino allo stesso McCartney. con il quale Elvis Costello inaugura il tour italiano che partirà dal teatro Colosseo di Torino lunedi 19 giugno (33 mila lire le poltronissime, 28 mila le poltrone e 23 i posti in galleria). | Tra queste, due in particolare, "[[Veronica]]" già single-hit e "[[...This Town...|This Town]]", composte a quattro mani con l'ex [[Beatles]] e incluse in "Flowers in the dirt", fanno parte del suo ultimo album, "[[Spike]]". Un disco realizzato a sessanta mani, da [[Roger McGuinn]] alla [[The Dirty Dozen Brass Band|Dirty Dizen Bass Band]], da [[Chrissie Hynde]] fino allo stesso McCartney. con il quale Elvis Costello inaugura il tour italiano che partirà dal teatro Colosseo di Torino lunedi 19 giugno (33 mila lire le poltronissime, 28 mila le poltrone e 23 i posti in galleria). | ||
Anche con questo ultimo disco, Costello, che in vent'anni di carriera ha collezionato una serie infinita di pseudonimi ( | Anche con questo ultimo disco, Costello, che in vent'anni di carriera ha collezionato una serie infinita di pseudonimi (Declan McManus, [[Napoleon Dynamite|Napoleon]] e [[The Imposter (pseudonym)|The Imposter]]), si riconferma songwriter geniale, un musicista di culto per palati raffinati. Un artigiano delle sette note capace di sguazzare in acque rock come in quelle jazz, ma sempre mantenendo uno stile molto personale. Unico. Indimenticabile come i suoi concerti. | ||
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{{Bibliography notes}} | {{Bibliography notes}} | ||
{{Bibliography next | |||
|prev = La Stampa, June 16, 1989 | |||
|next = La Stampa, June 18, 1989 | |||
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'''La Stampa, June 17, 1989 | '''La Stampa, June 17, 1989 | ||
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{{Bibliography images}} | {{Bibliography images}} | ||
[[Image:1989-06-17 La Stampa clipping 01.jpg| | [[Image:1989-06-17 La Stampa clipping 01.jpg|300px]] | ||
<br><small>Clipping.</small> | <br><small>Clipping.</small> | ||
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The comparison with the "cockroach" born from his last LP collaboration with Paul McCartney, who together with him has found long lost atmosphere. Since those early years, in the coloured smoke of Liverpool, when alongside Lennon had free rein to put notes on notes like a tower of Babel. Elvis Costello, whose name recalls the spaghetti with meat sauce and sensual moves of the [[Elvis Presley|Presley]] myth, he did go back through the decades: Lennon as he too is a multi-faceted talent, who draws from jazz and rhythm and blues, country, such as by British folk, with a sardonic voice and caressing, sometimes a little ' melancholy, just like his songs. | The comparison with the "cockroach" born from his last LP collaboration with Paul McCartney, who together with him has found long lost atmosphere. Since those early years, in the coloured smoke of Liverpool, when alongside Lennon had free rein to put notes on notes like a tower of Babel. Elvis Costello, whose name recalls the spaghetti with meat sauce and sensual moves of the [[Elvis Presley|Presley]] myth, he did go back through the decades: Lennon as he too is a multi-faceted talent, who draws from jazz and rhythm and blues, country, such as by British folk, with a sardonic voice and caressing, sometimes a little ' melancholy, just like his songs. | ||
Among these, two in particular, "[[Veronica]]" and already hit-single "[[...This Town...|This Town]] ," composed for four hands with former [[Beatles]] and included in "Flowers in the Dirt ," are part of his latest album, "[[Spike]] ." A disc made to sixty hands, by [[Roger McGuinn]] at [[The Dirty Dozen Brass Band|Dizen | Among these, two in particular, "[[Veronica]]" and already hit-single "[[...This Town...|This Town]]," composed for four hands with former [[Beatles]] and included in "Flowers in the Dirt," are part of his latest album, "[[Spike]]." A disc made to sixty hands, by [[Roger McGuinn]] at [[The Dirty Dozen Brass Band|Dirty Dizen Bass Band]], [[Chrissie Hynde]] up to the same McCartney. with whom Elvis Costello opens his Italian tour which will start from the Coliseum theater in Turin on Monday June 19 (33 thousand Lira for the front stalls, 28,000 Lira chairs and 23,000 Lira seats in the gallery). | ||
Even with this latest album, Costello, that in twenty years of career he has racked up an endless series of pseudonyms ( Declan McManus, [[The Imposter]] and [[Napoleon Dynamite|Napoleon]]), confirms brilliant songwriter, a musician of worship for refined palates. A craftsman of the seven notes able to wade in the water as in the jazz rock, but always maintaining a very personal style. Unique. As unforgettable as his concerts. | Even with this latest album, Costello, that in twenty years of career he has racked up an endless series of pseudonyms (Declan McManus, [[The Imposter (pseudonym)|The Imposter]] and [[Napoleon Dynamite|Napoleon]]), confirms brilliant songwriter, a musician of worship for refined palates. A craftsman of the seven notes able to wade in the water as in the jazz rock, but always maintaining a very personal style. Unique. As unforgettable as his concerts. | ||
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[[Image:1989-06-17 La Stampa page 1.jpg| | [[Image:1989-06-17 La Stampa page 1.jpg|x300px]] | ||
<br><small>Page scan.</small> | <br><small>Page scan.</small> | ||
Latest revision as of 15:08, 26 February 2024
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